_Delinquent Gods_ by Frank Fruttchey : The entire book in one page installments.

And these traditional rights are founded upon the fascinations of physical matters?
So it would seem.

And if I did this I would no longer be a delinquent god?
Of course not.

Refinement of the physical and spiritual texture of human character proves what?
That the purpose of the Great Architect of the Universe is to release an individual unit - the human.

And the individual unit, the human, is placed where?
Between two great worlds of matter.

Physical and spiritual?
Of course.

And the physical is only the expressor of the spiritual?
Of course.

And in itself, it is only a medium?
Of course.

And any human who measures his potentiality according to the fascinations of the physical is controverting the purpose of the Great Architect of the Universe in the human organization?
Certainly ---.

And the power to cognize the purpose of the Great Architect of the Universe is invested in what?
Appreciation.

And the open avenues to appreciation are what?
Impression and expression.

And to definitely operate the forces of impression and expression is dependant upon what?
The distinction between physical sound and tonality.

Then physical sound, however beautiful it may be, is not music?
Of course not.

And because the human has lacked the distinction between physical sound and tonality he has gone hal-shot through time - been driven to tangents as it were?
Of course.

And it is in these finer forces that we are to find the real essence of tonality?
Of course.

Corroboration of what?
Human individuality.

What is the function of the instruments now in use?
To set the Ether (physical sound) in motion.

And in that motion we find corroborative evidences of a wonderully provisioned vibratorial field in the forum of physical nature.
Of course.

What do they (the instruments), release to human volition?
Splendid opportunity to release modes of motion, access to which had hitherto been denied him

But, as mere instruments producing physical sound what have they accomplished?
They have shunted the human upon an immense ocean of Vibrational Activity before he was scientifically prepared to handle its given areas.

But why so?
Because in order to handle them, he was compelled to employ forces outside, or above, their spheres of action.

And then what?
He then was traveling in an elusive country without scientific guidance - except it be the automatic precision of nature.

With what result?
He had either to hammer his way through with physical technic or to literally tumble to what has since proven to be an amazing entanglement of states of motion.

And because, without the distinction between physical sound and tonality, the fascinations of physical problems were too strong for him?
Exactly.

And in this he automatically denied the purpose of the Great Architect of the universe - in the human organization?
Of course.

Should every human then master the vibrator?
Of course.

What happened?
In the first instance he was forced to become a congealed physical technician.
In the second instance he was hurtled upon rhapsodical emotional states from which he seldom escaped with his intellect, spirit or soul fully intact.

And this shows the human to be what?
A mere "babe in the (vibratorial) woods"

What does he need to prove himself a Man "made in the image of the gods"?
A continuity of physical sound.

Why does he need a continuity of physical sound?
It is absolutely essential if he would be intelligible to himself and to his fellow humans.

And upon it he can alone find a definite mode of expression?
Of course.

And vibratorially there is a definite continuity from the physical to the spiritual?
Of course.

And in the human organization there is a continuity of muscle, nerve and intellect possible?
Of coures.

And if the human fails to exercise this given external and internal continuity he automatically closes the forum of Nature to himself?
He most certainly does.

And if he has no immediate cognition of the distinction between physical sound and tonality his whole organization is involved?
It most certainly is.

And is this the reason the human is a delinquent god?
It most certainly is.

What does such a matter involve?
Appreciation.

Don't stop.

But what of the situation in which the human finds himself?
It simply means that without the distinction between physical sound and tonality he cannot be brought to directly and definitely appreciate the wonders of the forum of physical and spiritual Nature.

And he then is forced to find his chief delight in dreaming?
Of course.

But if he ever gets the distinction in operation, what then?
He would then be able to gather the finest type of appreciation concerning the remarkable environment in which he had been placed.

Appreciation of what?
The remarkable environment of which he has been placed.

And then what?
He then would no longer need be a delinquent god.

And upon such a proposition rests the essence of music?
Of course.

Would I dare measure our present standards of music from such a view-point?
No one would or could deny you such a right.

But what would I find?
Try it out and see for yourself.

But it might prove too distressing?
Have you no command of your nerve? Do you not want to find a scientific outlet for your forces of impression and expression? Do you not want to find your real status of appreciation? Do you really wish to remain a delinquent god? Do you not realize that you are on your way to the land of the gods? Do you really want to be prepared to handle forces which made the gods possible? If you do, get busy now, here, while living on Old Mother Earth. Prepare yourself for the finalities which the Great Architect placed in the human organization best released by a definite distinction between physical sound and tonality.

(end section two)

VALUES IN MUSIC (third section)

Individual cognition of the great line of demarcation depends upon what?
The distinction that exists between physical sound and tonality.

Then physical sound, with all its wonderfully fascinating problems is only a medium to express tonality?
Of course.

And the real wonders of music are invested in tonality?
Of course.

Then, when we speak of the piano, the organ, or the voice, we have no right to designate the sounds produced as Tone?
Of course not.

And we really have no right to designate any type of physical sound as Tone?
Of course not.

What do the instruments of physical sound represent?
Variations of beautiful sounds only.

But they do represent some phase of tonality, do they not?
Only in the sense that human intelligence has been at work to mechanically capture the "sounds of the universe."

What is the evident purpose of Vibratorial Activity?
To release a human organization.

What else?
And, through the human organization to release human character (tonality).

With what is human character synonymous?
Soul Values.

And the failure to release Soul Values is the reason the human is a delinquent god?
Of course.

Then in music, as in other branches of human endeavor, it is apparent that the human must acquaint himself with forces which provide tonality?
Of course.

What is the direct agency whereby such a status may be attained?
A use of the "inclusive" Harmonic.

And there are Harmonics of physical sound and there are Harmonics of tonality?
Of course.

And they are absolutely separate?
Absolutely they are.

And lacking cognition of this distinction is the reason the human has not gathered forces which make him like unto the gods?
Of course.

Where did the human first fail in this matter?
In a lacking continuity of physical sound.

And in this he had no direct releasing agency of sufficient ampleness to recognize tonality as distinct from physical sound?
Of course not.

And he then had to fall back upon mere conjecture?
Of course.

But why so?
Simply because he had no dependable process to operate the forces of the forum of Nature.

Neither that of physical or spiritual Nature?
No.

What is the function of physical sound?
It is used to enable the human to become intelligible to himself and to his fellow humans.

How so?
With it he is to locate, tabulateand consciously employ forces which release tonality.

In a use of physical sound with what is he chiefly concerned?
The Harmonic.

What is the Harmonic?
A measure of parts by which he is to definitely come into touch with the forces of the forum of Nature.

What is the function of the Harmonic?
To lead the human safely and sanely out upon the unknown - in the forum of Nature.

And by its use the unknown becomes the know?
Certainly.

And there are distinctions in Harmonics?
Certainly.

WHat are these distinctions?
Harmonics of physical sound and Harmonics of tonality (human character).

How can I distinguish the Harmonics of physical sound?
They are not definitely named. They are used. They are under the automatic precision of Nature. They tumble to whatever direction they are spent by the directing intelligence of the human organization. Their business is to respond to human dictation - right or wrong. And this they do with a precision that is astonishingly simple in itself. If you want a definite measure of the vibratorial activity of physical sound, consult Helmholtz on "Sensation of Sound."

How can I distinguish the Harmonics of tonality?
The Harmonics of tonality are directly concerned with human character. Their use is a determinate of the individual stamina, physical, spiritual and psychical, of the human using them. Like the Harmonics of physical sound they are not named. They are used. If you are not acquainted with them there is no way except by education that you can be shown. However, the public libraries are full of generally dependable works on psychology. Read and study them to your heart's content. Then apply what you have learned.

However, the public libraries are full of generally dependable works on psychology

About right...