37 state themed albums ago
― you are juror number 144 and we will excuse you (Sufjan Grafton), Tuesday, 10 October 2017 02:03 (six years ago) link
and she was in the Polyphonic Spree! bizarre
― flappy bird, Tuesday, 10 October 2017 02:19 (six years ago) link
That's more of a footnote. Hundreds of people were in the Polyphonic Spree.
― Ⓓⓡ. (Johnny Fever), Tuesday, 10 October 2017 03:10 (six years ago) link
(Mainly I just wanted to clown on Sufjan's 20-teens irrelevance.)
I will assert that his last album is very good and easily his best as penance for my own sufjan clowning
― you are juror number 144 and we will excuse you (Sufjan Grafton), Tuesday, 10 October 2017 03:57 (six years ago) link
yea i agree although i can't really listen to it, i like illinois more but carrie & lowell prevented him from becoming stuck in the aughts
― flappy bird, Tuesday, 10 October 2017 04:35 (six years ago) link
seven swans is all time but carrie and lowell is a good contender for best
― Week of Wonders (Ross), Tuesday, 10 October 2017 04:38 (six years ago) link
Another new one. It's very At War With The Mystics.
https://youtu.be/hwFx0ROBf7o
― kitchen person, Tuesday, 10 October 2017 19:56 (six years ago) link
hmm not for me, too concept-y
― niels, Tuesday, 10 October 2017 21:03 (six years ago) link
Good album. Definitely not as instant as the self titled. Love how she uses her voice throughout, some really incredible performances.
― kitchen person, Thursday, 12 October 2017 15:23 (six years ago) link
pills really reminds me of the stuff she was doing with byrne
― Week of Wonders (Ross), Thursday, 12 October 2017 16:43 (six years ago) link
CD arriving tomorrow so not bothered d/l the leak
― starving street dogs of punk rock (Odysseus), Thursday, 12 October 2017 17:25 (six years ago) link
this album is fucking incredible
― joshywinty (josh), Friday, 13 October 2017 05:59 (six years ago) link
Listening to this now - New York and Los Ageless didn't turn me on much but I like them a lot better in context. Title track sounds so much like a lost Prince track, it's scary.
― Monster fatberg (Phil D.), Friday, 13 October 2017 12:24 (six years ago) link
yeah, this album seems so much better than the singles in isolation
― you are juror number 144 and we will excuse you (Sufjan Grafton), Friday, 13 October 2017 17:47 (six years ago) link
Her best record to date.
― morning wood truancy (Alfred, Lord Sotosyn), Friday, 13 October 2017 17:49 (six years ago) link
CD arrived
― starving street dogs of punk rock (Odysseus), Friday, 13 October 2017 18:19 (six years ago) link
was listening to this earlier, some of it reminded me of bill nelson a bit - obviously the flashy guitar playing but also that particular odd melodic sense and the oblique lyrics
― plp will eat itself (NickB), Friday, 13 October 2017 22:36 (six years ago) link
plus also y'know
https://image.ibb.co/jPnQqb/annienelson.jpg
― plp will eat itself (NickB), Friday, 13 October 2017 22:37 (six years ago) link
Is this a good choice for first st Vincent then?
― Week of Wonders (Ross), Saturday, 14 October 2017 00:28 (six years ago) link
I still like Actor the best, but you'll get the idea starting anywhere.
― Ⓓⓡ. (Johnny Fever), Saturday, 14 October 2017 00:34 (six years ago) link
I want to say, give or take, I've liked each album a little less than the next, as she's gone more and more high-concept/arch.
― Josh in Chicago, Saturday, 14 October 2017 00:39 (six years ago) link
xxp I'd say this is a great choice, but I'd commit to giving the whole album a spin
― you are juror number 144 and we will excuse you (Sufjan Grafton), Saturday, 14 October 2017 01:16 (six years ago) link
Pills is odd.. the chorus is horribly kitschy and nothing else is too interesting, but that coda - holy shit, it's incredible
― josh az (2011nostalgia), Saturday, 14 October 2017 04:17 (six years ago) link
is the song successful if the crash is better than the high?
― you are juror number 144 and we will excuse you (Sufjan Grafton), Saturday, 14 October 2017 04:22 (six years ago) link
I've listened to little else in the last 24 hours and I'm fully on-board with this. It's probably her most consistent album yet.
Slow Disco is my current favourite, even though it's way too short. Such a beautiful arrangement.
Anyone else getting Beth Gibbons vibes from Smoking Section? She sounds so much like her when she repeats, "it's not the end".
― kitchen person, Saturday, 14 October 2017 04:35 (six years ago) link
if concept level is the factor you're going off of, i'd say start with STRANGE MERCY, and if you get into that and enjoy ~high-concept~ music, go into ACTOR and ST. VINCENT and MASSEDUCTION. if ~~high-concept~~ isn't so much your thing, go into MARRY ME.
― joshywinty (josh), Saturday, 14 October 2017 06:44 (six years ago) link
i think strange mercy is her best ablum by far, but this is good too, about on par with the last one.
― akm, Saturday, 14 October 2017 17:13 (six years ago) link
I think Actor is still my favourite. There's barely anything between the new one, Strange Mercy and St. Vincent.
― kitchen person, Saturday, 14 October 2017 19:20 (six years ago) link
She does sound a lot like Beth Gibbons on the “it’s not the end” part and the piano part also sounds like Portishead... it doesn’t seem accidental.
― ✖✖✖ (Moka), Saturday, 14 October 2017 19:33 (six years ago) link
the chorus to "Los Ageless" is also very Portishead
― sick, fucking funny, and well tasty (katherine), Saturday, 14 October 2017 20:26 (six years ago) link
Listening to this for the first time now after seeing a Twitter comment that hinted it was influenced by Art Angels. I don't know how much that is really true, but I'm still liking this quite a bit so far. It seems less mannered and more fun than her previous albums.
― Moodles, Monday, 16 October 2017 02:50 (six years ago) link
Also, until this evening, I thought the album was called Mass Education.
― Moodles, Monday, 16 October 2017 02:55 (six years ago) link
since "nurse" i've neglected St. Vincent being a part of my musical life, not sure why. what a mistake, she is the best
― Week of Wonders (Ross), Monday, 16 October 2017 04:08 (six years ago) link
On a couple of listens this seems really good; my fears from the singles are feeling a bit silly now.
I also thought it was Mass Education.
― Hey Bob (Scik Mouthy), Monday, 16 October 2017 08:32 (six years ago) link
Has this record been ruined at the mastering stage or is she just addicted to shitty overcrowded midrange as an aesthetic choice?
In terms of the songs themselves this is probably her strongest record yet but she seems to pick up a new set of annoying mannerisms with every record, just as soon as she sheds the old ones. I want to like her more than I actually do.
― Matt DC, Monday, 16 October 2017 08:37 (six years ago) link
She's definitely into overcrowded midrange. I just take that as her aesthetic now.
― Hey Bob (Scik Mouthy), Monday, 16 October 2017 08:42 (six years ago) link
Her work is full of that sort of stuff, the jerky drums on one of the previous albums, and I'm given to understand she's an amazing guitarist but that guitar sound she's settled on is just horrible. I get the sense of an artist consistently trying to sound less talented than she is and it's just maddening - thinking about how much better the title track could have sounded if every element wasn't just piled on top of one other in the middle. I suspect it's also because her most obvious rock touchpoints (Bowie, Talking Heads in particular) really aren't mine at all.
― Matt DC, Monday, 16 October 2017 09:00 (six years ago) link
Talking Heads and Bowie are both very synthetic-sounding for rock artists, too, which is obviously what she's been going for over the years. Part of me really likes her guitar tones, that buzzing modernity that almost sounds like she wants to be playing a synth instead. Even when she's overstuffing things (which is always, obviously) there's still loads of detail, which is what rescues it for me. And the way she layers things feels more sophisticated in terms of soundstaging than it could be; there's one song here with a really faint synth line or something over in the left channel (can't recall which after only two listens) that another artists would have inflated and moved more central.
Did you see what she was wearing on Jools Holland the other night? She's come a long, long way from the shapeless grey sweater thing and black curls on the cover of Marry Me, and it feels like she's doing the exact same thing with both image and sound.
― Hey Bob (Scik Mouthy), Monday, 16 October 2017 09:16 (six years ago) link
she is an amazing guitarist but that only really comes across when you see her live, because recorded her stuff is so fucked with it doesn't really sound like a guitar (live it often doesn't either which is why it's cool but when you listen to an album these days, there are so many sounds that could be made by anything it's difficult to parse it out)
― akm, Monday, 16 October 2017 17:07 (six years ago) link
I have appreciated St Vincent albums before but not really cared all that much about going back to them after a cursory listen. I'm currently on "Pills" and this album is definitely going on my "faves of 2017" list and is making me a LOT more interested in her previous work.
― Marcus Hiles Remains Steadfast About Planting Trees.jpg (DJP), Monday, 16 October 2017 17:30 (six years ago) link
Marrow from Actor was the tune that first made me go ‘oooh’, if that helps.
― Hey Bob (Scik Mouthy), Monday, 16 October 2017 18:00 (six years ago) link
― Marcus Hiles Remains Steadfast About Planting Trees.jpg (DJP),
This is where I'm at.
I'm impressed with how Lorde (remember her?) and St. Vincent have adapted Jack Antonoff's big beat approach to their own ends.
― morning wood truancy (Alfred, Lord Sotosyn), Monday, 16 October 2017 18:02 (six years ago) link
My immediate favorites are "Pills" and "Fear the Future".
― Marcus Hiles Remains Steadfast About Planting Trees.jpg (DJP), Monday, 16 October 2017 18:04 (six years ago) link
Pills was my favourite and stuck in my head after one listen, but I like the album a lot less after listening on headphones.
― Matt DC, Monday, 16 October 2017 18:34 (six years ago) link
The only drags are the slow ones at the end but I'm making my peace with them. "New York" is quite gorgeous.
― morning wood truancy (Alfred, Lord Sotosyn), Monday, 16 October 2017 18:36 (six years ago) link
i love her last few albums but am having trouble connecting to this one, i think it's a combo of the more "pop" approach, the "personal" lyrics, and the relative lack of guitar, which i guess are all interconnected. i feel like the prerelease press/rhetoric about it being written with all these slick professional songwriters and taking a more confessional approach conditioned me to not like it as much. i don't hate it but just not getting into it yet.
― na (NA), Monday, 16 October 2017 18:50 (six years ago) link
Good album.
― Ned Raggett, Tuesday, 17 October 2017 03:00 (six years ago) link
This is the most excited I've been about her music since "Actor," not quite sure why yet.
― geoffreyess, Tuesday, 17 October 2017 03:30 (six years ago) link
"Lorde (remember her?) "
wow yeah, that album dropped off the face of the earth didn't it. It's good though.
― akm, Tuesday, 17 October 2017 04:25 (six years ago) link
so having just come from a concert by an artist who was extremely anxious and uncomfortable on stage, and having belatedly realized my wondering if it was some kind of "performance" was both a natural human instinct and ludicrously overanalytical, i'm possibly more inclined than typically towards the theory that ms. clark was having a shitty day and reacted to it by being an asshole.
― The Elvis of Nationalism and Amoral Patriotism (rushomancy), Wednesday, 30 January 2019 09:06 (five years ago) link
Maybe so
What’s your excuse for the interviewer posting a weird tell-all on her Tumblr? Was she also just having a shitty day?
― fgti's romance (flamboyant goon tie included), Wednesday, 30 January 2019 12:55 (five years ago) link
Maybe her first shitty day (as an adult!). That last paragraph is something else.
― maffew12, Wednesday, 30 January 2019 13:17 (five years ago) link
I was fired from my job at one of the major national music magazines because Ozzy didn't like the questions I was asking him and hung up on me. The questions were indeed obtrusive and insipid, which was the name of the game as far as my boss was concerned. To this day, it was the only remotely unsuccessful interview experience I ever had.
My girlfriend at the time was a music publicist, and she believed the situation should have been mitigated by the fact that, being that this was 2003, the entire world knew that Ozzy was an irritable dim bulb (and he surely was taxed by shit Sharon made him do at the time, which was unprecedented by the standards he had known previously). Frankly, my boss (well known in the music press environment for being impossible. over his head, and ignorant of the business he was in) and I hated each other and this was the pretext he needed to axe me. And I was overjoyed to get away from him.
But the bottom line is that it doesn't matter if the interview subject is uncooperative. If you are acting as a professional interviewer, your responsibility is to get the goods. I didn't, and faced the consequences. But Young did get the goods, based on a perfectly serviceable piece by GQ's standards. Yet she is offended that Clark was indifferent and is moved to complain in public.. Will Welch is the new editor at GQ, and he may be charged to keep pace with modern journalism, which Welch very well could believe involves tolerating freelancers complaining in public about a professional interaction that occurred on GQ's behalf—because everybody has to talk about everything in public constantly. It wouldn't have been enough to privately complain to Nasty Little Man, or to Will Welch, or to her spouse in the nice loft or her friends. But if I was Welch, I would not use Young again.
David Bowie and Rob Halford were both indeed incredibly pleasant, thoughtful, generous in conversation.
― veronica moser, Wednesday, 30 January 2019 14:52 (five years ago) link
seems like she's taken the note down
― We were never Breeting Borting (President Keyes), Wednesday, 30 January 2019 14:55 (five years ago) link
― fgti's romance (flamboyant goon tie included)
outside of professional music writers, nobody actually cares about the interviewer as far as i can tell
but i can be really out of the loop and i'm prepared to be wrong about this
my main question is "why is this interviewer still using tumblr"
― The Elvis of Nationalism and Amoral Patriotism (rushomancy), Wednesday, 30 January 2019 15:03 (five years ago) link
i mean this seems like prime tweetstorm material
if it was a tweetstorm ppl on here would ask why it wasn't a blog post
― resident hack (Simon H.), Wednesday, 30 January 2019 15:07 (five years ago) link
I mean, when you interview artists for a living, someone asks you like once a month which one was the nicest and who was a real jerk. And the answers - ime, at least - are always boring and disappointing. She should've just saved her SV experience for that.
― alpine static, Wednesday, 30 January 2019 15:07 (five years ago) link
I quite enjoy it when a writer describes the anti-social behavior of a subject, but that's just me.
― Sam Weller, Wednesday, 30 January 2019 15:12 (five years ago) link
There are times where it kind of creates empathy for the anti-social subject-- I always felt kind of sad about Lou Reed's chronic frustration that nobody was interested in all the reading he'd done regarding signal deterioration and buffering re: his guitar tone
― fgti's romance (flamboyant goon tie included), Wednesday, 30 January 2019 16:08 (five years ago) link
Did anybody archive the note? Apparently she's done this before with other profiles.
― flappy bird, Monday, 4 February 2019 18:28 (five years ago) link