New Model Army "Thunder and Consolation" c/d

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"TaC" has always been my favorite NMA record- I was reading an old review I wrote for it and thought I'd jabber about it.

Classic or dud?

James Slone (Freon Trotsky), Friday, 18 June 2004 21:01 (twenty-two years ago)

FUCKING CLASSIC!

C'mon, "I Love the World" fills me with a variety of glee normally reserved for euphoric drug abuse.

Alex in NYC (vassifer), Friday, 18 June 2004 21:08 (twenty-two years ago)

Likewise "White Coats' (which, admittedly, wasn't on the original LP, but appended later on CD). New Model Army kicked a great huge tureen of sweaty, corpulent posterior in their heyday.

Alex in NYC (vassifer), Friday, 18 June 2004 21:10 (twenty-two years ago)

Taking Sides: Justin Timberlake vs. Justin "Slade the Leveller" Sullivan

Alex in NYC (vassifer), Friday, 18 June 2004 21:11 (twenty-two years ago)

New Model Army POX!

Alex in NYC (vassifer), Friday, 18 June 2004 21:16 (twenty-two years ago)

Yeah, "I Love the World" fills me with nearly ecstatic joy.

James Slone (Freon Trotsky), Friday, 18 June 2004 21:18 (twenty-two years ago)

"225" is quite great as well. Sullivan's probably at his preachiest on this record, but to my mind it holds together (though I always skip over "Green & Grey"...too mawkish). "Archway Towers" fuckin' cooks as well. The line about queing up at the video library to watch some-odd minutes of SIMULATED TOOOOOORRRRTTUUUUURREEEEE! gets me every damn time.

Alex in NYC (vassifer), Friday, 18 June 2004 21:20 (twenty-two years ago)

Here's the review I mentioned. The writing kinda sucks, but hey!

Thunder and Consolation is one of the stronger albums I’ve heard of the English folk-punk hybrid New Model Army, which is to say it’s fantastic. The music is clear and open, a pulsating wave of sound and fury, static charged with pastoral idealism and progressive outrage. The music here alternates between simple chord strumming rock-outs and neatly packed folk ballads. New Model Army are, despite their relative lack of fame, the quintessential musical punk band, with both ample musicianship and deeply moving lyrical themes. Between the acoustic rumble and energetic white noise, the music has a soaring emotional quality rarely found in the gray zone of post punk. New Model Army can bash out a shout-along tune with the best of them, but it’s the reflective moments, the lilting singing of Justin Sullivan, and the pensive nostalgic quality, that lends the band its immense beauty.

Thunder and Consolation continues the band’s eighties sound, but brings it to a profoundly higher level, with songs of intimate honesty (“Green and Grey”), inspiring radical environmentalism (“I Love the World”), and works of maddening political intensity (“White Coats”). Sullivan’s performance on the album ranks up there with his best, his low accented singing both an instrument of caustic anger and a voice to lull you to sleep. Thematically, the album is a continuation of older concepts, but stresses the increased estrangement of humankind from nature, both its own and the world’s, with lyrics obsessively focused on the migration from the country to the city, with its industrial jobs and concrete inhumanity. Thunder and Consolation is not only an album, but also a moving political statement of ecological and social importance, the luddite’s middle-finger extended to those who promise the future but bring only misery. Obscure though they may be in the States, New Model Army’s music and their political vision should not go ignored.

James Slone (Freon Trotsky), Friday, 18 June 2004 21:22 (twenty-two years ago)

Nicely done, man.

Alex in NYC (vassifer), Friday, 18 June 2004 21:24 (twenty-two years ago)

Nicely done, man.

Thanks. A labor of love, that one.

James Slone (Freon Trotsky), Friday, 18 June 2004 21:25 (twenty-two years ago)

Cranking "Ballad of Bodmin Pill" right now, and damn I'm enjoying it.

NMA put out way too many live albums, ever notice that? By my count, I have three. Do I need three? No, i do not.

This album is a remarkably venomous gob of righteous, palpably angry spit, and I fuckin' love it.

Alex in NYC (vassifer), Friday, 18 June 2004 21:27 (twenty-two years ago)

Classic, of course. Beautiful from start to finish.

Sean Carruthers (SeanC), Friday, 18 June 2004 21:29 (twenty-two years ago)

I don't think drummer Rob Heaton gets enough credit either, by the way. The man is a fuckin' powerhouse (and an obvious and admitted student of the similarly-inclined Killing Joke's Big Paul Ferguson).

Alex in NYC (vassifer), Friday, 18 June 2004 21:32 (twenty-two years ago)

Yeah, agreed about the drumming. Though Ferguson has a more agressive, punctuated since of rhyhthm, almost sounding like it originated in northern Africa. I'm not a huge Killing Joke fan though ("Brighter Than a Thousand Suns" and "Firedances" are actually my KJ favorites). But those drum patterns are wicked.

James Slone (Freon Trotsky), Friday, 18 June 2004 22:27 (twenty-two years ago)

"Since" should be "sense" and "rhyhthm" rhythm of course heh.

James Slone (Freon Trotsky), Friday, 18 June 2004 22:28 (twenty-two years ago)


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