― EC, Sunday, 16 March 2003 18:58 (twenty-three years ago)
As with his prose, so with his taste. Why did the noisemakers that he championed bury their hearts under layer after layer of obscurity and dada? Bananafish music is shy music, even when it's deafeningly loud.
― EC, Sunday, 16 March 2003 19:17 (twenty-three years ago)
― EC, Sunday, 16 March 2003 19:39 (twenty-three years ago)
― brg30 (brg30), Monday, 17 March 2003 02:18 (twenty-three years ago)
― roger adultery (roger adultery), Monday, 17 March 2003 05:59 (twenty-three years ago)
― EC, Monday, 17 March 2003 15:31 (twenty-three years ago)
Hmm.
― William Bloody Swygart (mrswygart), Monday, 17 March 2003 16:22 (twenty-three years ago)
― J0hn Darn1elle (J0hn Darn1elle), Monday, 17 March 2003 16:38 (twenty-three years ago)
No, it was not Neil Hamburger.
― gygax! (gygax!), Monday, 17 March 2003 17:10 (twenty-three years ago)
― matt riedl (veal), Monday, 17 March 2003 17:54 (twenty-three years ago)
― dan (dan), Monday, 17 March 2003 18:26 (twenty-three years ago)
...but those records were, like the reviews, deliberately constructed to be as vague and mysterious as possible. Both the music and the writing are open to almost any interpretation, so of course you can match them up. I can listen to one of those nightstand white noise machines while reading any randomly selected text, and the one will seem to be commenting on the other.
This is a pretty fascinating phenomenon, and I do think there's something brilliant about facilitating it. However, those white noise machines eventually lull you to sleep, and wading through a whole issue of Bananafish has a similar effect.
― EC, Monday, 17 March 2003 18:30 (twenty-three years ago)
― schnellschnell, Monday, 17 March 2003 18:39 (twenty-three years ago)
bandcamp: https://sglass.bandcamp.com/
He's been on tour for a week, has anyone been checking out his shows?
― imperial frfr (Steve Shasta), Friday, 9 May 2025 03:32 (one year ago)