― Rockist_Scientist (rockist_scientist), Monday, 8 November 2004 21:28 (nineteen years ago) link
― Ken L (Ken L), Wednesday, 22 December 2004 01:21 (nineteen years ago) link
― Hurting (Hurting), Wednesday, 22 December 2004 02:03 (nineteen years ago) link
― Curt1s St3ph3ns, Wednesday, 22 December 2004 02:26 (nineteen years ago) link
― LaRue (rockist_scientist), Wednesday, 22 December 2004 03:19 (nineteen years ago) link
xpost:Yeah, I tink you guys are right, I just wanted to discuss the triplet thing a little and copied that stuff from some web site. In any case, on my instrument I play mostly quarter notes.
― Ken L (Ken L), Wednesday, 22 December 2004 07:56 (nineteen years ago) link
That may be so if they're a little corny and riki-tiki, but I find that one of the most important things about the New Orleans feel is that its right inbetween straight 8ths and triplet-based swing.
― Jordan (Jordan), Wednesday, 22 December 2004 14:51 (nineteen years ago) link
― Charles Ewing, Thursday, 5 May 2005 23:10 (nineteen years ago) link
Then it's usually one or two racks and a floor tom, and your standard snare. At least one ride cymbal, probably a crash too. I'd stay away from the Avedis Zildjians -- try to get a K ride maybe. Ride sound is VERY important in jazz drumming. Then again, for a starter kit, this might be out of your price range -- cymbals can be pricy.
Gretsch actually makes a great little starter jazz kit with an 18 or 20" and a snare that's actually made of wood for not too much money (maybe 5-600?) I think it's called the Catalina Club or something like that.
You could also go for vintage -- Ludwigs are great, or old Premier if you can find it. Old Gretsch drums are the best, but tend to be pricier. There are also japanese kits from the 60s/70s that sound passably good.
― Hurting (Hurting), Friday, 6 May 2005 01:28 (nineteen years ago) link
― edd s hurt (ddduncan), Friday, 6 May 2005 01:38 (nineteen years ago) link
― RS_LaRue (RSLaRue), Friday, 6 May 2005 01:44 (nineteen years ago) link
― RS_LaRue (RSLaRue), Friday, 6 May 2005 01:47 (nineteen years ago) link
I've been using my beautiful little four piece kit with an 18" bass drum and two 20" rides for everything for a few years now, but I've gotten to the point where I don't really like using it for anything but jazz/bebop. Anything else (be it trad jazz or rock) needs a bigger, deeper kick drum with a sharper attack.
― Jordan (Jordan), Friday, 6 May 2005 02:45 (nineteen years ago) link
― Oblivious Lad. (Oblivious Lad), Friday, 6 May 2005 05:21 (nineteen years ago) link
― Matos-Webster Dictionary (M Matos), Friday, 6 May 2005 05:45 (nineteen years ago) link
― Lethal Dizzle (djdee2005), Friday, 6 May 2005 05:56 (nineteen years ago) link
― Gear! (can Jung shill it, Mu?) (Gear!), Friday, 6 May 2005 06:02 (nineteen years ago) link
Pretty much, yeah. I go in and out of phases of trying to give mainstream jazz a chance. One reason I would bother to start this sort of thread is that I keep coming back to give jazz a chance, and then being put off by it. If I were to just give up on it completely, I probably would never make the types of comments I've made here, since it wouldn't matter any more. I'm still enjoying a very narrow sliver of contemporary a.g. stuff, and that keeps me happy for now. (I really wish Hopscotch records would respond to the check and e-mails I sent them about two months ago. Fuckin' bohemians.) Anyway, I haven't been testing the mainstream jazz waters much lately.
― RS_LaRue (RSLaRue), Friday, 6 May 2005 10:51 (nineteen years ago) link
― jaymc (jaymc), Friday, 6 May 2005 12:00 (nineteen years ago) link
― Jordan (Jordan), Friday, 6 May 2005 12:00 (nineteen years ago) link
― Marcello Carlin (nostudium), Friday, 6 May 2005 12:06 (nineteen years ago) link
― RS, Friday, 6 May 2005 12:37 (nineteen years ago) link
― Jordan (Jordan), Friday, 6 May 2005 13:17 (nineteen years ago) link
-- Oblivious Lad. (mjlazowsk...), May 6th, 2005.
I have an Avedis ride that I really like -- it's a 21" "Sweet Ride" -- but I generally find I don't like the sound of the newer A Zildjians, especially rides. It's really all about the individual cymbal and your individual tastes though. It's not like the A Zildjians are
It's also worth considering what kind of music you're going to use it for. If you're playing jazz, or anything relatively quiet, a nice complex, dark ride can really add a lot. But if you're playing loud rock it's just going to get lost in the mix anyway and maybe even cause problems.
― Hurting (Hurting), Friday, 6 May 2005 13:23 (nineteen years ago) link
― Hurting (Hurting), Friday, 6 May 2005 13:32 (nineteen years ago) link
anyone wanna buy some of the turk hi hats off me? ;)
― ambrose (ambrose), Tuesday, 24 May 2005 17:13 (nineteen years ago) link
My current fave ride is a Sabian AAX dry ride.
― The Mad Puffin, Tuesday, 24 May 2005 18:08 (nineteen years ago) link
― vinnotes inrhythm, Wednesday, 8 February 2006 04:10 (eighteen years ago) link
― R_S (RSLaRue), Sunday, 21 January 2007 00:47 (seventeen years ago) link
― blunt (blunt), Sunday, 21 January 2007 00:56 (seventeen years ago) link
I haven't had time to read the whole thread so some one may have mentioned it but I think I have a partial answer to the original question.
Early records were acoustically recorded. The band would crowd into a room and a large horn would capture the sound directly into a mechanical cutting device. If you listen to popular music from this time you will notice an absence of drums or sudden noises as these would make the mechanical cutting needle jump out of its groove. As a result many bands would leave their drum kits at home and improvise the rhythm section on wooden blocks and tiny hand cymbals. There are stories of early jazz bands traveling to Europe with full kits and seeing the locals replicate their thin recorded drums and then of course... blowing them away.
In 1925 electric recording became feasible but it took a ridiculously long time for the modern drum sound to appear in most recordings. This was in part due to slow to adapt engineers and producers and also the depression, during which record sales fells from historic highs of 150 mill in 1929 to 15 million by 1933. (proving that out of the old adage of entertainment and the price of heroin, only one is recession proof.)
By then, I guess, the sound was pretty well ingrained.
So maybe the cymbal was a technical thing as much as much as a musical one?
― Popture, Friday, 27 June 2008 16:26 (sixteen years ago) link
Occurs to me that there are a few jazz drummers I really dig who have a more drum-centered, less ride-heavy approach -- Hamid Drake comes to mind, and Ed Blackwell.
― Indiespace Administratester (Hurting 2), Friday, 12 December 2008 23:07 (fifteen years ago) link
for some reason this thread title is cracking me up
― n/a is just more of a character....in a genre polluted by clones (n/a), Friday, 12 December 2008 23:09 (fifteen years ago) link
could be a pavlovian response to the seinfeldesque phrasing
― n/a is just more of a character....in a genre polluted by clones (n/a), Friday, 12 December 2008 23:10 (fifteen years ago) link
at first I thought you meant the cymbal tapping was a response to seinfeldesque bass phrasing
― have u ever seen a 77 with a butterfly door (Curt1s Stephens), Friday, 12 December 2008 23:11 (fifteen years ago) link
I am not completely alone (but I don't really hate trap drums the way Fiol does, and I love timbales, which he sees as almost as bad as trap drums):
Let me preface my response by saying that one's likes and dislikes in music are quite similar to one's likes and dislikes when it comes to food. Some people can think of nothing better and more enjoyable than the taste and feel of eating a raw oyster, while others are horrified just at the thought of a fishy-tasting, phlem-like substance slithering down their throat. This is not to say that raw oysters are no good or that they are not a legitimate and valuable food source, it's simply a matter of taste. Having said this, let me say that I think one of the reasons why I got into Latin music in the first place, is because I detest the sound of trap drums or drum kit - especially when played by heavy-handed, tasteless percussionists who overplay. (The Brazilian trap drummers are the only ones who can make this obnoxious instrument sound appealing to me.) In fact, I'd like to know who invented this awful, one-man-band percussion concept, with the abrasive and irritating sound of the snare drum (a military drum that was designed to cut through gunfire) leading the charge, and the cymbals clinging and clanging away behind it at full tilt. I'd like to dance a guaguancó on his grave.
http://www.descarga.com/cgi-bin/db/archives/Interview58?Mogw6uXn;;12
― _Rockist__Scientist_, Friday, 12 December 2008 23:16 (fifteen years ago) link
lol
― Tracy Michael Jordan Catalano (Jordan), Friday, 12 December 2008 23:17 (fifteen years ago) link
I'd like to know who invented this awful, one-man-band percussion concept
He can thank vaudeville.
― Indiespace Administratester (Hurting 2), Friday, 12 December 2008 23:43 (fifteen years ago) link
this thread very informative
― negotiable, Friday, 12 December 2008 23:44 (fifteen years ago) link
Far too many Robert Wyatt tracks are spoiled by this...
― My head is full of numbers from the internet! (Paul in Santa Cruz), Tuesday, 13 July 2010 23:11 (fourteen years ago) link
Don't think they are jazz tracks (from the little solo Wyatt I've heard anyway)...
― xyzzzz__, Thursday, 15 July 2010 12:47 (fourteen years ago) link
hah just yesterday i bought End of an Ear for £3 quid in Fopp and was surprised (and pleased!) to find that its pretty much a free jazz alb (had never heard it before) - on one listen i didn't hear much 'constant' anything tho
― Ward Fowler, Thursday, 15 July 2010 12:54 (fourteen years ago) link
What's awesome is people who walk around making "tsss-ts-ts-tsss-ts-ts" noises with their mouths!
― kkvgz, Thursday, 15 July 2010 12:58 (fourteen years ago) link
You don't even have to like jazz to do that, I've found out.
― kkvgz, Thursday, 15 July 2010 12:59 (fourteen years ago) link
iirc this thread is all-time
― Brad C., Thursday, 15 July 2010 15:18 (fourteen years ago) link
― n/a is just more of a character....in a genre polluted by clones (n/a), Friday, 12 December 2008 23:09 (1 year ago)
"Honey, do you hear that constant cymbal tapping? Can you go see what that is?"
― surfer blood for oil (Hurting 2), Thursday, 15 July 2010 15:53 (fourteen years ago) link
I've caught myself doing this loads lately. I blame Jimmy Cobb.
― Veðrafjǫrðr heimamaður (ecuador_with_a_c), Thursday, 15 July 2010 16:34 (fourteen years ago) link
lol at this thread. I assumed kate had started it
― Armand Schaubroeck Ratfucker, Tuesday, 19 July 2011 00:54 (thirteen years ago) link
great revive
― ingredience (map), Wednesday, 18 December 2019 22:02 (four years ago) link
https://www.rollingstone.com/music/music-features/black-sabbath-jazz-swing-influence-bill-ward-948231/
“I remember quite vividly listening to Black Sabbath, and it was the self-titled record,” Gaster recalls. “I think in particular it was the first song on Side Two, ‘Wicked World.’ Bill Ward opens up that tune by playing jazz time on the hi-hat. He’s playing that figure that you hear so many of those big-band guys play: ‘spang-a-lang, spang-a-lang.’ And that drives the band. There’s no backbeat; there’s no bass drum there in particular. It’s really just the sound of those hi-hats that’s pushing the band along.
― j., Wednesday, 12 February 2020 17:41 (four years ago) link