if i'd shaded k michelle as a ratchet reality tv joke while praising frank ocean would anyone have said a thing? (that's the subtext of all the "transcended r&b" stuff.) (and k michelle gets shaded every day on twitter for being a reality tv mess and it's deemed acceptable.)
― lex pretend, Wednesday, 24 August 2016 18:36 (eight years ago) link
If "Nikes" had come out a week or a month before the rest, it would get the credit it deserves.
― thrill of transgressin (Eazy), Monday, August 22, 2016 7:38 PM (2 days ago) Bookmark Flag Post Permalink
this is otm
― johnny crunch, Wednesday, 24 August 2016 20:39 (eight years ago) link
Hmm...
http://www.billboard.com/articles/business/7487032/frank-ocean-endless-album-straw-broke-universal-music-back-may-get-sued
― Ned Raggett, Wednesday, 24 August 2016 21:33 (eight years ago) link
It's also worked for independent artists before Ocean -- Chance the Rapper's Coloring Book became the first-ever streaming-only release to reach the Billboard 200 albums chart, debuting at No. 8 as an Apple Music exclusive in May. With Ocean almost certainly set to hit No. 1 this week via his digital-only release (in addition to streaming on Apple Music, it's for sale in the iTunes Store), it raises the question of how important a record label is at all in 2016, as services offer marketing and advance money that a label would otherwise provide.
― The burrito of ennui (Alfred, Lord Sotosyn), Wednesday, 24 August 2016 21:45 (eight years ago) link
Such a sick move. "After an interminable wait (in music industry standards, at least), Ocean fulfilled his contractual obligations, sources tell Billboard, and increased his potential profit share from 14 percent to 70 percent of total revenues from Blond within a 24-hour period, seemingly pulling a fast one on the biggest music company in the world in the process."
― flappy bird, Wednesday, 24 August 2016 22:20 (eight years ago) link
!!!!
I gotta be honest, I'm finding all this way more fasincating than the album.
― Ned Raggett, Wednesday, 24 August 2016 22:47 (eight years ago) link
it gives him better material
― The burrito of ennui (Alfred, Lord Sotosyn), Wednesday, 24 August 2016 22:49 (eight years ago) link
that's a pretty incredible story -- IF it works out for Ocean (ie, if Universal/Def Jam can't come up with a reason to sue him, which I'm sure they will). For sticking it to a major label, I give him props, just hope he isn't permanently blacklisted in the industry.
― Dominique, Wednesday, 24 August 2016 22:58 (eight years ago) link
I'm not sure I like it. If he gets away with it, surely every label contract will become even more nefarious, right? Plus it resulted in a shit album being sold to his audience under false pretenses. It's... Not good?
― Frederik B, Wednesday, 24 August 2016 23:04 (eight years ago) link
this is a fun story but i feel like if getting out of a record contract was as easy as "deliver your label a fake album and then give the real thing to someone else" it would have been discovered before now
― J0rdan S., Wednesday, 24 August 2016 23:08 (eight years ago) link
It has been.
https://en.wikipedia.org/wiki/The_King_(Teenage_Fanclub_album)
― Ned Raggett, Wednesday, 24 August 2016 23:09 (eight years ago) link
Contractual obligations
― just sayin, Thursday, 25 August 2016 01:24 (eight years ago) link
@Frederik - it's only a bad precedent if Def Jam screwed him with a shit deal.
― flappy bird, Thursday, 25 August 2016 01:43 (eight years ago) link
err, i mean - if his deal with Def Jam wasn't shitty, it's a bad precedent...
― flappy bird, Thursday, 25 August 2016 01:45 (eight years ago) link
none of the examples in that thread happened in the last 25 years
in any event frank's issues with def jam go back pretty far, i wouldn't be surprised if they washed their hands of him a while back and were fine with letting him go if they recouped whatever money they put into the project
― J0rdan S., Thursday, 25 August 2016 03:33 (eight years ago) link
anyway this album is not quite as good as i was expecting but i like it a lot. i think it kinda starts weird, i like "nikes" but it doesn't really make much sense in the context of the album. the next few songs feel pretty channel orange-y and maybe out of place with what follows also. "solo" through "nights" is pretty incredible i think, none of the complaints people have about some of those tracks -- no beats, non-linear structures -- bother me, i think there's a lot to chew on lyrically and good hooks. "good guy" is maybe my fav song on this, i wish it was full-length but in general i like all the short songs on this. not quite sure how i feel about the final third of it... "godspeed" is pretty great, the album is pretty organ heavy and it's cool to hear him go more overt gospel even tho him in that context still sort of throws me for a loop. i like "white ferrari" but i also like bon iver... "seigfried" has a memorable ending but is overall a little ponderous i think and for being 9 minutes "futura free" ends up feeling kinda minor compared to how the last record ends.
ultimately i wish the beginning and ending stretches held up to the middle but there's enough stuff i like on either to where i think i'll play this all the way through a lot this year.
― J0rdan S., Thursday, 25 August 2016 03:43 (eight years ago) link
i'll admit that there are a bunch of points on this album where i don't know wtf he's talking about but the lyrics that are direct and not space-y i really connect w/ to the point that i don't even really care about the other stuff
― J0rdan S., Thursday, 25 August 2016 03:51 (eight years ago) link
Carl Wilson's take.
― rhymes with "blondie blast" (cryptosicko), Thursday, 25 August 2016 05:29 (eight years ago) link
I hate big labels as much as the next guy but that move is super shady. Def Jam could prove that those 2M where used to pay all those producers and guest artists.
― ✖✖✖ (Moka), Thursday, 25 August 2016 07:10 (eight years ago) link
A drake dream heard underwater, no less.
― human and working on getting beer (longneck), Thursday, 25 August 2016 09:53 (eight years ago) link
Yeah, I hate this.
― Popture, Thursday, 25 August 2016 11:13 (eight years ago) link
xxp he paid that $2M back, though.
― esempiu (crüt), Thursday, 25 August 2016 11:38 (eight years ago) link
Ok, this is growing on me a little bit. The Pink + White to Self Control stretch of songs is fantastic (remove the skit, please and thank you). Somebody could probably make a pretty good Playing God out of the best songs from Blonde and Endless
It helps to skip Nikes. I don't understand the breathless praise for that song or for "Seigfried" which is just not good at all.
― you think Lou Bega gave up after Mambo Number One??? (voodoo chili), Thursday, 25 August 2016 16:30 (eight years ago) link
Frank's 100 fave films
― rhymes with "blondie blast" (cryptosicko), Friday, 26 August 2016 02:11 (eight years ago) link
my goodness that's a dull list
― call all destroyer, Friday, 26 August 2016 02:14 (eight years ago) link
must be a secret ILXer
― The burrito of ennui (Alfred, Lord Sotosyn), Friday, 26 August 2016 02:33 (eight years ago) link
Time to re-do "Puce Moment" with a Frank Ocean song
― geoffreyess, Friday, 26 August 2016 03:46 (eight years ago) link
the mom weed interlude reminds me so much of the last track on Music Has the Right to Children by Boards of Canada. the bed of synths and the timbre of his mom's voice are exactly like the PSA sampled in that track.
― flappy bird, Saturday, 27 August 2016 20:48 (eight years ago) link
That sound/filter/effect at 1:50 in Nikes.
― Pyschocandles, Saturday, 27 August 2016 21:11 (eight years ago) link
got apple music to listen to this, which i am doing now. nikes is stunning.
― Treeship, Sunday, 28 August 2016 05:20 (eight years ago) link
the meandering surfer guitar on this second track is rad
― Treeship, Sunday, 28 August 2016 05:24 (eight years ago) link
got apple music to listen to this
iirc you can also buy it
― who is extremely unqualified to review this pop album (BradNelson), Sunday, 28 August 2016 05:45 (eight years ago) link
i went into the record shop the other day and they didn't seem to have it
― Treeship, Sunday, 28 August 2016 05:53 (eight years ago) link
digitally
― who is extremely unqualified to review this pop album (BradNelson), Sunday, 28 August 2016 06:03 (eight years ago) link
I guess mp3s really are over
― who is extremely unqualified to review this pop album (BradNelson), Sunday, 28 August 2016 06:09 (eight years ago) link
after a few more listens there's some pretty moments on this but it's very inconsistent and the sequencing really does it no favours. when the actual songs are so fragmented and formless already, all the interludes just fracture it even further.
― ufo, Sunday, 28 August 2016 11:03 (eight years ago) link
id be fine if someone edited the bird whistle out of solo btw
― johnny crunch, Sunday, 28 August 2016 17:55 (eight years ago) link
this album provokes no dissatisfaction in me. i think it is good the way it is.
― Treeship, Monday, 29 August 2016 01:28 (eight years ago) link
If Nikes, Ivy, Pink and White, Nights and Siegfried had been an intermediary e.p that surfaced 3 years ago I'd of been hailing him as the second coming. This is just a little insubstantial for all the hype. Truth is I keep hoping that he's gonna surprise us with the real album of 'Boys Don't Cry'...
― X-Prince Protégé (sonnyboy), Monday, 29 August 2016 01:59 (eight years ago) link
This album is such an awkward bluff.
― simmel, Thursday, 1 September 2016 12:29 (eight years ago) link
Skyline To is the true keeper from this
― you think Lou Bega gave up after Mambo Number One??? (voodoo chili), Thursday, 1 September 2016 12:32 (eight years ago) link
whew! It took long enough:
When you listen to “Blonde,” characterizations like “R. & B. deconstructionist” suddenly feel insufficient. If Ocean was ever interested in toying with genre conventions, he has since widened his gaze. These days, his work feels not only post-genre but post-album, and even post-song.
[snip]
At a time when a pop lyric is only as strong as its potential to become a T-shirt logo or an Instagram caption, Ocean is a genuine misfit. His free-form lyrics are a no-hashtag zone.
I was worried that no one would imply the album was post-genre.
― The burrito of ennui (Alfred, Lord Sotosyn), Thursday, 1 September 2016 12:52 (eight years ago) link
http://www.newyorker.com/magazine/2016/09/05/frank-oceans-blonde-endless-and-boys-dont-cry-reviewed
at last we are out of the woods of genre
― who is extremely unqualified to review this pop album (BradNelson), Thursday, 1 September 2016 12:59 (eight years ago) link
So many reviews boil down to «I don't actually like this but it feels important so...»
― human and working on getting beer (longneck), Thursday, 1 September 2016 13:02 (eight years ago) link
So are Blond, Endless and Boys Don't Cry three separate albums? And why is one spelled Blond and one spelled Blonde? I'm too old to understand what's happening :(
― paolo, Thursday, 1 September 2016 17:30 (eight years ago) link
Something about contractual obligations, a super-rare magazine that's already claiming ridiculous amounts of money on eBay, and a frankly underwhelming album.
― rhymes with "blondie blast" (cryptosicko), Thursday, 1 September 2016 17:36 (eight years ago) link
Trying, and failing, to hear the Gang of Four sample in 'Futura Free'.
― stevo-rd, Thursday, 1 September 2016 20:22 (eight years ago) link
And why is one spelled Blond and one spelled Blonde?
bc it's 2016 words have no rules or meaning dog
― yolo mostly (sleepingbag), Thursday, 1 September 2016 20:24 (eight years ago) link