Rock era over for real this time?

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A music form based on sanitizing and marketing indigenous forms that resulted from the pain of obscene social inequality, then used to create a persecuted/transgressive consciousness in the most privileged beneficiaries of global exploitation in human history. A form that became an industry by way of appealing to the worst instincts of said beneficiaries - greed, solipsism, the fetishisation of material things that led their culture to enslave the rest of the earth in the mania for consumption. Rock was everything its followers were supposedly against - religion, industry, academia, politics - but, as much as it NEEDED to be so to remain 'relevant', could ONLY perform those functions in a culture so insulated and self-indulgent that the effect of it's values on the rest of the world could be ignored. It told the youth of the Western World, "You matter!" - and these were the perhaps the only people in the world who DIDN'T (and still don't) need reminding of this. (Is it even true? In terms of resources used/population numbers, maybe.)
To join this movement, or even be a passive spectator, a form of selective blindness is required. How can 'rock' not be complicit in the system it swallowed? (Some followed blind alleys into the Western demimonde, implying that oppressed individuals were blameless for the sins of an oppressor culture. This may be true, but it's a form of wilful specialisation that sits comfortably with the selective blindness - if the music doesn't illuminate the society that creates it then it's just hobbyism.) Well, as long as N. American culture functioned as self-contained hothouse, apologists could easily claim that 'rock' was purely a model, and thus any transgression was no transgression - models need no limits. And now that the West knows the meaning of 'transgression', the model has to assume a practical purpose, and amusement parks that simulate explosions will henceforth be judged on use-value (of which, considering who usually does the judging, they don't have a lot) only. 9/11 - end of the rock era?

dave q, Monday, 3 December 2001 01:00 (twenty-two years ago) link

Note to wiseguys - "1977", "1987", "release of Sgt Pepper" and "Death of Buddy Holly" don't count. Those events were mere deck-chair shuffling.

dave q, Monday, 3 December 2001 01:00 (twenty-two years ago) link

It told the youth of the Western World, "You matter!" - and these were the perhaps the only people in the world who DIDN'T (and still don't) need reminding of this.

I disagree with that. I'm not old enough to remember back to the days before rock & roll, but I'm old enough to remember back when kids/young adults (women too) were treated as if they had no brains. And I don't think rock & roll said "YOU Matter" - it said "WE Matter." - It wasn't a case of adults legitimizing kids, it was kids saying "we DO have a voice, and listen up." Not that it was totally rock & roll that was entirely responsible, but it was a catalyst.

On the other hand, "Hey kids... shut up and listen for a change. It's 2001 and we're sick of hearing from you." The West got the point, Kids do matter. Now it's time for kids to get the point, the world doesn't revolve around you. And a lot of those kids hold political office these days.

So I don't know if 9/11 is the end of the rock era. The West has a big ego and a lot to prove - "Our resolve is greater than ever. We will not be affected by these events." - somehow rationalizing that if we start to care more about the rest of the world, "the terrorists have won." (I won't go so far as to say we don't care about the rest of the world - but our diplomacy has been very West-centric as far as self-interest... anyway, I don't want to get into a political debate here... so please don't quote any of this rhetoric bullshit.) But I think 9/11 is a major jenga block (no WTC metaphor intended - honest) in the "Rock Era". But it's not over yet. (Have you seen the 2002 Thunderbird?)

Dave225, Monday, 3 December 2001 01:00 (twenty-two years ago) link

I thought on 12 September that claims for the epoch-cracking global importance (as opposed to the terrible loss that so many experienced) of 11 September were probably overrated. Events since then have only consolidated this (suspiciously complacent-looking) view. Whatever is happening to 'rock', I don't think it has much to do with 11 September.

the pinefox, Monday, 3 December 2001 01:00 (twenty-two years ago) link

Too soon to say.

Maoist Functionary, Monday, 3 December 2001 01:00 (twenty-two years ago) link

zhou en-lai = not functionary (also arguably not maoist, just v.lithe)

revisionist thinking on this story: ZeL assumed interviewer was talking about 1968 Events in France (ie not 1789 Events); hence guarded early-70s response.

It is after all a TOTALLY NON-MAOIST piece of thinking (Mao tht he could transform agricultural practice in five years — which i spose he did, since abt 20 million people died of starvation). On the other hand as noted, ZeL only a maoist by gliding survivalist allegiance, not intellect or analysis.

Erm as you were: don mclean = dawn of punk

mark s, Monday, 3 December 2001 01:00 (twenty-two years ago) link

Rock won't really be over until no one notices it's gone.

Dan I., Monday, 3 December 2001 01:00 (twenty-two years ago) link

Sez more about interviewer than interviewee that he too wouldn't automatically leap to French Revolution as just last year.

Sterling Clover, Monday, 3 December 2001 01:00 (twenty-two years ago) link

Sincere debate on TV just da other day: between sincere Aussie mothers over whether post-911 they thought violent films should be banned. Everyone unanimously agreed yes. Laugh or cry?

Tim, Monday, 3 December 2001 01:00 (twenty-two years ago) link

Cry and rejoice that I'm not Australian.

Robin Carmody, Monday, 3 December 2001 01:00 (twenty-two years ago) link

Update: State Government takes up the banner and promises stricter censorship laws. Under the proposed legislation the bombing of the WTC wouldn't have been able to have been shown on nightly news channels until after 9.30pm.

I have to emigrate.

Tim, Monday, 3 December 2001 01:00 (twenty-two years ago) link

Come on over whenever you like, Tim. At least we're not *that* crazy.

Ned Raggett, Monday, 3 December 2001 01:00 (twenty-two years ago) link

To put it another way - rock was only possible in a society where creating your own reality and value system were an option, which disqualified 9/10 of the world, where the reality is created FOR people. Now that reality is being imposed on America like it's imposed on everywhere else, where does that leave 'rock'?

dave q, Tuesday, 4 December 2001 01:00 (twenty-two years ago) link

Umm... question: which versh of "rock" is this? I mean, the traditional versions of "rock" have been getting a bit of a battering in the UK and Europe for the past 20-odd years from UK/Euro Punk onwards, and especially rave in the late 80s. When people talk about "rock" in the UK, they usually mean the likes of Travis, Stereophonics, Manics and whatever the big NME hype is (Strokes, etc.), and that was long before 9/11. Doesn't sound too healthy to me.

And a lot of the really successful rock combos in the US were already assimilating elements of hip-hop before 9/11, and if anything, hip-hop's standing could be strengthened by the post-9/11 cultural landscape, particularly the more "concious" or political edged stuff. And anyway, post-babyboomer, since when did "the Kids" ever really matter?

So oldie "annoy your parents" rock 'n' roll dead? Yep, but it was well before 9/11 IMHO. The irony is that if anything, some elements of rock 'n' roll rebellion have been getting more relevant, even before 9/11. Young folks now have a lot of reasons to diss their parents world: globalisation & corporate responsibility, war & terrorism, patriotic & religious extremism, climate change, censorship, authoritarianism, intellectual property vs artistic creativity. All these issues have to greater or lesser extent been brewing up for the past couple of years, along with (at least in the UK anyway) a general search for "the next big thing" in music.

Also, I think this thread is a bit US-centric in it's view of rock, which I suppose is understandable because that's where 9/11 occured. But elsewhere in "the West" there has been some (comparatively small scale) experience already of what 'transgression' can lead to. The original UK explosion of punk played out in the immediate aftermath of the two most horrific IRA terrorist attacks against civilians on the UK mainland (The Guilford and Birmingham pub bombings) as well as an increasingly powerful extreme right-wing. (You might notice the UK punks stopped wearing swastikas pretty sharpish as that happened.) Which probably explains why a lot of UK punk was a bit less self-indulgent and appeared more concened about "issues", which became even more pronounced with the post-punk (c 1978-81) stuff, some of which is extremely politically motivated, often in reaction to the Cold War. (Check out the number of "bomb" related songs!)

Dunno if that means a proper US versh of the UK Punk/Post-punk cycle, but if all those rock bands start doing a Fred Durst and convert to a "Love is All You Need" type conformist stance, then that's going to appear even less relevant than Andrew WK party-rock in this new and complex world climate, and somethings gotta give.

Perhaps what I'm thinking of is the end of self-concious self-centred rock, but it's eventual replacement with a more relevant and righteous "rebel-rock" attitude within many strands of music. (rock, rap, urban, garage, etc. ?) Or at the other extreme, a cynical caricarture of party-rock similar to the "dance till the bomb drops" elements of some early 80s UK music. Meanwhile the mainstream becomes even more fluffier than normal, completely failing to halt it's slide in record sales... Well, that's one possible outcome, anyway! Old Fart!!!!!

Old Fart!!!!, Tuesday, 4 December 2001 01:00 (twenty-two years ago) link

Dave q: Are you referring to "Rock" as music (e.g. Travis, Strokes, etc..) or the "Rock Era" as a cultural phenomenon marked by self- indulgence and a (for lack of better word) "let's party" attitude ?

Because rock, as music, died years ago (or never will, depending on your POV.) But its legacy of liberation/self-indulgence may or may not have died on 9/11 (see earlier post.)

Dave225, Tuesday, 4 December 2001 01:00 (twenty-two years ago) link

end quote. /italics.

Dave225, Tuesday, 4 December 2001 01:00 (twenty-two years ago) link

Stop! \

Dave225, Tuesday, 4 December 2001 01:00 (twenty-two years ago) link

Herman's Hermits reunion tour. Let's hear it.

Nude Spock, Tuesday, 4 December 2001 01:00 (twenty-two years ago) link

Old Fart - IMHO, one cannot have 'rock' without the self-centred/self- indulgent aspect. What you have then is folk music. 'World music' has a use-value in its own context, and 'rock' offered the freedom of music without use-value, because it emerged from a climate where demanding use-value implied a consensus morality that wasn't necessary in a self-absorbed culture. Which is a shame, because I always see cultural use-value (as in decided by any criteria other than self-indulgence OR material advancement) and aesthetic freedom as antithetical.

dave q, Tuesday, 4 December 2001 01:00 (twenty-two years ago) link

As for the punks who stopped wearing swastikas - pathetic. Responding to rising right-wing presence? What, the use it was put to in WW2 wasn't enough to dissuade them the first time? At least the ones who kept on with it were trying to make a point about their idiotic beliefs, whereas the ones who had an attack of conscience (heh) just illustrated the point about a 'hothouse' atmosphere in which highly inflammatory symbols could be traded like loaded fashion accessories. But then, this sort of atmosphere (where lines existed to be crossed) is the only type that allows the sort of value-free creativity associated with the era to flourish, for all its excesses, and THAT's the sort of atmosphere I envisage disappearing - the freedom to shout 'Fire' in a crowded theater, as it were.

dave q, Tuesday, 4 December 2001 01:00 (twenty-two years ago) link

dave q, are you English? For some reason, the communist post and this last one are sounding hilarious in my head as they are full of parenthetical noting, run-on sentences (which is not meant as a slight, I find them entertaining) that go round and round in my head like some of the conversation between the 3 robbers with the squeaking dog in "Snatch", if you ever saw that movie. And they seem to build to explosions of disregard and profanity. I guess what I'm saying is that you sound like a funny english guy, so if you're not, you might want to think about that.

Nude Spock, Tuesday, 4 December 2001 01:00 (twenty-two years ago) link

Umm..the reason so many of my posts end in explosions of profanity is I tend to work in an office full of funny English people, who are constantly distracting me and asking me dumb work-related questions in the middle of my attempts at posting. Sorry, I just broke the fourth wall there, didn't I?

dave q, Tuesday, 4 December 2001 01:00 (twenty-two years ago) link

The explosions of profanity are good.

Nude Spock, Tuesday, 4 December 2001 01:00 (twenty-two years ago) link

...and I guess that makes you English? Just wondering if I was able to detect an accent without actually hearing sound. It's not as if you were saying "blimey" and "cheerio" so that'd be cool if I got it, seeing as how I know no English people in reality.

Nude Spock, Tuesday, 4 December 2001 01:00 (twenty-two years ago) link

Not English, no. Remember Bob & Doug McKenzie? That's the accent to imagine.

dave q, Tuesday, 4 December 2001 01:00 (twenty-two years ago) link

Well, that does not seem right. Do you say "aboot"?

Nude Spock, Tuesday, 4 December 2001 01:00 (twenty-two years ago) link

Worst part of anti-globalization movement = terrible folk songs considered part of the ethos?

Similarly, worst part of "prison industrial" mvt. = horrendous "slam" poetry?

Sterling Clover, Tuesday, 4 December 2001 01:00 (twenty-two years ago) link

Yo Dave Q! Interesting responses!
  1. Dunno, maybe this "rock = self-centred" is more of a US thing, (Tho I don't know how Crass and RATM fits into that picture.) and so might be badly affectected by post 9/11, but I think there's has been always an element of "social comment" in UK rock and pop music, at least since the mid-60s beat-boom. Which might sound like folk to you, and it's probably true- there were a fair amount of folk elements in the music. (And actually I'd argue the same for a lot of US music as well- I mean, people didn't exactly ignore the likes of Dylan, did they?) Not that I'm saying everything was totally atruistic - a lot of the "comment" was effectively politicised "I Wanna Be Me" stuff- but in a lot of it, especially punk and afterwards, a great deal of self-love elements were defined more in terms of "me against this unjust world" as opposed to "me me me", and whichever way you look at it, it's a bit less self-centered. Also, don't forget a lot of punk was in direct opposition to self-indulgence in music and musician self-love. Furthermore, it's not as though rock was this first to offer "the freedom of music without use-value". It wasn't even the first to hit the mass media. (What about jazz?) Party music has existed throughout the ages. "Freedom of music without use-value" was probably invented not with bangin' Rock, but with, erm, banging rocks!!
  2. Stopping the swastikas wasn't the only thing UK punks did in response to the likes of the National Front et al. Ever heard of the original UK Rock Against Racism? Rather successful it was, and it probably gave an impetus to all those political records I mentioned above...
Old Fart!!!!

Old Fart!!!!, Tuesday, 4 December 2001 01:00 (twenty-two years ago) link

I wonder how the next Jon Spencer album will do.

Tracer Hand, Tuesday, 4 December 2001 01:00 (twenty-two years ago) link

"indigenous forms that resulted from the pain of obscene social inequality": your beginning lays a questionable foundation. The indigenous forms you refer to, unless I'm mistaken, are the blues; field songs; maybe ragtime. That these forms "resulted" from anything other than the human need to make music is far from clear, and correlation doesn't prove causation: just because all early bluesmen were poor and marginalized doesn't mean that their music sounds the way it does because of their poverty and marginalization. Rock took an adult form (blues, which details adult concerns: work, marriage) and made it an adolescent form, and adolescent feelings flare brighter than adult feelings, hence rock's immediate, visceral power. Until there is no more adolesence and no more memory of adolescence, rock will exist in some form or other.

John Darnielle, Tuesday, 4 December 2001 01:00 (twenty-two years ago) link

adolescent feelings flare brighter than adult feelings

That's really depressing. I wish you wouldn't say it.

sundar subramanian, Wednesday, 5 December 2001 01:00 (twenty-two years ago) link

adolescent feelings flare brighter than adult feelings

Y'all sure about that? If anything I think my own feelings have gotten more intense with time.

Ned Raggett, Wednesday, 5 December 2001 01:00 (twenty-two years ago) link

John D - I don't think 'poor and marginalized' is a quite adequate description. I'm talking about centuries of unrelieved physical and psychological brutality, the most protracted attempt to humiliate, enslave and destroy a group of people since ancient times. I think it would be poetic justice if the blues was designed as a slow-acting poison, created in the knowledge that it would be seized, mutated and swallowed by the West, who grew lazy, solipsistic and purposeless on this strange new drug, leaving them vulnerable to deserved destruction at the hands of the earth's ultra-oppressed.

dave q, Wednesday, 5 December 2001 01:00 (twenty-two years ago) link

Mr. darnelle is right and wrong -- not *just* poverty & oppression, no, but certainly shaped by those foces to a degree. Our emotions do burn brighter at adolescence, & there will always be music to reflect that -- but that != rock per se except in the off-kilter dave-q sense. Rock is so rooted in "authenticity" that I see 9/11 as if anything a contributing factor to the *return* of rock, and in particular the countrification of nu-metal.

Also, dave q is indeed the wierd poet of the apocalypse.

Sterling Clover, Wednesday, 5 December 2001 01:00 (twenty-two years ago) link

Ned -

I'd agree that feelings grow more complex, but by "flare brighter" I mean: when we are seventeen, and we hear a great song (I remember: hearing Cindytalk's "It's Luxury" when I was eighteen, for example), we don't make a note to put it on the next mix tape we make. We make a mix tape RIGHT NOW because we feel like everybody must hear this incredible song RIGHT NOW and we will not be satisfied until everybody is having the exact same amazing experience that we are having RIGHT NOW, etc. etc. Wherefore as adults we may enjoy subtler musics, perhaps at deeper levels, but seldom achieve the raw-nerve reactions in the immediacy of the moment that were our daily bread when we were young and pretty. Your depressing friend John

John Darnielle, Wednesday, 5 December 2001 01:00 (twenty-two years ago) link

While the 9/11 incident has sparked much introspection concerning US policies and how they led up to this present state, the collective consciousness of the American public has only grown inward and xenophobic. People respond and relate to rock music because the overwhelming majority of themes presented speak of isolation, agnst, hopelessness, etc. And while the genre itself only grows more derivitive and trite, its content plays directly to the hearts of bruised children that were raised in a culture that knows no happiness outside of materialism. Rock in its past form has ended. In its place a new and faceless monster, created for mass consumption by purely profit driven industries and fed by crying, hysterical, naked children now resides. Modern Western culture, US in particular, isolates humans to such an extent that the values of community and social responsibility, which held us together for so long, have given way to selfishness and profiteering. In its wake are many ills (we all know this already), but its new sound track is modern rock.

epicac, Thursday, 6 December 2001 01:00 (twenty-two years ago) link

one year passes...
Western culture, US in particular, isolates humans to such an extent that the values of community and social responsibility, which held us together for so long, have given way to selfishness and profiteering.

Where and when did this imagined period of "community and social responsibility" exist? In the East? In Russia perhaps, during the Cold War, under the brutally selfless Soviets? Or in the very un-corporate and anti-capitalist Afghanistan under the Taliban? Are those values to be found in the Congo, Somalia, or any other Socialist basket-case around the world?

Lastly, you assume selfishness and profiteering is a bad thing. Humans are a selfish and profiteering species. Fact of life.

Larry Somebody, Friday, 20 December 2002 02:32 (twenty-one years ago) link


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