We have recently finished recording an album by Mi and L'au here in Brooklyn. I co-produced it with them. It turned out very lovely indeed. It was a privilege to work with such talented, sincere, and intensely focused individuals. They have a quite passion that is expressed both in the way they are as human beings and in their songs. The music is austere, but simultaneously warm. Picture a glacier with a red ember glowing in its center. Mi and L'au met in Paris a few years back. Mi is Finnish and was working as a model to make ends meet and L'au (who's French) was working in the music industry (soundtracks, I think). They fell deeply and immediately in love, and after a short period of moving from apartment to apartment in Paris, they gave everything up and decided to move to the woods in Finland, so they could be alone together in peace and to spend their time discovering each other and their music. They live in a small cabin in complete isolation with the barest of essentials and they spend virtually all their time making music together in solitude. They are pure and gentle souls (Devendra's song, from Oh Me Oh MY... "Gentle Soul" was written for L'au the two had met in Paris when Devendra was wandering there, and L'au took him in, and they also made music together). Their music is bare, delicate, and made with simple instrumentation - voice, acoustic guitars, and other very sparse orchestrations. I wouldn't say it compares at all to the current crop of neo-hippy "weird folk" etc. though. It has the naked quality of certain early Nico recordings, or Chet Baker (I don't mean there's a stylistic similarity by any means - just a sense of space)...soulful and elegant, without being touchy-feely or confessional. Their music reminds me of how one might imagine a winter Finnish landscape - haunting and pure.
These recordings were made with love in Mi and L'au's cabin in Finland and then overdubs were made in the wilds of Brooklyn by themselves as well as the ubiquitous Akron/Family, Julia Kent (Antony and the Johnsons), Paul Cantelon, Jerome O'Brien and others. Overdubs were made at Seizure's Palace (Angels of Light. Devendra Banhart, Akron/Family) and mixed at Trout recording by Bryce Goggin (Phish. Pavement, Lemonheads, Angels of Light, Akron/Family etc.).
THANKS! - Michael Gira/Young God Records/Angels of Light etc…
― joseph cotten (joseph cotten), Sunday, 21 August 2005 15:59 (twenty years ago)
― joseph cotten (joseph cotten), Sunday, 21 August 2005 16:00 (twenty years ago)
― PeopleFunnyBoy (PeopleFunnyBoy), Sunday, 21 August 2005 21:27 (twenty years ago)
Funny to hear you say it's better than Akron/Family,'cause guess who's doing all the overdubs on it!
― joseph cotten (joseph cotten), Monday, 22 August 2005 03:16 (twenty years ago)
― A Viking of Some Note (Andrew Thames), Monday, 22 August 2005 03:19 (twenty years ago)
― A Viking of Some Note (Andrew Thames), Monday, 22 August 2005 03:20 (twenty years ago)
Wacka chaka bow bow
― joseph cotten (joseph cotten), Monday, 22 August 2005 03:22 (twenty years ago)
― A Viking of Some Note (Andrew Thames), Monday, 22 August 2005 03:23 (twenty years ago)
what's it like? real fragile type folk i'd imagine...
― M@tt He1geson (Matt Helgeson), Wednesday, 8 February 2006 20:08 (twenty years ago)
― jaymc (jaymc), Wednesday, 8 February 2006 20:14 (twenty years ago)
― M@tt He1geson (Matt Helgeson), Wednesday, 8 February 2006 20:17 (twenty years ago)
(xp Hey Eric-in-the-other-room is my friend too!)
― ~asl, Wednesday, 8 February 2006 20:34 (twenty years ago)
― kyle (akmonday), Wednesday, 8 February 2006 21:07 (twenty years ago)
― s1ocki (slutsky), Wednesday, 8 February 2006 21:33 (twenty years ago)
hahaha
― ratty, Wednesday, 8 February 2006 21:49 (twenty years ago)
― Reggie, Thursday, 9 February 2006 03:11 (twenty years ago)
― Mr _Deeds (Mr_Deeds), Thursday, 9 February 2006 05:15 (twenty years ago)
Ah yes, he mentioned you! You know, he posts here very occasionally as "Eazy."
― jaymc (jaymc), Thursday, 9 February 2006 06:29 (twenty years ago)
L'au (or Mi) yelled at me! I swear I was being quiet the whole time, but then between songs I leaned over to my friend and said "They make Nick Drake sound like Motorhead, but I think I might buy the CD"....anyway, the dude, looks over at me and said, "If you want to talk go to the back, there are people in the back and they are having trouble hearing my guitar!"....he seemed honestly pissed, but I'd been up right in front of the stage the whole time, not saying a word....I thought it would be okay to say something (not too loudly I didn't think) between songs! I felt kinda embarrassed cuz he said it in the mic.
...anyway, I thought they were pretty good, super super gentle....I'll still check out the record, but I think it's gonna be tough for this stuff to go over playing American bars instead of gathered around the hearth in their precious little Finnish hobbit house, sharing a bottle of mead in post-coital, candlelit bliss after a strenuous bout of musky Eurosex ....but, ya know......I thought it was good...altho the drummer in my band had the best rock criticism of the nite with the line:
"You know, they're good, but if they were from Mankato no one would a fuck."
― M@tt He1geson (Matt Helgeson), Thursday, 9 February 2006 16:54 (twenty years ago)
― joseph cotten (joseph cotten), Thursday, 9 February 2006 18:05 (twenty years ago)
i also can't get into the akron family. they are beyond talented - i've seen them play twice and thier musicianship and interation was really impressive - but they sounded like modest mouse emo music to me.
― peter x (bucksbreeze), Thursday, 9 February 2006 18:13 (twenty years ago)