― frankE (frankE), Friday, 25 June 2004 19:22 (twenty-two years ago)
― Huk-El (Horace Mann), Friday, 25 June 2004 19:28 (twenty-two years ago)
― frankE (frankE), Friday, 25 June 2004 19:29 (twenty-two years ago)
― Huk-El (Horace Mann), Friday, 25 June 2004 19:32 (twenty-two years ago)
― CeCe Peniston (Anthony Miccio), Friday, 25 June 2004 19:37 (twenty-two years ago)
you don't have to go too far beyond lola vs. the powerman, though. get everything through muswell hillbillies, and don't forget to get the great lost kinks album as part of that spree if you can find it, and then you'll have everything you really need. most of the '70s albums are spotty at best, and though there are decent tracks on all of them, and though they start rocking out again with a bit of pizazz on schoolboys in disgrace, your life won't be too much worse for not owning them.
also, cece otm.
so, to sum up, quell urge to resist urge to curb urge to buy, say, preservation.
― fact checking cuz (fcc), Friday, 25 June 2004 19:39 (twenty-two years ago)
― Tim Ellison, Friday, 25 June 2004 19:46 (twenty-two years ago)
― common_person (common_person), Friday, 25 June 2004 20:11 (twenty-two years ago)
I disagree. Almost every song on this album is great. I'd say I like it better than, say, "Face to Face" or even "Something Else." Although, I must say, that a certain amount of bitterness is readily apparent in the lyrics of the album, which detracts from the 'innocence' I usually associate with Kinks records from 66-73.
Incidentally, "Strangers" is an excellent song too. As is "Money-go-Round", and "Top of the Pops."
― King Kobra (King Kobra), Friday, 25 June 2004 20:21 (twenty-two years ago)
i was going to express surprise at this until i saw that kontroversy is from 65
― common_person (common_person), Friday, 25 June 2004 20:23 (twenty-two years ago)
― King Kobra (King Kobra), Friday, 25 June 2004 20:51 (twenty-two years ago)
― Kingfish of Burma (Kingfish), Friday, 25 June 2004 21:11 (twenty-two years ago)
― common_person (common_person), Friday, 25 June 2004 21:56 (twenty-two years ago)
"Where Have All The Good Times Gone" should be seen as a companion piece to "See My Friend"; both saying what nobody else in Britain 1965 was daring to say. no other band in the 60s went from that far ahead to that far deliberately behind; within Ray Davies, there was something approaching psychosis.
― robin carmody (robin carmody), Saturday, 26 June 2004 00:28 (twenty-one years ago)
I never understood why this song wasn't a single.
― jim wentworth (wench), Saturday, 26 June 2004 03:00 (twenty-one years ago)
Gee thanks a lot, as if I needed anything else to pull right now. I've just burned three whole CD's what does the Music God want out of me? Doesn't anyone else here just feel fucking overwhelmed at times???Way too much music WAY too little time! Suck it up folks it's bound not to last forever, that's all I say.
Okay, end of rant.
― Bimble (bimble), Saturday, 26 June 2004 06:19 (twenty-one years ago)
― Rob M (Rob M), Saturday, 26 June 2004 13:29 (twenty-one years ago)
the great lost kinks album (or most of it) is on one of the two bonus disks on the latest Village Green Preservation Society rerelease.
― stevie (stevie), Sunday, 27 June 2004 18:45 (twenty-one years ago)
― Curt (cgould), Sunday, 27 June 2004 19:14 (twenty-one years ago)
Somebody tell me about the Misfits/ Low Budget era. I'm curious, but cheap;)
― Will (will), Sunday, 27 June 2004 22:35 (twenty-one years ago)
Aargh with the Preservation bagging. Aargh, I say. Aargh. Buy both 1 and 2, and treat them as a Ray Davies side project. They're not bad at all, just not very Kinks.
I've not heard Misfits or Low Budget for some reason, but Sleepwalker is a bit underwhelming. It sounds like Davies has unhappily submitted to conventionalism by force. It's all too serious and selfconscious and disciplined.
― (I'm Gonna Sit Right Down and) Whittle Away My Almanac (Autumn Almanac), Sunday, 27 June 2004 22:43 (twenty-one years ago)
Misfits illustrates a change. Sometimes all-too-slick with the synths and a kind of wafting sound, but the title track's lyrics are poetry. A Rock N' Roll Fantasy is almost its equal in terms of greatness, also Get Up.
Davies' humor and irony are at their usual best on almost everything else.
As far as Low Budget, I'm really only familiar with the title track and it's classic Kinks.
― jim wentworth (wench), Monday, 28 June 2004 01:27 (twenty-one years ago)
― Rob M (Rob M), Monday, 28 June 2004 06:30 (twenty-one years ago)
Damn! There's another series of Kinks rereleases out? How many albums got the deluxe treatment besides Village Green?
― Chris F. (servoret), Monday, 28 June 2004 06:55 (twenty-one years ago)
― Rob M (Rob M), Tuesday, 29 June 2004 08:28 (twenty-one years ago)
― fact checking cuz (fcc), Tuesday, 29 June 2004 13:41 (twenty-one years ago)
― Dr. C (Dr. C), Tuesday, 29 June 2004 14:07 (twenty-one years ago)
― Dadaismus (Dada), Tuesday, 29 June 2004 14:11 (twenty-one years ago)
― Dadaismus (Dada), Tuesday, 29 June 2004 14:15 (twenty-one years ago)
― Chris F. (servoret), Tuesday, 29 June 2004 18:46 (twenty-one years ago)
― peter smith (plsmith), Tuesday, 29 June 2004 18:49 (twenty-one years ago)
― Chris F. (servoret), Wednesday, 30 June 2004 00:34 (twenty-one years ago)
still beautiful...also, is it possible lola vs the powerman is actually underrated given the ginormous shadow cast by "lola" and the supposed conceptual nature of it? ("supposed" cuz the music biz critique really isn't *that* obvious/distracting.) three of ray davies' most most gorgeous (the thread subject, "a long way from home", "strangers", plus "back in line"), "powerman" and "rats" strike me as some dave davies' most driving work, and "apeman" (depsite being derided above) cracks my shit up.
― my name is john. i reside in chicago. (frankE), Friday, 2 June 2006 01:36 (twenty years ago)
― Will (will), Friday, 2 June 2006 03:25 (twenty years ago)
I forgot about this damn song -- hadn't played Lola vs Powerman in years I guess. I nearly drove off the road when this song came on and took over my car today.
Though I love that this is tucked away on this album all sneaky-like, this song will be used at the end of a movie someday, right?
― city worker, Wednesday, 29 September 2010 03:37 (fifteen years ago)
Wes Anderson used it in The Darjeeling Limited
― Mississippi Fred MacMurray (admrl), Wednesday, 29 September 2010 03:49 (fifteen years ago)
it's used to gorgeous effect in Garrel's "Les Amants Reguliers"
here's the scene:
https://www.youtube.com/watch?v=qabTa3M4D6I
― the tune is space, Wednesday, 29 September 2010 04:04 (fifteen years ago)
I saw that movie!
― Mississippi Fred MacMurray (admrl), Wednesday, 29 September 2010 04:05 (fifteen years ago)
Actually maybe I am thinking of that movie and DL used Powerman
― Mississippi Fred MacMurray (admrl), Wednesday, 29 September 2010 04:06 (fifteen years ago)
DL used This Time Tomorrow, Powerman, and Strangers, all from the Lola vs. Powerman album. And it shall one day come to pass that a graduate student will write her Master's thesis on the thematic parallels between the album and the movie.
― MumblestheRevelator, Wednesday, 29 September 2010 04:15 (fifteen years ago)
Lo, let it be so
― Mississippi Fred MacMurray (admrl), Wednesday, 29 September 2010 04:16 (fifteen years ago)
Wes Anderson used it in The Darjeeling Limitedit's used to gorgeous effect in Garrel's "Les Amants Reguliers"
Ha, I should have guessed it was used already (or checked imdb)
― city worker, Wednesday, 29 September 2010 13:29 (fifteen years ago)
Great great song - that is all!
― village idiot (dog latin), Wednesday, 29 September 2010 13:32 (fifteen years ago)
Great scene in Les amants réguliers.
― clemenza, Monday, 29 January 2018 03:47 (eight years ago)