So this then. They've practically escaped mention on ILM before outside a couple of specialist rolling threads for indie rock / drone people.
Anyway, brief bit of context: Leeds-based, fiercely independent five piece, self-manage, self-produce, do all their own artwork, most of them still work as teachers and civil servants and such apart from singing keyboardist producer MJ. Heavy wafts of fuzz, 9-track albums with 5-6 'songs' (if you can pick the melodies out from beneath the distortion) and a handful of droney interludes. Postrock? Not quite. Shoegaze? Not quite. Studio got flooded in 2015 so they had to start again and their new record is just...
Amazing, frankly. As far as I'm concerned. They bought a bunch of new electronic gear as well as guitars and made... a synthpop record? Not quite. One track sounds like a cross between Anna Meredith and Kaitlyn Aurelia Smith, which feels improbable. Lyrically it deals with depression and anxiety in an incredibly direct and touching way.
And they wrote tunes. Several tunes. Really good tunes. (No interludes on this record, just a lovely 3-minute instrumental). Negative Space got loads of airplay on 6music around Christmas and really caught my attention. A chorus. Emotional heft. A really lush groove.
Rob had played the debut at record club (https://devonrecordclub.com/2013/10/30/hookworms-pearl-mystic-round-56-robs-choice/) and I'd bought that and the follow-up, but this is one of those moments when an artist spectacularly levels up.
I imagine the ILM hivemind will hate it, but you never know.
― Hey Bob (Scik Mouthy), Friday, 9 February 2018 07:25 (three months ago) Permalink
I thought this was going to be great after the excellent slow build of the first track but then they just started pulling out all the off-the-peg droney Krautrock moves and the whole thing just became progressively more formulaic. The Guardian review was really tiresome as well, just going "wow Neu! Spaceman 3 Suicide" as if these weren't completely done-to-death reference points in 2018 and they don't bring anything new to the table other than a kind of 00s indie yelp that also feels tired. Like if you want something comfortingly familiar I can see how it would vaguely appeal but the bands mentioned about were never about that.
The sound bothered me as well, like I get how dyanamic range is important but this is just quiet even when it's meant to be noisy, and it doesn't have the space or clarity or textural detail to compensate for that, it just sounds middy and muddy even on big speakers.
― Matt DC, Friday, 9 February 2018 09:39 (three months ago) Permalink
I haven't heard it yet, but their debut was one of my favourite albums of that year.
― Full of bile and Blue Nile denial (Turrican), Friday, 9 February 2018 13:17 (three months ago) Permalink
haven't gone back to it too much, respect for getting it all together after the flood
thought it was ok though! i miss the lo fi noise of the first album tho...
― nxd, Friday, 9 February 2018 13:47 (three months ago) Permalink
this is really excellent. loved the hum, wouldn't have expected this particular evolution, but have been listening all week and loving it.
― Roberto Spiralli, Friday, 9 February 2018 13:48 (three months ago) Permalink
Oh look, Matt DC is being dismissive of something I’m being positive about.
― Hey Bob (Scik Mouthy), Friday, 9 February 2018 15:45 (three months ago) Permalink
I'm extremely dismissive of their previous stuff because I've heard it, but I'm willing to believe they've undergone a Horrors-esque conversion to being decent (hopefully without Horrors' subsequent conversion to being crap again)
― imago, Friday, 9 February 2018 15:47 (three months ago) Permalink
I was being dismissive of it on Facebook earlier this week in fairness.
― Matt DC, Friday, 9 February 2018 15:57 (three months ago) Permalink
*hears Static Resistance* "Huh, motorik Geddy Lee _is_ the best Geddy Lee mode."
I am liking the album a lot, regardless of my Geddy opinions.
― Hunt3r, Friday, 16 February 2018 16:44 (three months ago) Permalink