In Praise Of... Mick Taylor

is that the robert greenfield book? i wanna read that...

That classic albums series of books also informs us that Jagger flirted non-stop with Taylor.

I think it was, yeah. It looked pretty good, but when I went to order it off Amazon the reviews pretty much trashed it and I got cold feet

I would've made a bad Stone too

yeah it is a weird set-up that doesn't really appear many other places -- the awesome lead guitarist who musically is a huge presence, but is completely overshadowed in terms of the other band members. are there other bands like that?

it seems like lots of folks i know are kinda blah on Mayall's propensity for formalism, but Bare Wires (showcasing a young Mick taylor) is pretty dope & highly recommended

http://1.bp.blogspot.com/_elCAjJC38T0/RuF2GHZ9FZI/AAAAAAAAArw/XqSQbPlyhnM/s400/John_Mayall_-_Bare_Wires_-_Front.jpg

All that keeps me from preferring Mick Taylor to Ronnie is that the Stones recorded Goat's Head Soup and It's Only Rock and Roll with him.

― My name is Kenny! (Alfred, Lord Sotosyn), Wednesday, July 8, 2009 8:03 PM

lol man i totally adore it's only rock & roll

goat's head and B&B are the ones I can go a while without hearing.

Big ups for the link, Steve Shasta! Never heard this one before - sounds great.

I think it was, yeah. It looked pretty good, but when I went to order it off Amazon the reviews pretty much trashed it and I got cold feet

amazon reviewers otm

who here remembers "Leather Jackets"?

{url=http://www.megaupload.com/?d=M0EVSQ4O]here's the 'Gimme Shelter' I was talking 'bout earlier[/url]

ugh

oh hi http://www.guitars101.com/forums/f90/rolling-stones-unreleased-decca-live-album-1972-a-58734.html

i forgot he was on bare wires. i love that album.

xpost gtr5101 is a treasure trove of musica

Thanks for that link Tyler, listened to that live '72 album on the commute this morning. It's fantastic.

Mick Taylor speaks!

the ravages of time : (

poor guy

I'd like to think that somehow that is not as clear cut a case of theft as it sounds. If he really hasn't gotten any checks in all these years, it's contemptible.

what shit.

In the words of the old song THATS LIFE!!!!!!!!!!!!!!!!!

- minnie, midlands, 13/9/2009 10:05

That's bullshit

how is this even possible? that is a sad story...

Taylor's retracting the original story: http://www.nme.com/news/the-rolling-stones/47326

The Daily Mail tell fibs? Shocking.

Can you imagine joining the biggest band in the world at the time, at age 20?

https://www.youtube.com/watch?v=AJ1CRKiwdho

ffwd to the epic outro (~2:30): https://www.youtube.com/watch?v=AJ1CRKiwdho

Keith is in open-G capo 4 (open B) and Mick is in standard but listen to (aside from a few throwaway lead lines 2:58-3:16, looks like Keith tells him to stop) how absolutely locked in he is with Keith & the rhythm section, you get nice video at 3:33-3:39.

So I am dumb and don't know anything at all about music or instruments. Would it be possible to explain to me, in words I could understand, what I'm hearing here and which part Mick Taylor is playing? I ask because I love the outro to Tumbling Dice and I've been wondering for years what exactly is happening in it that makes it sound so good.

The outro is a simple repetitive riff by Keith who is the heart of this song, he really drives every aspect of it. Mick Taylor is just a kid, fresh out of Mayall's Blues band (he replaced Peter Green who replaced Eric Clapton), so he has a tendency to want to do these wanky leads which are just unnecessary, but Keith is like: "Just surrender to this groove man" and when they are in-step/sync, it's just about heaven.

The more complicated way to describe what's happening is that Keith plays a very particular tuning that was not common outside of blues & some folk (he only uses 5-strings in open-G but capo'd on the 4th fret = BF#BD#F#) whereas Mick Taylor is playing standard (EADGBE) but despite the different tunings, they are playing the exact same notes for most of the outro. Some strings Keith plays ring open at times, and most of the time Mick's playing gives more depth & body to the repetitive groove. It's the stylistic differences of the two of them being forced to do the same thing that is rather magical to my ears. And not to discount the rest of the band, the keys & the brass is also great. But sometimes I hear why Mick Taylor was such a key figure in this era of the Stones and I try to put my finger on it.

Beautifully put. And it's enlightening to catch Keith playing boss/bandleader (maybe a bit territorial?) in that clip. Never noticed it before.

Always enjoy trying to parse the lyrics to TD. I seem to hear “fever in the pork house, now” when it goes to the fourth and fifth

Thank you, that's a great explanation.

Big Taylor fan, but in hindsight he was a really weird choice for the Stones. I mean those guys could barely play…

I don't know if I would say he ever overplayed on the studio albums, though. Maybe on "Time Waits For No-One".

KR: "Mick Taylor is a great guitarist, but he found out the hard way that that's all he is"

https://www.youtube.com/watch?v=CuzC_3ai1ek

I mean wasn't Mick Taylor stuffed by the Stones for songwriting royalties or am I misremembering something?

Yeah. He legit wrote the music for "Moonlight Mile" and "Sway," for example.

upthread there's a claimed update to the gold-records story, where taylor apparently told NME that actually the daily mail version of the story was scurrilously exaggerated gossip and that he was still on good terms with the band

Taylor's retracting the original story: http://www.nme.com/news/the-rolling-stones/47326

― dad a, Wednesday, 16 September 2009 02:55 (twelve years ago) bookmarkflaglink

unfortunately linkrot and the NME's usual digital incompetence means the story isn't there any more so who knows where things stand (daily mail never a good source tho)

Yeah. He legit wrote the music for "Moonlight Mile" and "Sway," for example.

― Malevolent Arugula (Alfred, Lord Sotosyn), Monday, August 15, 2022 5:00 PM (forty minutes ago) bookmarkflaglink

two of the best Stones songs imo

also "time waits for no one"

That one absolute leapt out at me on a recent replay of the IORNR LP

two of the best Stones songs imo

― politics is about vibes and the vibes are off (stevie

top tem for me

What do we think of Leather Jacket?