The thing is, I don't know what to pick. That's where you come in.
What, aside from The Waste Land, is the best/most essential/best introduction/etc of TS Eliot?
― roberton, Sunday, 22 August 2004 00:38 (twenty-one years ago)
― jed_ (jed), Sunday, 22 August 2004 00:51 (twenty-one years ago)
― Rockist_Scientist (rockist_scientist), Sunday, 22 August 2004 00:54 (twenty-one years ago)
― Rockist_Scientist (rockist_scientist), Sunday, 22 August 2004 00:56 (twenty-one years ago)
― bugged out, Sunday, 22 August 2004 01:20 (twenty-one years ago)
― nader (nader), Sunday, 22 August 2004 02:16 (twenty-one years ago)
― Queen G to the E to the zra, Sunday, 22 August 2004 14:20 (twenty-one years ago)
hay eng lit people, what is the deal with 'the waste land'?
not the deep thematic stuff, the surface narrative.
i'm getting displaced persons of eastern europe, city of london drudges, pub people, and it feels like a 'story' but is it?
― That one guy that hit it and quit it, Wednesday, 17 October 2007 09:50 (eighteen years ago)
I don't think of it as a narrative. If it's a narrative, it's about an individual. However, your idea is at least interesting, and I haven't seen it before (and I've read exactly zero critcal essays or books on the Waste Land for the last 20 years, but I do have some vague sense of what type of thing has been said abut it).
Why Eastern Europe?
― Rockist Scientist, Wednesday, 17 October 2007 12:26 (eighteen years ago)
What might have been is an abstractionRemaining a perpetual. . . masturbation phantasy
― _Rockist__Scientist_, Friday, 27 February 2009 18:22 (seventeen years ago)