TS: Joni Mitchell - 'Hissing of Summer Lawns' vs 'Hejira'

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I think "The Boho Dance" is the song that complicates the equation though because Joni so explicitly introduces herself into the context. It's a great song, though quite forthright for Joni at that stage of her lyrical development. Amateurist OTM, though I'd add that Joni seems to even doubt that the path she took was the right one for her (let alone the right one generally): "The streets were never really mine/Not mine these glamour gowns". Especially when viewed in the context of the album - frequently an attack on the blandness of the middle class consumer lifestyle - "The Boho Dance" feels a bit like a rearguard defence, Joni trying to defend her rejection of obscurity in the midst of a more general rejection of outright fame and fortune.

I agree that it's not entirely successful in vindicating her; I suspect she knew that and that makes it even more involving.

Tim Finney (Tim Finney), Saturday, 8 May 2004 12:21 (twenty years ago) link

I rank them about equally. I find the sound of "Hissing" a bit dated and cheesy, altho I could say the same thing about Steely Dan, at times. I do love "Boho Dance" and its embrace of elegance over unpressed jeans, though; and dig the cover concept. "Hejira" contains some really lyrical stuff and Pastorious' bass makes it something quite special. It's a great album for winter as "Hissing" is a good one for summer...

Still and all, I like "For the Roses" the best; something about the sound of "Court and Spark" grates on me, it just seems awfully trebly or something, but the songs are classic. I have a problem with this kind of '70s production, I'm afraid--Tom Scott gets on my nerves in a major way. I'm not often in the mood to hear Joni Mitchell any more, I feel the same way about her I do about James Taylor, who I admit I enjoy for about two songs--then the self-involvement kicks in and I have to go listen to something else.

eddie hurt (ddduncan), Saturday, 8 May 2004 19:16 (twenty years ago) link

i dont hate james taylor at all, but he and joni are in very different leagues

amateur!st (amateurist), Sunday, 9 May 2004 23:36 (twenty years ago) link

Well, I think James Taylor just might be better. Hard to say these days. I used to really like Joni but now I find it kind of a drag, her voice and those chords I used to admire. I actually like some of her earlier tunes like "Chelsea Morning" more than the admittedly accomplished later stuff. I made a CD of the best of "Court," "Hissing, "Hejira" and "Don Juan," and it's OK for certain people's parties. I do like "Off Night Backstreet" for its sound...really kind of a non-song, but the arrangement is cool. I dunno--Joni is a bit like watching some minor Bergman film, maybe? It's good, undeniably, but there's just something wrong there, it's boring and you really don't want to admit it; James Taylor is like a night of television, you halfway get hooked but you realize how meretricious the whole enterprise is. I see your point amateur! and it's well-taken, but I actually don't myself think JT and JM are really that separated by skill--by style and by the degree of contrariness they exhibit, maybe (Joni is to my mind contrary and not always in a good way). But the self-involvement (which can be a good thing in these artists as well as in many others, sure) is just a turnoff...

eddie hurt (ddduncan), Monday, 10 May 2004 02:49 (twenty years ago) link

"The Boho Dance" feels a bit like a rearguard defence, Joni trying to defend her rejection of obscurity in the midst of a more general rejection of outright fame and fortune.

I'm not so sure. To me it feels more like an offhand dismissal of hipsterism as a solution to the dullness she describes in the rest of the album ("Jungle Line" could also be seen as such), or at least as a universal one. Neither attitutes, street hipness or glamorous frivolity, would work, if they don't stem from the person inside (70's belief in self-development and all...).
What's interesting in the song is that she doesn't really know herself what exactly would be the path for her. There's some doubt, and maybe some envy, when she dismisses her friend's obscurity as something for her.

Baaderoni (Fabfunk), Monday, 10 May 2004 06:12 (twenty years ago) link

one month passes...
I've just realized that Suzanne Vega's entire 80s output was based on 'Edith and the Kingpin' (and that's a good thing!)

Baaderoni (Fabfunk), Friday, 11 June 2004 06:15 (twenty years ago) link

I prefer "Summer Lawns" for its somewhat more varied production. "Hejira" has interesting songs too, but you do get tired of that chorus guitar after having listened to it for an entire album.

Geir Hongro (GeirHong), Friday, 11 June 2004 10:12 (twenty years ago) link

I agree with you about the chorus effect, but 1) Hejira's lyrics are better and 2) Hejira has a lot more going on rhythmically (but! just as much/more going on melodically/dynamically)

J0hn Darn1elle (J0hn Darn1elle), Friday, 11 June 2004 10:25 (twenty years ago) link

Hejira's lyrics are better

uh no way. the lyrics and the music are intertwined anyway. summerlawns works here to, ah, whats that when the sum is greater than the parts? hejira is all parts. and rhythmically? lawns has jungle line. and centrpiece. and shadows and light.

mullygrubber (gaz), Friday, 11 June 2004 13:35 (twenty years ago) link

and dramatically? lawns is a drama and hejira is a collection of songs tied together by a monochrome cover and a chorus sound.

mullygrubber (gaz), Friday, 11 June 2004 13:38 (twenty years ago) link

uh-oh. misread. dynamically. i dunno J0hn. its almost one plateau except for black crow.

mullygrubber (gaz), Friday, 11 June 2004 13:42 (twenty years ago) link

Which album was it that Johnny Rotten said was 'awful' when he and some friends were round at Joni's place, without knowing it was her latest album to be?

mark grout (mark grout), Friday, 11 June 2004 13:44 (twenty years ago) link

"Furry" is horrendous. No wonder he didn't like her. That line about not knowing "what you play" but still feeling his vibe is insufferable. Maybe it's supposed to be a self-knowing admission, but it's still incredibly self-involved, and not in a good way.

Rickey Wright (Rrrickey), Friday, 11 June 2004 16:15 (twenty years ago) link

TS:


Having to choose between her two best albums, I will go for "Summer Lawns", for its more varied sound. On "Hejira" that chorus guitar becomes a bit weary on you after having been used on every single track.

-- Geir Hongro (geirhon...) (webmail), February 16th, 2004 4:27 PM. (GeirHong) (link)

vs.


I prefer "Summer Lawns" for its somewhat more varied production. "Hejira" has interesting songs too, but you do get tired of that chorus guitar after having listened to it for an entire album.

-- Geir Hongro (geirhon...) (webmail), June 11th, 2004 4:12 AM. (GeirHong) (later) (link)

amateur!st (amateurist), Friday, 11 June 2004 17:10 (twenty years ago) link

The thing for me is that summer lawns is way pretentious. I can enjoy it sometimes, but other times the smug feeling really takes me out of it. Hejira's pretentious too, but in a much more pleasant way to me.

Stand by the lyrics bit - Summer Lawns has the rather enjoyable but trite morass of its title track to answer for. Hejira leads off with one of J.M.'s best lyrics EVAH. For me Hejira is second only to Blue.

NB I used to really represent hard for Summer Lawns but then I joined the Hejira cult

J0hn Darn1elle (J0hn Darn1elle), Friday, 11 June 2004 18:38 (twenty years ago) link

then there's court and spark which fucking rages, too, though

J0hn Darn1elle (J0hn Darn1elle), Friday, 11 June 2004 18:40 (twenty years ago) link

Hejira's lyrics are just *decadently* good, like, they just go right past where you'd expect any other lyricist to be satisfied and stop.

I think the lyrics on Hissing are generally pretty great, and they're often very powerful because - under the sumptuous imagery - they're pretty pointed. But I think she was mainly
working with tighter song structures on that album so there's nothing as, yeah, decadent as "Song For Sharon" or "Hejira" or "Amelia". I half-agree with Geir that the basic sound of Hejira is very repetitive (or, rather, consistent), but I happen to love its sound so I don't mind at all.

Tim Finney (Tim Finney), Saturday, 12 June 2004 00:12 (twenty years ago) link

i'm probably talking through my arse anyway in my defence of lawns anyway. i heard it at an age where i has no experience with stuff that sophistiated - and i had no tools to "read" it. like reading a book which is way too hard and has too many big words at a young age yet finding *something* magical.

at the time it exerted a powerfully strange hold over me. and even now i cannot hear it any other way - it may be pretentious - certainly my love of it is grounded in mystery.

mullygrubber (gaz), Saturday, 12 June 2004 04:55 (twenty years ago) link

I do sympathise mully. I had the reverse experience - loved Hejira since I was fourteen - when I could barely grasp a lot of it - but only really succumbed to Hissing... last year, when I went through a period of playing "Edith & The Kingpin" and "Shades of Scarlet Conquering" excessively. In a funny way I'd almost like a Hejira equivalent of songs like that. As great as something like "The Jungle Line" is, I'd love like an album of ten heavily orchestrated melancholy jazz-pop ballads about the emptiness of modern love (oops, that was Court & Spark!)

Tim Finney (Tim Finney), Saturday, 12 June 2004 05:05 (twenty years ago) link

yeah edith and shades were pretty much the songs i played over and over at 14!

court and spark passed me by somehow. have to rehear that.

mullygrubber (gaz), Saturday, 12 June 2004 05:08 (twenty years ago) link

Yeah a lot of C&S was a bit too slick for me to love wholeheartedly. Not in the production so much as the songwriting. I love the title track and "People's Parties" especially, but something like "Free Man In Paris" seems like an ungainly combination of Joni's hyper-literate lyrics with a hyper-catchy pop melody that doesn't gel. (particularly "I was a free man in Paris/I felt unfettered and ali-iive!"). The popness of Blue works better I think because the lyrics are relatively straightforward when they need to be.

Tim Finney (Tim Finney), Saturday, 12 June 2004 05:34 (twenty years ago) link

was gonna say. never had the same blind spot(s) with blue. staightforward love on hearing AND i think i got it. C&S was kind of transitional i guess.

(shameful middle class admission: joni was the first "intelligent" woman i ever heard say "fuck")

mullygrubber (gaz), Saturday, 12 June 2004 05:40 (twenty years ago) link

that straightforward love being mine for the record.

mullygrubber (gaz), Saturday, 12 June 2004 05:43 (twenty years ago) link

four months pass...
As the leaves turn brown and past loves are thrown back at us by dry city winds, I say REVIVE!!

Baaderoni (Fabfunk), Tuesday, 12 October 2004 20:48 (nineteen years ago) link

HOORAY!

Just listened to Hejira in the car driving to Kamloops; it still wins for me. One of my very favourite albums every released.

Joni's getting a little shameless with the repackaging, however; two new comps of old material out this fall, one an oddly-paced 'best-of' and the other a self-determined collection of 'political songs'. They're handsomely packaged with her paintings and all, but is this really necessary?

derrick (derrick), Wednesday, 13 October 2004 04:19 (nineteen years ago) link

no, but my mom will buy them. she has already in fact bought one of them. money money money.

Helios Creed (orion), Wednesday, 13 October 2004 05:37 (nineteen years ago) link

ian, have you listened to her? i stole Don Juan from my mom and completely fell in love. by far my fave of her records. super out and weird and i know you're in a folky phase

JaXoN (JasonD), Wednesday, 13 October 2004 05:43 (nineteen years ago) link

Yeah, I inherited my mom's old Joni records and love her. Especially Ladoies of The Canyon & Hissing of Summer Lawns, actually. Blue is too monochromatic for me, pardon the pun.

Helios Creed (orion), Wednesday, 13 October 2004 05:44 (nineteen years ago) link

Don Juan is very special. Just listened to it this morning, in fact; it's way out there.

Perhaps Blue has to hit you all at once. It hit me when I was 14 or so, and I can't be objective about it.

derrick (derrick), Wednesday, 13 October 2004 06:38 (nineteen years ago) link

its a reocurring thing, this 14 year old joni love.

bulbs (bulbs), Wednesday, 13 October 2004 08:15 (nineteen years ago) link

'Don Juan' is a bit patchy and I could do without "Paprika Plains", but it's got some amazing moments.
The title track is a taste of what Joni could have done after this, ie. 'Hejira' with a groove.

Baaderoni (Fabfunk), Wednesday, 13 October 2004 08:21 (nineteen years ago) link

seven months pass...
I am a click away from ordering this new compilation "Songs of a Prairie Girl"... I'm not sure I really need it but the cover is just too beautiful. Did anyone get this?

The Emancipation of Baaderonixx (KERERU 4 LIFE!) (Fabfunk), Thursday, 26 May 2005 14:30 (nineteen years ago) link

No, but I must say that "Hejira" has become my favorite Joni album.

Alfred Soto (Alfred Soto), Thursday, 26 May 2005 14:37 (nineteen years ago) link

Yay!

The Emancipation of Baaderonixx (KERERU 4 LIFE!) (Fabfunk), Thursday, 26 May 2005 14:40 (nineteen years ago) link

I have tried to get back into "Hissing" recently, but I find it impossible, except for "Don't Interrupt the Sorrow." I think "Hejira" and "For the Roses" are in a dead tie for my fave these days.

edd s hurt (ddduncan), Thursday, 26 May 2005 17:01 (nineteen years ago) link

Count me in the "neither, Blue rules over all" camp.

If I needed a second I'd sooner look to Ladies of the Canyon or even Both Sides Now.

The Mad Puffin, Thursday, 26 May 2005 17:04 (nineteen years ago) link

"Summer Lawns" is so uneven, but attractively so. The opulence comes off as decadent on its worst moments. As an "experiment in "Third World" music, ""The Jungle Line" is pretty leaden. But "In France They Kiss in Main Stream" is Court & Spark-worthy; "Shadows & Light" and "Don't Interrupt The Sorrow" evoke rooms with heavy curtains shielding them from the harsh mid afternoon California sun; gnomic, obscure, bad poetry.

Alfred Soto (Alfred Soto), Thursday, 26 May 2005 17:05 (nineteen years ago) link

Oh but one more thing: Jaco is a god.

The Mad Puffin, Thursday, 26 May 2005 17:05 (nineteen years ago) link

yeah, "Hissing" is full of bad poetry. I guess my favorite line is "You're darn right." I always find it strangely moving when Joni sings "strains of Benny Goodman" on "Hejira."

edd s hurt (ddduncan), Thursday, 26 May 2005 17:08 (nineteen years ago) link

Her melodies are quite gorgeous too: the last time she'd write compelling linear ones.

Alfred Soto (Alfred Soto), Thursday, 26 May 2005 17:09 (nineteen years ago) link

uneven, but attractively so... opulence comes off as decadent on its worst moments.... evoke rooms with heavy curtains shielding them from the harsh mid afternoon California sun...

Further proof that Joan Didion and Joni Mitchell are actually the same person.

Some day we will have to have a thread about author/musician doppelganginess like that.

The Mad Puffin, Thursday, 26 May 2005 17:12 (nineteen years ago) link

Joan Didion's non-fiction is specific and merciless in ways that Joni post-"Blue" never was.

Alfred Soto (Alfred Soto), Thursday, 26 May 2005 17:15 (nineteen years ago) link

Perhaps, but for me Play It As It Lays and The White Album seem to spring from the same aesthetic and worldview as Blue and Court and Spark do.

These two women are so closely linked in my mind that they shall ne'er be separated.

The Mad Puffin, Thursday, 26 May 2005 17:20 (nineteen years ago) link

Alfred, it's "In France They Kiss on Main Street"

Banana Nutrament (ghostface), Thursday, 26 May 2005 17:26 (nineteen years ago) link

"The Jungle Line"'s the best track on "Hissing", let that be said now here

A Viking of Some Note (Andrew Thames), Thursday, 26 May 2005 17:30 (nineteen years ago) link

"Court and Spark" is indeed incredible, but it'd have some work to do (maybe it'll yet do it) to beat either of the threadular recs, between whom I THINK I pick "Hejira", just cos it sounds more like an ALBUM than "Hissing". Joni doesn't lend herself too readily to seperation, really. I succesfully recommended "Hissing" to my recent Joniloving best friend a couple days ago, let's see what she thinks.

A Viking of Some Note (Andrew Thames), Thursday, 26 May 2005 17:34 (nineteen years ago) link

Jungle Line seems to always attract very bipolar opinions. I find it OK, but far from the best on Hissing (that would be Edith & Kingpin or maybe Don't Interrupt the Sorrow)

evoke rooms with heavy curtains shielding them from the harsh mid afternoon California sun...

Nice one. That's what I really love about Joni's music. I need to check out Didion's stuff (I only read "Slouching..." so far)

The Emancipation of Baaderonixx (KERERU 4 LIFE!) (Fabfunk), Thursday, 26 May 2005 17:36 (nineteen years ago) link

If I recall rightly, Robert Christgau referred to JM once as a "west coast Erica Jong"...

edd s hurt (ddduncan), Thursday, 26 May 2005 17:40 (nineteen years ago) link

joan didion deals in more bodily fluids than joni.

i really like "the jungle line." i don't know about the title track.

i've been listening to a lot of joni lately. i'm venturing, tentatively, into her 80s and 90s stuff. i'm not sure what i think, yet.

Amateur(ist) (Amateur(ist)), Thursday, 26 May 2005 22:17 (nineteen years ago) link

i sort of redicovered "blue" and "for the roses" this past weekend.

Amateur(ist) (Amateur(ist)), Thursday, 26 May 2005 22:18 (nineteen years ago) link


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