ip the shit out of some published think-piece music journalism part 957

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Steve Lamacq on why pop music needs heroes

I liked it, which is why most of you probably won't...

CharlieNo4 (Charlie), Tuesday, 15 July 2003 09:24 (twenty-two years ago)

Er, that'll be "rip" then...bloody hell, can't even get the title right.

CharlieNo4 (Charlie), Tuesday, 15 July 2003 09:26 (twenty-two years ago)

While I agree with his premise, the idea that the Music or the Coral or the freaking Libertines are going to save *anything* is fucking ludicrous.

The solution to prepackaged perfection is not to make prepackaged "idols" in the model of Lydon or Gallagher (vomit) but to let some of the prefab ones off the leash.

kate (kate), Tuesday, 15 July 2003 09:33 (twenty-two years ago)

the idea that the Music or the Coral or the freaking Libertines are going to save *anything* is fucking ludicrous

Well yes. But Lammers does concede that point himself with the whole "no teenage kid wants art-school rock" schtick.

I'm kinda hoping that teenage kids want Dizzee Rascal and McLusky...but they're probably actually down with Clodplay for all I know.

I've never understood this obsession with finding "the new" Lydon, Gallagher, whatever - it's like when Oasis came out and idiots all over the UK were saying "they're the new Beatles" when probably that monicker would've been better suited to, say, The Prodigy or something.

By definition, "the new" *ANYONE* won't be new at all. Fuck it, Richard James is the most punk rock thing we're gonna see anytime soon.

CharlieNo4 (Charlie), Tuesday, 15 July 2003 09:44 (twenty-two years ago)

Many so-called rebellious idols were *pre-packaged* to be offensive and rebellious and hated by parents - from the Rolling Stones deliberate "would you let your sister go with a Rolling Stone" image to the Sex Pistols being assembled like a boyband, blah blah blah, use other cliches etc. etc.

kate (kate), Tuesday, 15 July 2003 09:49 (twenty-two years ago)

Starting off by calling for parent-unfriendly music and ending up by asking for a new Noel Gallagher seems a bit perverse.

Tico Tico (Tico Tico), Tuesday, 15 July 2003 09:56 (twenty-two years ago)

Starting off by calling for parent-unfriendly music and ending up by asking for a new Noel Gallagher seems a bit perverse.

It makes little sense as a leap of logic, sure. It almost sounds like he's just throwing his hands up in despair and saying, "oh fuck it then, you kids listen to whatever you like, and you labels create whatever you want, I'm quite happy here with my old Carter USM 7"s, thanks". Which is a shame.

CharlieNo4 (Charlie), Tuesday, 15 July 2003 09:59 (twenty-two years ago)

"Steve Lamacq is a Radio 1 DJ"

Dom Passantino (Dom Passantino), Tuesday, 15 July 2003 10:01 (twenty-two years ago)

"Steve Lamacq is a Radio 1 DJ"
-- Dom Passantino (lifetimepilingu...), July 15th, 2003.

Only fucking just.

Nick Southall (Nick Southall), Tuesday, 15 July 2003 10:04 (twenty-two years ago)

''from the Rolling Stones deliberate "would you let your sister go with a Rolling Stone"''

i think it was 'daughter'.

Julio Desouza (jdesouza), Tuesday, 15 July 2003 10:04 (twenty-two years ago)

Thing is, everyone complains that the average age of the chart-singles-buyer is getting younger and younger, blah blah blah. And yet they are marketing music solely by the sexualisation thereof. In effect, it's like... "Look at this cool sexualised adult world, don't you want to be part of it?" When, in effect, what the article is saying is that actual 10 year olds want things that are icky and gross and unacceptible that their parents will never understand and be revolted by.

It would seem that actual experience of teens and pre-teens would suggest that the latter strategy is far more effective (vis a vis Eminem, Marilyn Manson, etc.)

Though it seems that the current strategy is all "Sex! Look, sex! Your parents don't want you getting into this!" (quite right, too, at the age of 10) which causes parental outrage alright... but does it really appeal to kids?

kate (kate), Tuesday, 15 July 2003 10:08 (twenty-two years ago)

U R all radio 1 djs!

Dave Stelfox (Dave Stelfox), Tuesday, 15 July 2003 10:09 (twenty-two years ago)

i think Lamacq kind of touched on an interesting point that maybe only the U.S. can AFFORD 'heroes' of that contrived, cliched (but sure sometimes still a lot of fun) image now. Britain has a pop idol in Robbie Williams, but he is hated and loved in equal measure in this country - and many people are waiting for him or EMI to bale out on that bloated record deal. of course he's far from anti-establishment rebellion (some people still cling to Bobby Gillespie and Thom Yorke as the bastions of cutting edge/alternative rock icon...fair enough perhaps, for sake of arguing - but they're getting old - but why didnt Lamacq mention them actually?). then you have Mike Skinner or Dizzee Rascal or - bah - SO Solid, who with the exception of the latter perhaps are unlikely to adorn teenagers bedroom walls as such but are actually inspirational figures to some young people in the UK no doubt. again, why didnt Lamacq mention them?

stevem (blueski), Tuesday, 15 July 2003 10:26 (twenty-two years ago)

i think my point there was you do not need to have fucking posters on your wall as proof that 'the spirit is still alive' or whatever. in the 90s some kids put up posters of the Gallaghers, Bobby G, Blur or whoever. other kids covered their walls with rave flyers. others had Take That everywhere. nothing has really changed here.

stevem (blueski), Tuesday, 15 July 2003 10:29 (twenty-two years ago)

Except that's exactly what we want - self-destruction, loathing, sex and a side helping of swearing.

I'm ready for another Lydon or Gallagher.

to sum up, YAWN YAWN FUCKING YAWN. didn't Parsons and Burchill make this very same dated rant a year ago?

stevem (blueski), Tuesday, 15 July 2003 10:34 (twenty-two years ago)

I'm not sure it's even being able to "afford" heroes of that type. It may be a question of access - and therefore maintaining mystery.

Would Eminem be able to maintain his bad boy enigma pose if he lived in the hothouse climate of London, with tabloid journalists going through his trash every night?

England has this build them up, knock them down thing going on - because it is so small that first, one or two small organs *can* control press for the entire country, and second, because of the aforementioned proximity. It's one thing to be able to go down to Notting Hill to snap a celeb misbehaving, but trawling across the country to Detroit to do so kinda takes the immediacy out of it.

Hence bad boys maintain their mystery and their allure.

kate (kate), Tuesday, 15 July 2003 10:36 (twenty-two years ago)

geography is a huge issue!

stevem (blueski), Tuesday, 15 July 2003 10:49 (twenty-two years ago)

but it's a small world... contradictions abound...

Dave Stelfox (Dave Stelfox), Tuesday, 15 July 2003 10:51 (twenty-two years ago)

Pun intended? ;-)

kate (kate), Tuesday, 15 July 2003 10:51 (twenty-two years ago)

its interesting to compare definitions of idol and icon though. Lydon is no idol (who would want to be like him?) but certainly an icon, with his face and image being as it was so consistent (unlike Bowie for example - who is totally idol and icon in equally strong measure) one of the most recognisable of the last 30 years.

which makes me wonder why aren't the British rock hacks hankering for or at least suggesting a new BOWIE (i.e. something we really are good at) rather than a new Lydom/Gallagher type?

stevem (blueski), Tuesday, 15 July 2003 10:53 (twenty-two years ago)

Because all British men are secretly gay, and openly homophobic. Sigh.

Oh yeah, and Tin Machine. That's why.

kate (kate), Tuesday, 15 July 2003 10:56 (twenty-two years ago)

Or should that be "Openly gay, but secretly homophobic"? I think that's more appropriate.

kate (kate), Tuesday, 15 July 2003 10:57 (twenty-two years ago)

mmm, lydon is a bit of an idol, if only down to being the public face of two great bands... however if any justice keith levine would be...

and me = neither kate...

Dave Stelfox (Dave Stelfox), Tuesday, 15 July 2003 10:59 (twenty-two years ago)

and btw, what is your reasoning behind the "all British men" idea kate?!?!

Dave Stelfox (Dave Stelfox), Tuesday, 15 July 2003 11:02 (twenty-two years ago)

Alright, queer theory aside, the answer is, that culturally, people are obsessed with what their culture is NOT good at. The other. Hence why music journalists (usually Southern, middle class, effeminate) don't want to know about the Bowie archetype - they're interested in the ideal of the swaggering, working class Northern/Irish Gallagher/Lydon/Lennon archetype. (Though I have a real problem putting Gallagher in that mould - too much aping, not enough actual substance of subversion.)

kate (kate), Tuesday, 15 July 2003 11:03 (twenty-two years ago)

All English men ARE basically gay. I need to get Catty back on this thread to discuss, but really... we have this game that we play "Are they gay or are they just English?"

This says more about cultural gender stereotypes and "Queer"-ness than it does actual homosexuality. But really, I find it slightly endearing.

kate (kate), Tuesday, 15 July 2003 11:05 (twenty-two years ago)

(Though cue hillarious memories of Liam Gallagher not knowing what "androgynous" meant in _Live Forever_)

kate (kate), Tuesday, 15 July 2003 11:08 (twenty-two years ago)

this is why Pete Voss needs to come back with a cover of something off 'Low' - best of both worlds!

stevem (blueski), Tuesday, 15 July 2003 11:09 (twenty-two years ago)

music journalists = (usually Southern, middle class, effeminate)

this = the polar opposite of me on every count!

Dave Stelfox (Dave Stelfox), Tuesday, 15 July 2003 11:10 (twenty-two years ago)

what's the opposite of middle classs?

pete b. (pete b.), Tuesday, 15 July 2003 11:16 (twenty-two years ago)

v good point actually.
if in the middle it has no opposite...hmmmm...

Dave Stelfox (Dave Stelfox), Tuesday, 15 July 2003 11:18 (twenty-two years ago)

That's why the word USUALLY exists in that sentence.

kate (kate), Tuesday, 15 July 2003 11:18 (twenty-two years ago)

outer class

Siegbran (eofor), Tuesday, 15 July 2003 11:19 (twenty-two years ago)

the opposite of middle = edgy

mark s (mark s), Tuesday, 15 July 2003 11:19 (twenty-two years ago)

but opposing edges = real opposites, though, whereas the middle is just in the middle... and i'm not edgy either, otherwise i'd do more style mag work!

Dave Stelfox (Dave Stelfox), Tuesday, 15 July 2003 11:23 (twenty-two years ago)

I brought the class issue up as a red herring to see how fast this thread could disintergrate into self parody. Hooray! That was quick!

kate (kate), Tuesday, 15 July 2003 11:25 (twenty-two years ago)

no you didn't. what you said is true, given the "usually".

Dave Stelfox (Dave Stelfox), Tuesday, 15 July 2003 11:31 (twenty-two years ago)

and surely the bit about all english men being gay has to be somewhat more parodic than the "class issue"

Dave Stelfox (Dave Stelfox), Tuesday, 15 July 2003 11:47 (twenty-two years ago)

No, that's not parody at all. English men are sooo gay. That's why I'm dating one.

England roXors! U R all Gay!

kate (kate), Tuesday, 15 July 2003 12:05 (twenty-two years ago)

Dave Lee Roth(?): music journalists like Elvis Costello because they are like Elvis Costello

Kate Le Wrath: music journalists like Gallagher is because they're nothing like Gallagher.

I'm not sure I agree with either of these misquotations but I liked the thought of them next to each other. Fetishism / self obsession / comfort / edginess fite?

Tim (Tim), Tuesday, 15 July 2003 12:06 (twenty-two years ago)

wasn't it "look like elvis costello"?

mark s (mark s), Tuesday, 15 July 2003 12:17 (twenty-two years ago)

I think the supposed fetishisation of working class bands by middle class journalists has long been overplayed. There was a big anti-middle class thing when the brief inkie infatuation with shoegazing turned sour but that was a) over 11 years ago and b) not explicitly pro-working class. Things got markedly more confused around pre-Britpop, with the valourisation of Suede, a middle class band glamourising the escape aspirations of working class kids, and then during Britpop itself. Gallagher was feted, yes, but in an immensely patronising way. How many times was he quoted as saying 'fook' rather than 'fuck'? Since then it been even more messy if anything.

(Oh yeah, DLR >> EC any day, of course)

RickyT (RickyT), Tuesday, 15 July 2003 12:21 (twenty-two years ago)

Emma reckons I am gay. The 'southern, middle class, effiminate' thing describes me almost perfectly too, except that I'm either lower-middle or upper-working.

Nick Southall (Nick Southall), Tuesday, 15 July 2003 13:17 (twenty-two years ago)

Brett Anderson would be VERY offended to be called middle-class, and rightly so. He pretty much went from breadline to Bohemia; same goes for Jarvis.

suzy (suzy), Tuesday, 15 July 2003 13:55 (twenty-two years ago)

How can you go to art school, and still claim to be working class? I don't get that. Where I come from, working class means you don't get a tertiary education at all.

kate (kate), Tuesday, 15 July 2003 14:09 (twenty-two years ago)

yes but in uk class = where you're from not where you're at

pete b. (pete b.), Tuesday, 15 July 2003 14:29 (twenty-two years ago)

So class is genetic? Oh good. I'm solidly back in the Upper Classes despite not having a penny to my name. Wot ho, old chum?

kate (kate), Tuesday, 15 July 2003 14:55 (twenty-two years ago)

Class is mainly to do with opportunities. A working class kid goes to art college, he has to work his backside off to fund himself through. A middle class kid can survive of his parents. This doesn't even have to be trust fund.

Put it this way: no middle class student has ever worked in a warehouse to fund their degree.

Dom Passantino (Dom Passantino), Tuesday, 15 July 2003 15:09 (twenty-two years ago)

Put it this way: no middle class student has ever worked in a warehouse to fund their degree.

Bull. Fucking. Shit.

I know (fiercely defensive of their class status) "working class" kids who had their entire college experience - rent on their accomodations, food, everything - paid for by their parents. I am "Posh" by most background definitions, and I had scholarships and a part-time job.

But this is where I get off the thread, because this is getting nowhere and class conflict derails any thread, and besides, it's cross-culturally rendered nonsense.

kate (kate), Tuesday, 15 July 2003 15:13 (twenty-two years ago)

Put it this way: no middle class student has ever worked in a warehouse to fund their degree.

i did exactly this! ok technically it was to pay off debts incurred whilst at college rather than just 'to fund it' but anyway.

pete b. (pete b.), Tuesday, 15 July 2003 15:25 (twenty-two years ago)

How did these working class kids parents afford to pay their childrens way through university? I mean, we're going to be looking at an extra, what, £4,000 a year? No working class family has that disposable income.

I mean, the only possible exception is people in working class middle class jobs (trade union official, factory foreman). Class needs to be discussed "better" on ILX, seriously.

Dom Passantino (Dom Passantino), Tuesday, 15 July 2003 15:27 (twenty-two years ago)

Because class in the UK is not purely financial, and no Outsider (read: American) will ever get their head around that.

My original joking about Class and Brett Anderson was joking. But the rest of this isn't. Yes, I have issues. And I have Class Rage. But this is all personal and nothing to do with Steve Lamaq.

kate (kate), Tuesday, 15 July 2003 15:29 (twenty-two years ago)

i think the quick and total derailment of this thread is testament to the complete lack of worthwhile thought or interesting ideas in lamacq's argument.

pete b. (pete b.), Tuesday, 15 July 2003 15:35 (twenty-two years ago)

I worked in a warehouse last summer. Okay, it was an art warehouse. In Chelsea.

Tracer Hand (tracerhand), Tuesday, 15 July 2003 15:43 (twenty-two years ago)

class traitor!

pete b. (pete b.), Tuesday, 15 July 2003 15:51 (twenty-two years ago)

I betray all classes equally!

Tracer Hand (tracerhand), Tuesday, 15 July 2003 16:19 (twenty-two years ago)

'they're animals, let them lose their souls'

dave q, Tuesday, 15 July 2003 16:21 (twenty-two years ago)

Brett Anderson came from Haywards bloody Heath!

RickyT (RickyT), Tuesday, 15 July 2003 16:35 (twenty-two years ago)

Ricky, Brett's dad is the guy driving all those commuter fuckers home from the station. They were *poor*. Have known him since '92 or so, ie. when this was absolutely apparent.

Because class in the UK is not purely financial, and no Outsider (read: American) will ever get their head around that.

I'm afraid this is also bullshit not true - I know plenty of Americans (self included) who have pretty good knowledge of class rules here, and even how they vary across regions. Class in America isn't always about money either. And *many* of America's race issues are really class issues in disguise.

My college experience: a full scholarship because my divorced mom was on disability benefits and my dad basically did a runner to avoid paying his fair share. His background was incredibly privileged, but he pissed away every single opportunity ever presented to him. My mum had the kind of upbringing where she was cooking for six people by the age of 10 and has earned every penny that's crossed her palm. I feel more affinity with people who have to work for a living than those who have 'assistance' but if someone's a good person - regardless of privileges - that's what matters most.

Okay so what Lamacq *didn't* mention is that the kind of people who are worth wallpapering your room in their pictures have values/stances/styles that you aspire to. His complaint seems to be that the current crop of corporate shills and lite entertainers clogging up the charts really don't aspire to anything apart from being rich and famous enough to get invited to launches, and who'd put up a poster in tribute to that? I do see his point, although I feel his music writing was never all that skillful to begin with as was news desk bod. Another possible hypothesis about the marketplace's catering to tweens is that they're too young to go on the interweb and burn stuff to their tastes, so Jesuit rules apply (I think Morrissey quite perceptively pointed this out in a recent interview).

suzy (suzy), Tuesday, 15 July 2003 16:52 (twenty-two years ago)

His complaint seems to be that the current crop of corporate shills and lite entertainers clogging up the charts really don't aspire to anything apart from being rich and famous enough to get invited to launches, and who'd put up a poster in tribute to that?

Duran Duran to thread? (Great post, BTW)

Ned Raggett (Ned), Tuesday, 15 July 2003 16:56 (twenty-two years ago)

I worked in a warehouse (book packing) last two summers, Dom.

Cozen (Cozen), Tuesday, 15 July 2003 17:05 (twenty-two years ago)

I never have had a poster of a popstar on my wall. Why bother? I have my heroes and I peculiarly show my love for them by listening to their music. nuts eh?

Ronan (Ronan), Tuesday, 15 July 2003 19:02 (twenty-two years ago)

Duran Duran clearly had culturally-derived aesthetics worth tapping into, being pop in the Warhol sense, which is what really made them hotties for the people who liked them (as I am sure Kate will readily agree). The problem is - and I've been to the stage schools where these kids get trained up to be in Steps or whatever - there is a certain sense of agreeable conformity which suggests they're going to do what the boss says, jump through as many hoops as are laid out for them while all decisions of creative responsibility are farmed out to managers, songwriters, stylists and the like. The lines can blur unless you're firmly in control because many artistes have zero curatorial nous whatsoever, so those who do are bloody obvious. For ex, YES David Bowie had a stylist for Ziggy called Kansai Yamamoto but Bowie told the manager that's what was going to happen, not vice-versa.

suzy (suzy), Tuesday, 15 July 2003 19:54 (twenty-two years ago)

I've been trying to figure out what the title of this thread meant for days now. Every time I looked at it, I got a slightly anxious feeling, and until now I avoided clicking on it. I thought it was one of those insider rock critic things.

Rockist Scientist, Wednesday, 16 July 2003 00:46 (twenty-two years ago)

I just find this whole idea of "rockstars" and posters on walls yadda yadda yadda to be total nonsense. Things change, music changes, people don't enjoy music in the same way people did 20 years ago. It's a non shocker. It's also quite irksome, sorry Lamacq et al that this new generation's heroes aren't cutting the mustard for you.

Ronan (Ronan), Wednesday, 16 July 2003 07:08 (twenty-two years ago)

writing that article and not mentioning either dizzee rascal or mike skinner (esp. if you're gonna invoke eminem!) is either incredibly incompetent or incredibly stupid. remind me again: why do yall keep linking to incredibly daft guardian pop-cult pieces?

James Blount (James Blount), Wednesday, 16 July 2003 07:36 (twenty-two years ago)

cz they're easy to link to

mark s (mark s), Wednesday, 16 July 2003 07:37 (twenty-two years ago)

steve lamacq =
i. a genuinely very nice person (as i personally recall plus the testimonials of others),
ii. a hopelessly terrible writer,
iii. somehow a uk tastemaker

mark s (mark s), Wednesday, 16 July 2003 07:39 (twenty-two years ago)

It is the GUARDIAN!!! Cardigan-wearing, Radio-4-listening, Archers-following FREAKS!!! What do you expect?!?!?


Grrrrrr, this is the thread where we Class RAAAAAAGE!!!

kate (kate), Wednesday, 16 July 2003 07:40 (twenty-two years ago)

is he really a uk tastemaker?

James Blount (James Blount), Wednesday, 16 July 2003 07:43 (twenty-two years ago)

is he really a uk tastemaker?

Cozen (Cozen), Wednesday, 16 July 2003 08:29 (twenty-two years ago)

is he really a uk shake & bake?

kate (kate), Wednesday, 16 July 2003 08:30 (twenty-two years ago)

Steve Lamacq was the first Radio 1 DJ to play The Streets, wasn't he? And G2 Review is already the damn newsletter of the Dizzee Rascal fan club, I doubt it needs any more.

Dom Passantino (Dom Passantino), Wednesday, 16 July 2003 09:01 (twenty-two years ago)

has dizzee made it into G2? i've given up on reading the guardian (middle-class, liberal torrent of bilge that it is)...

Dave Stelfox (Dave Stelfox), Wednesday, 16 July 2003 09:07 (twenty-two years ago)

G2 Review, at least. Alexis Petridis is the man's flag-bearer in the UK music press at the moment.

Dom Passantino (Dom Passantino), Wednesday, 16 July 2003 09:13 (twenty-two years ago)

oh that's awful i can't bear to see pertr1dis writing (badly) abiout something i love...

Dave Stelfox (Dave Stelfox), Wednesday, 16 July 2003 09:15 (twenty-two years ago)

i think lamacq has been a tastemaker (as a writer and a dj) bcz
i. he is indeed someone who brings you ________ before you hear it anywhere else, and
ii. he is absolutely straight-up honest in his enthusiasms, really

his tastes have always been very extremely variable as regards worth (actually he is like peel w/o either the foreground wiggle of avant-weirdness or the vast hinterland of affable domestic conservatism)

mark s (mark s), Wednesday, 16 July 2003 09:29 (twenty-two years ago)

if true, the fact that lamacq wz first onto eg dizzee rascal undermines dom's usual lame "class-related" point in re same

mark s (mark s), Wednesday, 16 July 2003 09:30 (twenty-two years ago)

does anyone know if all the 'classes' are evolving at the same rate and in the same direction? i mean BIOLOGICALLY

dave q, Wednesday, 16 July 2003 09:46 (twenty-two years ago)

i am devolving into grey goo

stevem (blueski), Wednesday, 16 July 2003 10:13 (twenty-two years ago)

Ugh. I always knew the peasants were revolting.

kate (kate), Wednesday, 16 July 2003 10:25 (twenty-two years ago)

Is he your answer to your tastykake?

Rockist Scientist, Wednesday, 16 July 2003 12:09 (twenty-two years ago)


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