― mark s (mark s), Friday, 20 June 2003 08:45 (twenty-two years ago)
i bet there are other excellen examples you can think of also
the last term in my three-part series is blatant provocation: if you get hung up on it you are too easily provoked
― mark s (mark s), Friday, 20 June 2003 08:47 (twenty-two years ago)
― kate (kate), Friday, 20 June 2003 08:51 (twenty-two years ago)
― Tico Tico (Tico Tico), Friday, 20 June 2003 08:52 (twenty-two years ago)
― mark s (mark s), Friday, 20 June 2003 08:53 (twenty-two years ago)
*eats rat's ass, trying to look as if he would ever have shared it anyway*
― mark s (mark s), Friday, 20 June 2003 08:55 (twenty-two years ago)
Skiffle loses.
― kate (kate), Friday, 20 June 2003 08:56 (twenty-two years ago)
― mark s (mark s), Friday, 20 June 2003 08:59 (twenty-two years ago)
maybe i do give a rat's ass about this after all, then!
― Tad (llamasfur), Friday, 20 June 2003 09:00 (twenty-two years ago)
― James Blount (James Blount), Friday, 20 June 2003 09:00 (twenty-two years ago)
― Tad (llamasfur), Friday, 20 June 2003 09:02 (twenty-two years ago)
― kate (kate), Friday, 20 June 2003 09:02 (twenty-two years ago)
― kate (kate), Friday, 20 June 2003 09:03 (twenty-two years ago)
― James Blount (James Blount), Friday, 20 June 2003 09:04 (twenty-two years ago)
― Tad (llamasfur), Friday, 20 June 2003 09:04 (twenty-two years ago)
the "type" of the music is only really folk in the loosest sense (ie a lot of it was kind of made, "like" american pop except you could actually hear very little american pop in the uk at this time, radio = BBC only, and there was massive cultural quarantine) (the biggest UK star, lonnie donegan, named himself for lonnie johnson, who was really more jazz/r&B/country than folk)
anyway the music was VERY easy to make — because it didn't really have to sound like anything except itself, while strongly beaming out the idea that it was super-cool americana, and because it wz played on washboards and broomhandle string basses etc
when cliff richard says "let's put the show on here!", that's the key sensibility (albeit from a quasi-"manufactured" mouth: UK youth gave itself permission to pretend it was just like america, while actually mainly accessing its own rough invention
― mark s (mark s), Friday, 20 June 2003 09:11 (twenty-two years ago)
― Tad (llamasfur), Friday, 20 June 2003 09:12 (twenty-two years ago)
― Tad (llamasfur), Friday, 20 June 2003 09:13 (twenty-two years ago)
― Tad (llamasfur), Friday, 20 June 2003 09:24 (twenty-two years ago)
― mark s (mark s), Friday, 20 June 2003 09:27 (twenty-two years ago)
''no ramones no nothing''
A peter brotzmann solo record is also called 'no nothing'.
mark s => the secret love child of bobby gillespie and peter brotzmann shockah!
― Julio Desouza (jdesouza), Friday, 20 June 2003 11:07 (twenty-two years ago)
― doom-e, Friday, 20 June 2003 11:09 (twenty-two years ago)
isn't there a certain element of that in a HUGE amount of UK youth culture - taking a blueprint drawn up in the US and adaping/subverting/screwing w/ it till it becomes something in and of itself?cf: acid house-> hardcore -> jungle/d&b -> uk garage -> "da next shit"...even UK punk rock took its initial inspiration from US rock bands and the US accent prevails in the vast majority of UK-based rock to this day. However, it's kinda interesting that when British music speaks in its own voice (just as hip hop has really got to grips with over the last few years) that the most interesting/striking developments are made and the music can the be sold back to the states...
― Dave Stelfox (Dave Stelfox), Friday, 20 June 2003 11:20 (twenty-two years ago)
― mark s (mark s), Friday, 20 June 2003 11:26 (twenty-two years ago)
― Dave Stelfox (Dave Stelfox), Friday, 20 June 2003 11:28 (twenty-two years ago)
― mark s (mark s), Friday, 20 June 2003 11:29 (twenty-two years ago)
― doom-e, Friday, 20 June 2003 11:30 (twenty-two years ago)
― mark s (mark s), Friday, 20 June 2003 11:31 (twenty-two years ago)
and precisely what is this statement based upon?
― Dave Stelfox (Dave Stelfox), Friday, 20 June 2003 11:34 (twenty-two years ago)
― captain doom-e, Friday, 20 June 2003 11:34 (twenty-two years ago)
― Dave Stelfox (Dave Stelfox), Friday, 20 June 2003 11:36 (twenty-two years ago)
― captain doom-e, Friday, 20 June 2003 11:37 (twenty-two years ago)
― Dave Stelfox (Dave Stelfox), Friday, 20 June 2003 11:45 (twenty-two years ago)
― doom-e, Friday, 20 June 2003 11:50 (twenty-two years ago)
― doom-e, Friday, 20 June 2003 11:51 (twenty-two years ago)
unfortunately, skiffle revival never quite happened, at least not here in the states.
― fact checking cuz, Friday, 20 June 2003 13:18 (twenty-two years ago)
― hstencil, Friday, 20 June 2003 13:38 (twenty-two years ago)
― jess (dubplatestyle), Friday, 20 June 2003 14:31 (twenty-two years ago)
http://home.planetinternet.be/~bliek/drew-page/mupemmotr.jpg
vs. the Riverbottom Nightmare Band. I can't find an image of the real thing but I did find this -- damn assholes, I can't begin to imagine how horrible they must be:
http://www.unc.edu/~greysax1/pictures/jump.jpg
― Ned Raggett (Ned), Friday, 20 June 2003 15:35 (twenty-two years ago)
― hstencil, Friday, 20 June 2003 15:49 (twenty-two years ago)
― Johnney B (Johnney B), Saturday, 21 June 2003 15:21 (twenty-two years ago)
it actually sounds like a cross between "the little rascals" than "emmet otter's jugband," with a sorta proto-punk attitude
yeah, i'm struck by the "anyone can do this" crossover between fans and musicians in the mid-late 50s skiffle scene, the outrageous outfits and hairstyles, the characters, people named "awful brenda" - it was punk
― progressive cuts (Tracer Hand), Monday, 6 September 2010 15:04 (fifteen years ago)