Who was reading guitar mags 89-91? Right now I'd say Winger has the edge in the guitar solo twiddle domain - the aerial whammy bar acrobatics in "Headed for a Heartbreak" and super-"Heartbreaker" everyone-stop-look-at-me-I'VE-BEEN-PRACTISING-I-BENCH-PRESS-WITH-MY-LEFT-HAND-FINGERS-LOOK-AT-ME-GODDAMNIT shred break in "Madeleine" are pretty unquestionable. Queensryche's operatics and conceptual collage leanings set them apart but do they make them more or less fun than really wanky songs about chix0rs? Was this music more or less authentically 'progressive' than Styx/Kansas by being a reactionary bastion of 'musicianship' amid crass hair metal hordes? Is that a good or bad thing? Will anyone else be abject enough to even think about this question (dave q I'm looking at you with puppy dog eyes)?
― sundar subramanian (sundar), Sunday, 26 September 2004 21:35 (twenty-one years ago)