― Justin Block, Sunday, 23 February 2003 06:04 (twenty-three years ago)
― Brenya, Sunday, 23 February 2003 06:14 (twenty-three years ago)
Both songs feature obsessive attention paid to guitar tone; multi-layered, overdubbed gtrs. Both songs describe a kind of longing. For the Smiths it's inward; for Zep it's outward.
For this song The Smiths tried to sound like Bo Diddley, whereas Zep tried to sound like Muddy Waters on every song except 'Achilles'. Here they tried to sound like Paco de Lucia or some shit.
'HSIN' got revived and made the charts in 'Hippychick', whereas I don't think anybody ever did anything with 'Achilles' despite the untold hours Pagey put into it. Maybe Iron Maiden copped some moves from it. Interestingly Zep ditched everything remotely Presence-like for their next one. The Smiths never really matched their track but gained the confidence to create their best ever album in Queen is Dead/
But since Presence is probably my favorite Zep album (dark, no acoustic guitars, Plant's kid dies, etc.), and since John Bonham is such a fave of mine - and of course 'Achilles Last Stand' is his finest hour - I'll go w/ the Zep tune.
― Mr. Diamond (diamond), Sunday, 23 February 2003 07:12 (twenty-three years ago)
― Justin Block, Sunday, 23 February 2003 07:55 (twenty-three years ago)
― mei (mei), Sunday, 23 February 2003 12:57 (twenty-three years ago)
― Girolamo Savonarola, Sunday, 23 February 2003 13:11 (twenty-three years ago)
― original bgm, Sunday, 23 February 2003 18:41 (twenty-three years ago)
B-b-but "Barracuda"! (ALS wins, FWIW. Maybe my favourite Page performance.)
― sundar subramanian (sundar), Sunday, 23 February 2003 18:45 (twenty-three years ago)
― simon 803 (simon 803), Monday, 24 February 2003 15:53 (twenty-three years ago)
― sundar subramanian (sundar), Tuesday, 25 February 2003 00:40 (twenty-three years ago)
― tom (other one), Tuesday, 25 February 2003 00:43 (twenty-three years ago)