What albums do you have lurking around in your collection that struck you like a lightning bolt after some period of lurking in the background? Did you end up liking or hating them? Have your feelings towards them changed any as time has gone on?
― Dan Perry, Tuesday, 27 November 2001 01:00 (twenty-four years ago)
― alex in montreal, Tuesday, 27 November 2001 01:00 (twenty-four years ago)
― Ned Raggett, Tuesday, 27 November 2001 01:00 (twenty-four years ago)
― Tracer Hand, Tuesday, 27 November 2001 01:00 (twenty-four years ago)
― Simon, Tuesday, 27 November 2001 01:00 (twenty-four years ago)
― anthonyeaston, Wednesday, 28 November 2001 01:00 (twenty-four years ago)
― Damian, Wednesday, 28 November 2001 01:00 (twenty-four years ago)
Others? As chronicled in ILM before I did a complete U-turn on MBV's Loveless this year, a mere 10 years after release. Pet Sounds took 5 years or so. I've had The Monkees "Pisces Aquarius Capricorn and Jones" for a year and just realised it's bubblegum heaven.
― Dr. C, Wednesday, 28 November 2001 01:00 (twenty-four years ago)
― alex in mainhattan, Wednesday, 28 November 2001 01:00 (twenty-four years ago)
Actually "Movement" is an album which I've only just begun to appreciate fully. As a document which captures New Order's first faltering steps post-JD but pre-sequencer, Movement is interesting and compelling. For a long time it felt a disappointment after "Closer" and Hannett's unusual production seemed to be a device to mask some tentative and half written material. Wrong! For a start there are at least a couple of dozen production ideas which are startlingly original and have never really been followed up - the rhythm tracks, whether Steve Morris or the drum machine, are just amazing. There are so many cunningly placed filtered effects and 'slippery' phasing which subtly push the momentum. I think the problem with hearing this album in the '80s was that it sounded so damned odd amidst a sea of huge gated snares and bright synths. For me it's taken a pair of late '90s ears to put it into context. I hear similarities with Daft Punk!
Alex you are implying that I am an old man, genau zu? I am a GREY PANTHER - Sinker said so, and he is always right. Alles ist Klar?
What is wrong with Low-Life?
Le Tigre - I'd heard the album a few times and sort of admired it from a distance but never thought it would mean much to me until one night driving in Santa Monica the first track came on and I thought "This is wonderful." In a quite un-avant-garde-poseur-type way.
Pet Sounds - the first album I ever bought based on its reputation. At first I was indifferent, but it grows on you after a while and eventually you can't understand how you ever lived without it.
The Clash - I'd fallen for the Sex Pistols album immediately and so I was a little disappointed that I didn't take to the Clash at once. The first album sounds very harsh and tinny and ugly at first, with Strummer barking incomprehensible lyrics like a rabid sea lion. I still disagree with the common belief that they're somehow more 'musical' than the Pistols, or even that they could necessarily play their instruments better. I'll take Steve over Mick any day. But I did eventually come around and decide that they were a great band, you'll be sorry to hear. ;)
― Justyn Dillingham, Wednesday, 28 November 2001 01:00 (twenty-four years ago)
Interestingly enough, before _Get Ready_ my favorite NO album was _Movement_.
― Dan Perry, Wednesday, 28 November 2001 01:00 (twenty-four years ago)
okay lol @ 10-year-old hyperbole
I do still love Get Ready but it's not better than Movement or Technique
― sick yr finger up his butt (DJP), Monday, 19 September 2011 18:03 (fourteen years ago)