For me, "Frankie Teardrop" just have neve been scary enough, even with all of Vega's yelping. Sure, it's disturbing, but it doesn't creep me out NEARLY as much as the TG staple.
You, however, might disagree.
― Alex in NYC (vassifer), Saturday, 26 March 2005 08:51 (twenty-one years ago)
Let's try that again.
For me, "Frankie Teardrop" just HAS neveR been scary enough,....
― Alex in NYC (vassifer), Saturday, 26 March 2005 08:52 (twenty-one years ago)
http://www.musicclub.it/novembre99/jpg/THROBBING%20GRISTLE%20copia.JPG
― Alex in NYC (vassifer), Saturday, 26 March 2005 08:53 (twenty-one years ago)
― Alex in NYC (vassifer), Saturday, 26 March 2005 08:56 (twenty-one years ago)
― Bimble... (Bimble...), Saturday, 26 March 2005 08:57 (twenty-one years ago)
However, "Frankie Teardrop" is frightening as hell when you're half asleep.
― latebloomer: AKA Sir Teddy Ruxpin, Former Scientologist (latebloomer), Saturday, 26 March 2005 09:01 (twenty-one years ago)
― Bimble... (Bimble...), Saturday, 26 March 2005 09:09 (twenty-one years ago)
― Alex in NYC (vassifer), Saturday, 26 March 2005 09:14 (twenty-one years ago)
― Alex in NYC (vassifer), Saturday, 26 March 2005 09:16 (twenty-one years ago)
― latebloomer: AKA Sir Teddy Ruxpin, Former Scientologist (latebloomer), Saturday, 26 March 2005 09:20 (twenty-one years ago)
― Bimble... (Bimble...), Saturday, 26 March 2005 09:20 (twenty-one years ago)
x-post
― Alex in NYC (vassifer), Saturday, 26 March 2005 09:21 (twenty-one years ago)
I'll take the minimalist epic. The "novelty value" of "Frankie Teardrop" may be more significant, but the screams still scare the shit out of me, even though I know they're coming.
And any song that goes for ten minutes and then ends with the lines "we're all Frankies, we're all lying in hell" is tough to beat in a TS challenge. "Hamburger Lady" is nowhere close to being up to that task.
― MindInRewind (Barry Bruner), Saturday, 26 March 2005 09:24 (twenty-one years ago)
Frankie is a little maudlin, a little histrionic. Vega, in character, combines the self-disbelief and dismay of Frankie with a sort of writerly, crime fiction/Capote narrative. P.Orridge, on the other hand, is entranced, hypnotised, and fascinated in Hamburger Lady. Time seems to be slower. It is a creepier song about a kind of horror that is more extreme than Frankie's, as it is about the preservation of life in pain, not the sudden extinction of life. It is just as common as the Frankie situation, but just more ignored by the lazier writers - because writers like to draw on what they've read.
Characteristically, genesis's fascination has a certain unlikely compassion within it. His attentiveness holds humility and respect. Musically, TG present the situation as deeply evil. The dreamy urban nightmare they create as the musical backdrop, like an opiated ambulance in a nightmare, is meant to convey that the sitation is repellant and unnecessary. I think they make their point. It's a moral song with a specific intent - it is in favour of euthanasia.
Genesis's gaze is on the patient. He is definitely not turning away, but taking it wholly into his being. This is better, I think. Less actorish.
― moley, Saturday, 26 March 2005 10:12 (twenty-one years ago)
I'd still pick "Hamburger Lady". Moley's critique is spot on.
Maybe Soft Cell's "Martin" should get a mention here too, it seems to owe a debt to "Frankie".
― Ferlin Husky (noodle vague), Saturday, 26 March 2005 10:21 (twenty-one years ago)
― frenchbloke (frenchbloke), Saturday, 26 March 2005 10:34 (twenty-one years ago)
― Alex in NYC (vassifer), Saturday, 26 March 2005 10:41 (twenty-one years ago)
― cs appleby (cs appleby), Saturday, 26 March 2005 11:25 (twenty-one years ago)
― mullygrubbr (bulbs), Saturday, 26 March 2005 12:06 (twenty-one years ago)
― Nic de Teardrop (Nicholas), Saturday, 26 March 2005 12:59 (twenty-one years ago)
― Silky Sensor (sexyDancer), Saturday, 26 March 2005 16:50 (twenty-one years ago)
― Soukesian, Saturday, 26 March 2005 18:20 (twenty-one years ago)
― Silky Sensor (sexyDancer), Saturday, 26 March 2005 18:29 (twenty-one years ago)
― amon (eman), Saturday, 26 March 2005 18:31 (twenty-one years ago)
― amon (eman), Saturday, 26 March 2005 18:33 (twenty-one years ago)
Certainly, the foggy, sludgy atmosphere concocted in HL is something that Suicide could have never done. Ten seconds into the song, the mood is set and you're right in it, joining GPO in his entranced state.
OTOH, the distortion and horror FX at the end of FT is about as complex as it gets for Suicide in that regard. Nonetheless, the full power of the song isn't something that can be felt via ten second snippets, rather, it can only be experienced by sitting through ten minutes of jackhammer beats and two repeated bass notes. For me, this sort of minimalism is where it's at.
― MindInRewind (Barry Bruner), Saturday, 26 March 2005 18:39 (twenty-one years ago)
-- MindInRewind
The word you're after, Barry, is ro...ro.. damn, I can't seem to say it either!
― moley, Saturday, 26 March 2005 20:38 (twenty-one years ago)
― What we want? Sex with T.V. stars! What you want? Ian Riese-Moraine! (Eastern Ma, Saturday, 26 March 2005 20:56 (twenty-one years ago)
but only because suicide is in a bar's jukebox here in chapel hill. i played it, sort of just to be an asshole, but the whole place felt disgustingly creepy about 7 minutes in.
― rob mackey (mackey), Saturday, 26 March 2005 20:59 (twenty-one years ago)
― moley, Saturday, 26 March 2005 21:20 (twenty-one years ago)
― Bimble... (Bimble...), Saturday, 26 March 2005 21:43 (twenty-one years ago)
I only pitted them against each other as I find them both rather creepy, and both are widly celebrated on ILM for being just that.
― Alex in NYC (vassifer), Saturday, 26 March 2005 21:57 (twenty-one years ago)
― amon (eman), Saturday, 26 March 2005 22:22 (twenty-one years ago)
― Nag! Nag! Nag! (Nag! Nag! Nag!), Saturday, 26 March 2005 22:40 (twenty-one years ago)
― daria g (daria g), Sunday, 27 March 2005 00:54 (twenty-one years ago)
― Bimble... (Bimble...), Sunday, 27 March 2005 09:48 (twenty-one years ago)
― moley, Sunday, 27 March 2005 10:30 (twenty-one years ago)
― Dadaismus (Dada), Sunday, 27 March 2005 13:35 (twenty-one years ago)
Side question: Who would you rather have as nextdoor neighbors: Suicide or Throbbing Gristle? Suicide seem like relatively normal, nice guys (by many accounts). The TG'rs scare the crap out of me.
― Alex in NYC (vassifer), Sunday, 27 March 2005 14:44 (twenty-one years ago)
Still, if the postman left any packages for them, I'd make damn sure they didn't lie around in my house for long.
― Soukesian, Sunday, 27 March 2005 16:36 (twenty-one years ago)
― aldo_cowpat (aldo_cowpat), Sunday, 27 March 2005 16:40 (twenty-one years ago)
― Bimble... (Bimble...), Sunday, 27 March 2005 16:55 (twenty-one years ago)
― The Sensational Sulk (sexyDancer), Sunday, 27 March 2005 17:07 (twenty-one years ago)
anyone else heard the demo version of frankie teardrop where he's an interstellar detective instead of a desperate factory worker? it's a bit odd. and not scary.
― Lemonade In Hammocks (electricsound), Tuesday, 6 January 2009 05:05 (seventeen years ago)
"Frankie Teardrop" = LOLs.
"Hamburger Lady" = nightmares.
― billstevejim, Tuesday, 6 January 2009 05:40 (seventeen years ago)
Just reading title of "Hamburger Lady" is scarier than listening to "Frankie Teardrop". Both good songs though.
― Mark, Tuesday, 6 January 2009 06:02 (seventeen years ago)