oh but Sting could never pull off something like I Love My Life. he'd definitely try, though
― frogbs, Tuesday, 31 May 2022 02:42 (two years ago) link
...and I don't see Todd trying so hard to be "atmospheric" (maybe Healing is the exception?); there's always something "surface-level" about his productions, while I think of Sting smothering his 80s records in hazy synth pads.
― Halfway there but for you, Tuesday, 31 May 2022 02:51 (two years ago) link
Yeah, I don’t hear a lick of Nothing Like the Sun or Soul Cages in Nearly Human, which was recorded live and is way more maximalist than the former.
Parallel Lines is up there in the pantheon of "songs you're embarrassed to admit you really love"
― Naive Teen Idol, Tuesday, 31 May 2022 06:09 (two years ago) link
Neither song nor album made my list, but I enjoy both. Is the song embarrassing because of its emotional openness? I seem to recall from Todd's memoir that he wrote it around a real-life relationship situation that ended up afterwards in marriage; like "Another Satellite" on Skylarking, both songs written by men to women (whom they would later marry) about the impossibility of having a relationship.
very serious (for Todd) singer/songwriter showcase
Nearly Human was his first album in four years, first out of the Bearsville/Grossman organization since the Nazz, and first since Utopia disbanded; he was definitely trying to show Warner Bros his most commercial side, there wasn't any room for "Miracle at the Bazaar" or "Lockjaw".
― Halfway there but for you, Tuesday, 31 May 2022 12:37 (two years ago) link
first out of the Bearsville/Grossman organization since the Nazz
Actually a few of the latter-day Utopia albums were on another label.
― Halfway there but for you, Tuesday, 31 May 2022 12:58 (two years ago) link
actually was thinking more of Blue Turtles, particularly in the way they both kick off with a big boisterous jazz pop song. "Unloved Children" also sounds a lot like something he would've done with that Bring on the Night live band (isn't "Another Day" kind of similar?) I think Sting uses a maximalist approach on those first few albums as well. but yeah what sticks out is how seriously he takes this one, even on "normal" albums like Mink Hollow or his real heady spiritual trip ones like Healing & Liars he always finds room to goof around. maybe that's why the CD has the "Two Little Hitlers" cover on it.
Is the song embarrassing because of its emotional openness?
idk but there's a certain saccharine quality to a lot of Todd's work, like he bends the notes just so, and so sometimes when he does a real serious song it feels unnecessarily corny. or maybe it's those sparkly synths in it? its almost a bit vaporwavey.
― frogbs, Tuesday, 31 May 2022 14:33 (two years ago) link
“parallel lines” is good but I prefer “the waiting game”.. some really cool vocal harmonies on that one.
― brimstead, Tuesday, 31 May 2022 18:11 (two years ago) link
Nice quote from Todd here:
I was always fascinated with Weezer’s approach to things. They were, in some ways, founders of the whole emo thing.
― Panda bear, my gentle friend (morrisp), Thursday, 18 August 2022 21:43 (two years ago) link
would be hilarious if this new album was his supernatural and won him like 6 grammys
― comedy khadafi (voodoo chili), Thursday, 18 August 2022 23:10 (two years ago) link
huh, that's actually a pretty interesting concept. its the sort of thing 70s Todd would've come up with.
― frogbs, Friday, 19 August 2022 02:13 (two years ago) link
My Todd-head pal sends me articles like this:
Rundgren is always trying to broaden his influences, seeking new music, consulting his children on what he should be listening to – but even then, it can be challenging. “It’s very hard to find artists who are sincerely musical nowadays, who haven’t simply leveraged their internet celebrity into a musical career,” he says. “The music is just mediocre.” He wonders whether people still form the same intimate attachment to songs as he did growing up. “Then, most of the music you got exposed to was the Top 40 on the radio,” he says. “Nowadays I open my newsreader and there’s 20 artists whose names sound like they’re internet passwords and you’ve never heard their music.”
― Linkin Bio (morrisp), Friday, 14 October 2022 00:42 (one year ago) link
assuming Lil Nas X he's talking about?
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Friday, 14 October 2022 00:47 (one year ago) link
rolling twenty-something RYM/internet stuff like hyperpop, hypnagogic pop, hexD, vaporwave, dungeon synth, cloud rap, nightcore, black midi, future funk, dariacore, seapunk, blown out anime voices, br
― lets hear some blues on those synths (brimstead), Friday, 14 October 2022 01:04 (one year ago) link
And Justin Bieber.
― nickn, Friday, 14 October 2022 01:08 (one year ago) link
I thought he meant, like, DJ Charlie Bit My Finger or something (not actual artists whose initial success happened to be online).
― Linkin Bio (morrisp), Friday, 14 October 2022 01:20 (one year ago) link
I'm listening to the album now. I'd never heard Down with This Ship in all of this time but somehow its the highlight so far (I'm on Someday)
― you can see me from westbury white horse, Friday, 14 October 2022 01:20 (one year ago) link
These yung Internet kids can't create such sincerely musical works of art as Todd
https://www.youtube.com/watch?v=SHpOJ8rRE64
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Friday, 14 October 2022 01:32 (one year ago) link
"Internet celebrity" could be any artist who didn't build their career on broadcast media, physical media & live shows. YouTube, tiktok, streaming, etc, all on the internet.
― BrianB, Friday, 14 October 2022 01:39 (one year ago) link
it's pretty disappointing that he sez shit like that, because for a good long while, he demonstrated an informed awareness, edging towards appreciation, for newer music… for a long time, he wasn't a moldy fig like Keith richards; he has no sentimentality for the big studio era of recording from 1966-2000 or whatever and is perfectly onboard with people recording on their laptops (which is what he has done for a very long time, and in the case of the records he has made in the last 30 years, they sound pretty bad); I remember him talking about T- Pain pretty approvingly, as if the guy who made A Cappella would be able to hang with artists creatively misusing auto-tune…
― veronica moser, Friday, 14 October 2022 12:57 (one year ago) link
I think he is still that guy, but y'know he is 74 and allowed to be a crank once in a while. I mean the entire industry and the figures it cultivates are much much different from what they were in the 70's so I don't blame him for wondering exactly what the kids are doing these days. No doubt a guy like Todd, if he was starting today, would have a hard time making it in today's climate. But I am curious what exactly he's referring to there.
― frogbs, Friday, 14 October 2022 13:21 (one year ago) link
Yeah, I actually kind of appreciate that while he keeps pressing his kids for new musical ideas and trends he isn't just blindly accepting them. But at the same time, if that quote and clip tell us anything about Todd it's that if he's nothing if not consistently inconsistent.
― Naive Teen Idol, Friday, 14 October 2022 15:21 (one year ago) link
Didn't we discuss what a pain he can be to deal with? Maybe on the POLL rollout? Some particular quote from a member of XTC comes to mind.
― We Have Never Been Secondary Modern (James Redd and the Blecchs), Friday, 14 October 2022 15:26 (one year ago) link
that would be Andy Partridge, who is also known as being a pain in the ass to work with. Todd does a lot of production work and afaik nobody else has really complained about him, though he does seem like the kind of guy who trusts his own gut too much. as Veronica pointed out above the last 30 years of one-man band albums he's done all sound pretty crappy. he uses a bunch of stock loops and cheap synth sounds which make the music sound like some random dude uploading songs to Soundcloud. its real unfortunate because his voice has held up really well, and his songwriting is still pretty good. If he just hooked up with younger musicians and/or producers who could actually make what he's trying to do sound good I think his later records would be held in much higher esteem. but he won't do that.
― frogbs, Friday, 14 October 2022 15:41 (one year ago) link
I was encouraged at the time when he hooked up with Lindstrom and the guy from Serena Manesch for Runsdans, it’s like… I’m not a big Lindstrom fan but at least he’s a fan and seems to “get” what makes Todd’s cosmic touch special..and he wasn’t some random crap EDM chump which I feel happens a lot when olds go for the electronic touch. Did he and Dam Funk do something together recently or am I imagine things?
― lets hear some blues on those synths (brimstead), Friday, 14 October 2022 16:51 (one year ago) link
he meaning Todd, not Hans
― lets hear some blues on those synths (brimstead), Friday, 14 October 2022 16:52 (one year ago) link
Dam-Funk opened for him at some point and they have a collaboration on White Knight, which I thought was pretty good. unfortunately I think that and the Trent Reznor ones are the only tracks where the guests actually have a hand in the production. that said the album as a whole sounds better than his last few.
― frogbs, Friday, 14 October 2022 17:35 (one year ago) link
this album is really all over the place, some of it is vintage Todd (check out "I'm Leaving" with The Lemon Twigs), others you'd never suspect he had a thing to do with ("Espionage"). the one with Adrian Belew is interesting because it sounds a lot like it would be a Bowie outtake, and the two of them are actually doing a "Celebrating Bowie" tour right now. like a lot of Todd albums there's just no flow to it but I think it's probably more good than bad. the Rivers Cuomo track is awful though. also a bit disappointed that they didn't use this album cover, which showed up on the Toddstore:
https://i.imgur.com/UyATpZa.jpg
― frogbs, Monday, 17 October 2022 17:57 (one year ago) link
So I decided to do a little focus on one particular aspect of his life/work
https://theshfl.com/guide/todd-rundgren-producer
― Ned Raggett, Monday, 31 October 2022 17:06 (one year ago) link
Ace finally put out a decent single-disc comp of his productions, but omitted Meat Loaf (probably licensing issues) and skipped over Remote Control for a track on the Tubes' markedly inferior Love Bomb LP, but otherwise covers most of his best work.
― henry s, Monday, 31 October 2022 17:16 (one year ago) link
Nice, and appropriate -- yeah I'm not surprised they couldn't get a hold of anything from Bat
― Ned Raggett, Monday, 31 October 2022 17:19 (one year ago) link
^^Which is a little weird because Rhino got "All Revved Up..." for their Todd production comp from the early '90s.
― an icon of a worried-looking, long-haired, bespectacled man (C. Grisso/McCain), Monday, 31 October 2022 17:26 (one year ago) link
Different era, major label muscle, I can see it.
― Ned Raggett, Monday, 31 October 2022 17:29 (one year ago) link
Re: complaining about Todd’s production work
Per their autobiography, Bad Religion did not enjoy working with him. They also thought his home studio in Hawaii was run down
― beamish13, Tuesday, 1 November 2022 14:13 (one year ago) link
there was some 90s band who essentially accused Todd of ruining the band. can't remember who they were though. I do think it's true that Todd's instincts were very good in the 70s and some of the 80s - he was apparently the only one who saw any potential in Sparks - but once music making turned more digital and meticulous I think he lost his touch. I mean just listen to his studio albums from the last 30 years.
― frogbs, Tuesday, 1 November 2022 14:26 (one year ago) link
xpost Yeah there was a Graffin quote from Paul Myers's book expressing said sentiments, but also adding that he found the experience worthwhile in the end and that he and Rundgren have been friends for a while now. I can buy that.
― Ned Raggett, Tuesday, 1 November 2022 15:07 (one year ago) link
nice interview here
https://relix.com/articles/detail/todd-rundgren-on-his-space-force-bowies-space-oddity-the-mythology-of-vinyl-and-the-moral-imperative-of-music/
kinda funny for him to talk about inner groove distortion on vinyl here - I think if you have a good stylus you won't hear it much, but my 70s Todd records, which pile an insane amount of music on a single side, are still affected. so to me it's like Shaq going "yeah basketball is a great sport, but they should get rid of free throws..."
― frogbs, Friday, 2 December 2022 21:09 (one year ago) link
For the first two minutes, beautiful Todd soundalike from Stephen Stills' first Manassas album:
https://www.youtube.com/watch?v=LCdDBCCmC2k
Someone was clearly paying attention.
(I like the last minute fine, but Stills stops being Todd and turns back into Stills.)
― clemenza, Saturday, 17 December 2022 19:53 (one year ago) link
I get a lot out of the Manassas album, but it's telling that this song and "It Doesn't Matter" are the highlights and also the only two co-written and sung by Chris Hillman.
― Halfway there but for you, Sunday, 18 December 2022 19:57 (one year ago) link
I got onto it when I watched this CSN&Y documentary a few weeks ago, where they spoke of it as a masterpiece--so I ordered it and Stills' first solo record. I've only played it once; I like it better than the solo LP is about all I can say so far. "Both of Us" is definitely my favourite. I've got to say it again: I can't believe how much it sounds like Rundgren, especially the very beginning (where I guess it's Hillman singing).
― clemenza, Sunday, 18 December 2022 20:12 (one year ago) link
Yeah, Hillman sings the first verse, Stills the second, and they harmonize the rest.
― an icon of a worried-looking, long-haired, bespectacled man (C. Grisso/McCain), Sunday, 18 December 2022 22:59 (one year ago) link
that part in licorice pizza where you hear the todd rundgren radio ad is the closest i've come to experiencing asmr— haulin’ boss crude (@bosscrood) December 15, 2022
― an icon of a worried-looking, long-haired, bespectacled man (C. Grisso/McCain), Sunday, 18 December 2022 23:02 (one year ago) link
I always think “Both of Us” is going to turn into “The Loner” — “time is a wasting…” is quite like “nothing can free him…”
― Chuck_Tatum, Sunday, 18 December 2022 23:53 (one year ago) link
https://www.newyorker.com/magazine/2023/01/02/todd-rundgren-renaissance-rocker
He took out a vape pen and drew on it. “As a matter of fact, I have a vanity line of cannabis coming out. It’s called Hello It’s Weed.”
― j.o.h.n. in evanston (john. a resident of chicago.), Friday, 30 December 2022 03:00 (one year ago) link
https://i.ibb.co/NssGJTL/ezgif-1-78f6334692.jpg
― birdistheword, Friday, 30 December 2022 03:25 (one year ago) link
legit
― frogbs, Friday, 30 December 2022 03:30 (one year ago) link
Lionel Ritchie announcement in 3, 2, 1,
― nickn, Friday, 30 December 2022 08:49 (one year ago) link
What would Lionel Ritchie call his vanity line?
― birdistheword, Friday, 30 December 2022 17:54 (one year ago) link
hello, is it weed that you’re looking for?
― the late great, Friday, 30 December 2022 17:59 (one year ago) link
probably better name for a delivery service
― the late great, Friday, 30 December 2022 18:00 (one year ago) link
LMAO, I'm sold
― birdistheword, Friday, 30 December 2022 18:19 (one year ago) link