― OCP (OCP), Wednesday, 21 April 2004 22:30 (twenty-two years ago)
― Alex in SF (Alex in SF), Wednesday, 21 April 2004 22:37 (twenty-two years ago)
― oops (Oops), Wednesday, 21 April 2004 22:39 (twenty-two years ago)
― Alex in SF (Alex in SF), Wednesday, 21 April 2004 22:41 (twenty-two years ago)
― oops (Oops), Wednesday, 21 April 2004 22:41 (twenty-two years ago)
Nevermind.
― Alex in SF (Alex in SF), Wednesday, 21 April 2004 22:42 (twenty-two years ago)
― caspar (caspar), Wednesday, 21 April 2004 22:44 (twenty-two years ago)
RJD2 has never cleared his samples, he once came on a message board, discouraging people from picking apart songs and stating the samples, in the offchance someone would see and ergo fuck up his hustle.
― Rollie Pemberton (Rollie Pemberton), Wednesday, 21 April 2004 22:59 (twenty-two years ago)
― Shakey Mo Collier, Wednesday, 21 April 2004 23:01 (twenty-two years ago)
― Alex in SF (Alex in SF), Wednesday, 21 April 2004 23:02 (twenty-two years ago)
― strongo hulkington (dubplatestyle), Wednesday, 21 April 2004 23:03 (twenty-two years ago)
― Alex in SF (Alex in SF), Wednesday, 21 April 2004 23:05 (twenty-two years ago)
― jaymc (jaymc), Wednesday, 21 April 2004 23:05 (twenty-two years ago)
― mark p (Mark P), Wednesday, 21 April 2004 23:08 (twenty-two years ago)
― Dan Selzer (Dan Selzer), Wednesday, 21 April 2004 23:11 (twenty-two years ago)
― Dan Selzer (Dan Selzer), Wednesday, 21 April 2004 23:12 (twenty-two years ago)
you are such a dick, Alex.
(but yes...it's really very blatant. He pretty much lets the track play out and throws a beat on top of it.
Of course if you're stealing a bassline from an obscure Texan funk 45 then maybe you can get away without listing the sample....but this is a really well known and important piece of modern composition!)
― OCP (OCP), Wednesday, 21 April 2004 23:15 (twenty-two years ago)
― Shakey Mo Collier, Wednesday, 21 April 2004 23:17 (twenty-two years ago)
I call bullshit. All sampling artists should expect to be caught, no matter how obscure their sample is.
― donut bitch (donut), Wednesday, 21 April 2004 23:18 (twenty-two years ago)
― donut bitch (donut), Wednesday, 21 April 2004 23:20 (twenty-two years ago)
― Alex in SF (Alex in SF), Wednesday, 21 April 2004 23:26 (twenty-two years ago)
― Alex in SF (Alex in SF), Wednesday, 21 April 2004 23:32 (twenty-two years ago)
― Matos W.K. (M Matos), Wednesday, 21 April 2004 23:34 (twenty-two years ago)
― Savin All My Love 4 u (Savin 4ll my (heart) 4u), Thursday, 22 April 2004 00:07 (twenty-two years ago)
― djdee2005, Thursday, 22 April 2004 00:23 (twenty-two years ago)
― jed_ (jed), Thursday, 22 April 2004 01:25 (twenty-two years ago)
well, it's not really a matter of the musician listening to the music, taking objection and calling their lawyer as much as it is just how well known is that piece of music, does the artist still have a publishing deal/legal people, etc. etc.
Does the sample stand out as a piece of original work or does it blend in to the new composition---could it easily be the artist's own work?etc etc.
― OCP (OCP), Thursday, 22 April 2004 01:32 (twenty-two years ago)
― Alex in SF (Alex in SF), Thursday, 22 April 2004 01:34 (twenty-two years ago)
― Alex in SF (Alex in SF), Thursday, 22 April 2004 01:35 (twenty-two years ago)
― OCP (OCP), Thursday, 22 April 2004 01:39 (twenty-two years ago)
― Alex in SF (Alex in SF), Thursday, 22 April 2004 01:44 (twenty-two years ago)
― Mark (MarkR), Thursday, 22 April 2004 02:16 (twenty-two years ago)
― cinniblount (James Blount), Thursday, 22 April 2004 06:25 (twenty-two years ago)
― OCP (OCP), Thursday, 22 April 2004 07:15 (twenty-two years ago)
― donut bitch (donut), Thursday, 22 April 2004 15:51 (twenty-two years ago)
whether he got any money out of PJ and Smiley I don't recall - marcello would know - but the original SUAD label had to close for a while.
― zebedee (zebedee), Thursday, 22 April 2004 16:03 (twenty-two years ago)
― locus solus, Thursday, 22 April 2004 16:28 (twenty-two years ago)