TS: "Spirit of Eden" vs. "Laughing Stock"

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When it comes to Talk Talk's post-synths phase, "Eden" seems to be the album of choice for most, and I don't just mean Nick Southall. I think it's absolutely amazing, obviously. It just seems to me the most transitional album they've ever made, and other than "The Party's Over" the least-assured sounding. It seems like a ramp-up for "Laughing Stock," in a way; the New Romantic (and I DON'T mean Visage) pop has been replaced by something entirely more spiritual, but it seems like the band (at this point down to Harris, Hollis, Webb, and sort-of Friese-Greene, right?) is still wrestling with it. The signature overdriven harmonica is there, but it's playing notes instead of stormclouds, and the guitar still sounds like a guitar, still plays (admittedly face-melting, in places) riffs and solos and whatever else guitars are supposed to play.

Talk Talk's progression from synthpop to Beauty was never anything but natural; but "Spirit of Eden" seems more like a budding than a blooming. Then again, that's just what I think. I'll add as a postscript that my entire case may be based on the fact that "Laughing Stock" was my first Talk Talk album.

owen moorhead (i heart daniel miller), Wednesday, 19 October 2005 14:12 (twenty years ago)

I'll add as a postscript that my entire case may be based on the fact that "Laughing Stock" was my first Talk Talk album.

This in large part is my case too. More specific thoughts about Laughing Stock from me but I never have felt as inclined to relisten to Spirit of Eden in comparison.

Ned Raggett (Ned), Wednesday, 19 October 2005 14:21 (twenty years ago)

"Laughing Stock In My Pants"

oops wrong thread.

mark grout (mark grout), Wednesday, 19 October 2005 14:26 (twenty years ago)

Laughing Stock. Spirit of Eden--my first one--didn't live up to the considerable hype for me, but Laughing Stock surpassed the hype, then qualified by mild disappointment in Spirit of Eden. I guess the song structures strike me as more dynamic and I prefer the fuller arrangements as accompaniment to Mark's vocals.

Brooklyn Zoo, Wednesday, 19 October 2005 14:33 (twenty years ago)

Would it be tacky at this point for me to say that I just saw the video for "Such a Shame" on television and that Mark Hollis is fucking cuter than a bug's ear? Too late, I guess.

owen moorhead (i heart daniel miller), Wednesday, 19 October 2005 14:52 (twenty years ago)

I should add, in "Spirit"'s defense, that the last line of "Wealth" ("Take my freedom for giving me a sacred love") is in the running for the single most heart-wrenchingly pure lyric I've ever heard.

owen moorhead (i heart daniel miller), Wednesday, 19 October 2005 14:56 (twenty years ago)

In ESTONIA, Spirit of Eden came out first and so I listened to that first in ESTONIA. Therefore, it has a special place in my ESTONIAN heart.

I believe that Laughing Stock is the better album but Spirit of Eden is so deep in my ESTONIAN heart and I must always return to "Inheritance" and "I Believe In You" every time I fly my ESTONIAN jet plane in the blue skies over ESTONIA.

Piotr Skut, Wednesday, 19 October 2005 15:08 (twenty years ago)

The two records are pretty similar in tone, but Laughing Stock is just so much more powerful. I listened to it every day for a couple weeks when it came out. I'm not sure why the one is superior to the other, but one reviewer wrote about its 'latent power threatening to explode' (paraphrasing) and I can definitely get to that. This might sound stupid but I really think it's one of the most perfect records ever made. Spirit just seems like a sketch for the painting.

Brakhage (brakhage), Wednesday, 19 October 2005 15:09 (twenty years ago)

It's all about the arrangements and the incredible dynamics. There are bits in the record that would be mistaken for Stockhausen or something if you lifted them out of context. The production technique is fantastic.

And I like the sense of mystery that pervades: I could never make out what Hollis was singing, and I couldn't read what was written on the lyric sheet exactly. I started to read up on the production history of the record - how they recorded certain things, how the work was done in the studio - and I had to stop as I just didn't want to know.

Brakhage (brakhage), Wednesday, 19 October 2005 15:20 (twenty years ago)

I would listen to Laughing Stock more often these days if my copy didn't disagree with my new CD player.

I like them pretty much the same, although for different reasons.

Apparently Tim Friese-Green frequents my local Virgin Megastore.

Sick Mouthy (Nick Southall), Wednesday, 19 October 2005 15:25 (twenty years ago)

Brakhage: I agree to an extent, but as much as I'd like to I can't call it "perfect." Or perhaps I could, but only insofar as I could call a tree or a cliff perfect. Wasn't this the group, after all, that recorded a twenty-odd-piece choir and then scrapped the whole session, declaring it "TOO perfect" (though that story might be apocryphal, as I can't even remember where I heard it)? "Sketch for the painting" remark seconded, BTW.

owen moorhead (i heart daniel miller), Wednesday, 19 October 2005 15:27 (twenty years ago)

*amused to no unconsiderable end by the confused latvian guy's post upthread*

t\'\'t (t\'\'t), Wednesday, 19 October 2005 15:29 (twenty years ago)

I think I used the "too perfect choir" story in that bloody article, and I think I culled it from an interview with Phill Brown.

Sick Mouthy (Nick Southall), Wednesday, 19 October 2005 15:29 (twenty years ago)

I should add, in "Spirit"'s defense, that the last line of "Wealth" ("Take my freedom for giving me a sacred love") is in the running for the single most heart-wrenchingly pure lyric I've ever heard.

"spirit of eden" is unimpeachable for that song; that moment ... well, that and the sublime organ melody at the end. it is ... ah, i don't have the words.

i don't actually own "laughing stock" right now - a friend in new york has my copy, so that's fucked - but i don't remember it moving me in quite the same way. this thread has reminded me i need to get hold of another copy.

grimly fiendish (grimlord), Wednesday, 19 October 2005 15:31 (twenty years ago)

"Versed in Christ should faith desert me" always struck me as better than the "Wealth" lyric. I think it's my favourite.

Sick Mouthy (Nick Southall), Wednesday, 19 October 2005 15:33 (twenty years ago)

Apart from "burying progress in the clouds", if I've remembered that right. Damn him for garbling so beautifully.

Sick Mouthy (Nick Southall), Wednesday, 19 October 2005 15:34 (twenty years ago)

Yes! I had forgotten the "versed in Christ" line. Suffice to say, all of my Top Ten are Talk Talk lyrics (excepting "Summer's Last Sound"). It's strange that when I think about Talk Talk, the lyrics seem so important, because they are in many cases indecipherable. His singing can at times resemble some ultra-sophisticated form of scat, the words somehow less important than the tone and the cadence and the sounds he's making.

"I like them pretty much the same, although for different reasons." I don't mean to badger, but what are those reasons? Idle, vulgar curiosity; that's all.

owen moorhead (i heart daniel miller), Wednesday, 19 October 2005 15:56 (twenty years ago)

I shall detail them when I have more time.

Sick Mouthy (Nick Southall), Wednesday, 19 October 2005 15:56 (twenty years ago)

In a word I go to Spirit for dramatic, visceral thrill with a touch of spirituality, and I go to Stock when I need to squeegee my soul clean and can't bare anything else.

Sick Mouthy (Nick Southall), Wednesday, 19 October 2005 16:04 (twenty years ago)

As much as I adore Laughing Stock, I just think the songs are better on Spirit of Eden. I wouldn't part with either for the world, though. And I weep for those who haven't heard them.

Alex in NYC (vassifer), Wednesday, 19 October 2005 17:22 (twenty years ago)

Alex is quite correct, except I'd switch his order of preference.

Alfred Soto (Alfred Soto), Wednesday, 19 October 2005 19:13 (twenty years ago)

haha Alex I weep for the 'unenlightened' too...

for me, choosing between the albums is like being asked T/S: 'blood' or 'oxygen' - ummm, i need BOTH to live, dammit! but if it came down to it, i suppose i gravitate towards LS, but for reasons i could not properly articulate. in a sense it feels like a more complete/accomplished listening experience for me, but of course there are moments on SoE that are simply mind-blowing. tough call.

funnily enough, i just lent both of these albums to a gal i work with who is a real music nut, although mostly into free jazz, musique concrete, etc, and the more obtuse side of the 'indie' world (for lack of a better term). i guess she's young enough that these talk talk albums passed her by, but she's got 'em now! i'm very curious to hear her take on them, since she has such a deep appreciation for rather complex music...

Rob Bolton (Rob Bolton), Wednesday, 19 October 2005 19:45 (twenty years ago)

One of the most rewarding listening experiences I ever had was finally turning up "New Grass" and acually hearing the almost sub-aural bassline. I could listen to that song on a loop.

Josh in Chicago (Josh in Chicago), Wednesday, 19 October 2005 20:48 (twenty years ago)

I've never heard either. Which should I start with...the only songs I know of by them are Talk Talk and It's My Life.

kornrulez6969 (TCBeing), Wednesday, 19 October 2005 22:12 (twenty years ago)

I honestly don't think I could take one over the other, I've always considered both to be just about the best recorded music ever made.

mzui (mzui), Wednesday, 19 October 2005 22:19 (twenty years ago)

Which should I start with...

Well, it may sound dull, but I'd honestly work your way along through the albums -- The Party's Over, It's My Life, The Colour of Spring, Spirit of Eden, Laughing Stock, in that order. It's a case where while the latter two can and do stand on their own, there's a sense of, well, progression for lack of a better word -- how they went through a radical series of changes while clearly STILL being the same band. And in ways it fits the suffused eschatology of the final albums to approach them in this beginning to end path.

Ned Raggett (Ned), Wednesday, 19 October 2005 23:19 (twenty years ago)

Ned's right about progression - these last 2 albums are of course in a league on their own (for so many reasons), but they do not exist without context. There also happen to be some great pop moments on earlier Talk Talk records (Such A Shame is one of my fave 80s tracks).

That said, if the entire catalogue as Ned suggests is too much for you to handle, then try the last 3 in order - Colour of Spring, then Spirit of Eden, then Laughing Stock. Colour of Spring is a great album, and there are a few hints of what is to come...

I really hope that, um, 'kornrulez' was a legit post . You do know that every time ILM recommends these albums to someone new, an angel gets its wings, right?

Rob Bolton (Rob Bolton), Thursday, 20 October 2005 00:13 (twenty years ago)

I'd like to add at this point, when it has become apparent that the worst anybody can say about either is that it's almost as good as the other (as it should be), I'd like to add my opinion that I've yet to come across a band with more appropriate album art than James Marsh's Talk Talk album covers. I think it's interesting that Marsh titled his paintings after the albums they adorned, so much so that I've wondered whether the names of the albums aren't taken from the paintings themselves, and not the other way around. They seem so wholly appropriate to their setting, elegant and sweetly surreal, and more than a little childlike, tremendously affecting, but in a small way. I can honestly say that I can't think of an album cover that's moved me in the way that Talk Talk's do. Then again, that's just me.

owen moorhead (i heart daniel miller), Thursday, 20 October 2005 03:09 (twenty years ago)

It's not just you.

Sick Mouthy (Nick Southall), Thursday, 20 October 2005 07:03 (twenty years ago)

And apparently Marsh's art on the last compliations made a pretty obvious statement about the way the band were treated by EMI. I think one was a bird singing in a cage, and the last comp featured a goose with a noose around its neck...

Rob Bolton (Rob Bolton), Thursday, 20 October 2005 13:01 (twenty years ago)

Ah yes, standing on top of its own egg.

owen moorhead (i heart daniel miller), Thursday, 20 October 2005 13:18 (twenty years ago)

I love Colour of Spring too. "I Don't Believe You" and "Life's What You Make It" are the linear, pop versions of the great experiments on Spirit of Eden and Laughing Stock.

Alfred Soto (Alfred Soto), Thursday, 20 October 2005 13:23 (twenty years ago)

True; but isn't "It's my Life" just a more linear, more obviously pop version of "Colour of Spring?" And isn't "The Party's Over" the same for "My Life?" That's what's always appealed to me so much about Talk Talk, that their growth as artists seemed so natural, so methodical (insert images of flowers sprouting from the soil in time-lapse) as to rule out any possibility of it being contrived or disingenuous.

owen moorhead (i heart daniel miller), Thursday, 20 October 2005 15:19 (twenty years ago)

I love Laughing Stock, and I'll be the first to admit the fact that everyone's rush to it as some post rock template puts me off in a big way doesn't help. But still: Spirit of Eden — in a walk.

Naive Teen Idol (Naive Teen Idol), Thursday, 20 October 2005 16:39 (twenty years ago)

Are there remastered editions of Laughing stock and spirit of eden? my copy of colour of spring sounds so good, but the following two albums are flat sounding like so many older cds. I just think of how great the new Can remasters sound and how much i'd love to hear the same improvement for these two albums....

fffnnnsss, Friday, 21 October 2005 00:19 (twenty years ago)

spirit of eden is remastered because it was on emi, laughingstock isn't, unfortunately

kyle (akmonday), Friday, 21 October 2005 00:24 (twenty years ago)

At least it was reissued -- and as it stands, my original copy still sounds hella fine to my ears, so I'm not complaining.

Ned Raggett (Ned), Friday, 21 October 2005 00:25 (twenty years ago)

what a wondeful thread, i agree with everyone regardless of what order of preference they put the albums in because i "choose" whichever one i happen to be listening to at the time.

for anyone here who hasn't heard it here's "It's Getting Late in the Evening" - the B Side to "Life's what you make it" and a hint at where they were going with the last 2 records.

http://s45.yousendit.com/d.aspx?id=1O5NWO94WA5FR0K6SWTEPZG68X

jed_ (jed), Friday, 21 October 2005 00:46 (twenty years ago)

Nice. Thanks Jed.

There's also the 'Missing Pieces' comp (released on Pond Life) - if you don't have it, don't get TOO excited - it's just a few album tracks from 'Laughing Stock', a slightly different version of 'New Grass', as well as a couple of extras - 'Stump' (very abstract - lots of noise), and 'Piano', which is, unsurprisingly, just Hollis barely playing the piano for almost 15 minutes (which is still A-OK with me!). Apparently the piano track was on some other album I can't recall right now...

Rob Bolton (Rob Bolton), Friday, 21 October 2005 01:00 (twenty years ago)

Side 2 of Spirit of Eden >> Laughing Stock >> Side 1 of Spirit of Eden

King Money, Friday, 21 October 2005 01:06 (twenty years ago)

correction (oh the shame!)

it's After the Flood that is the 'Alternate version', not New Grass. sounds pretty damn close to me. and shorter. oh, and Missing Pieces also has the track "5:09" - more noise and recognizeable riffs from the album dropped in.

the album 'piano' appeared on the Allinson/Brown album 'AV1'. mark appears under the psuedonym 'John Cope', apparently.

there. i feel better now.

Rob Bolton (Rob Bolton), Friday, 21 October 2005 01:10 (twenty years ago)

man i'm incoherent tonight. and i'm not even drunk. yet.

Rob Bolton (Rob Bolton), Friday, 21 October 2005 01:12 (twenty years ago)

YEAH RIGHT. You shameless liar.

(I think I'm on my seventh listen of Playing the Angel now.)

Ned Raggett (Ned), Friday, 21 October 2005 01:12 (twenty years ago)

Get the Asides Besides comp, because as well as "It's Getting Late In The Evening" it also has "John Cope" and "For What It's Worth", which also foreshadow (or in "John Cope"'s case, come along with) the later years, plus "Pictures Of Bernadette" and "Why Is It So hard?" are just fabulous, fabulous songs in anyone's language.

Sick Mouthy (Nick Southall), Friday, 21 October 2005 06:38 (twenty years ago)

There seems to be a linear progression from Spirit of Eden to Laughing Stock to Mark Holliss s/t. A distillation/stripping away type thing. Maybe it can't go any further. A great pity.

bham, Friday, 21 October 2005 07:49 (twenty years ago)

Of course it can go further. It is called silence. And they are making it happen.

alex in mainhattan (alex63), Friday, 21 October 2005 16:04 (twenty years ago)

I would like to point out that I'm also a fan of The Party's Over, although it serves entirely different ends.

Alex in NYC (vassifer), Friday, 21 October 2005 16:05 (twenty years ago)

"Party's Over" seconded. I don't really want to go down that path, though, of viewing Hollis' solo album as a progression from Laughing Stock because: a) it is, while great, no LS, and a real progression from Laughing Stock would at least be ARGUABLY better, and b) Talk Talk wasn't a dictatorship and I think it's a bit reductive to point up Hollis as the key member, in the same way that it's not fair to label Brian Wilson the one good Beach Boy. Even apart from Tim Friese-Greene, who had a big hand in the composition, arrangement, and engineering of the album, it seems unfair to cut Webb and Harris out of the picture, especially in light of their work in .O.Rang. All four of them have continued to make music since Talk Talk's fading away, and it seems like the REAL follow-up to Laughing Stock would sound like a combination of Rustin Man, Heligoland, Tim Friese-Greene's solo stuff, .O.Rang, and yes, Mark Hollis' self-titled.

owen moorhead (i heart daniel miller), Friday, 21 October 2005 16:16 (twenty years ago)

And the pure idiotic genius of "Talk Talk" still makes me smile.

Alfred Soto (Alfred Soto), Friday, 21 October 2005 16:21 (twenty years ago)

It's all you do to me, apparently.

Has anyone ever heard the original version of that song by Mark's mod-punk band? Can't claim to have found it on my own, but you can find it for free on "Within Without," the one and only (and wonderful) Talk Talk/Mark Hollis fansite.

owen moorhead (i heart daniel miller), Friday, 21 October 2005 16:30 (twenty years ago)

especially in light of their work in .O.Rang

the o.Rang albums are so predictable and dull in comparison to Hollis' record though that they do nothing but confirm that Hollis was the genius in talk talk

kyle (akmonday), Friday, 21 October 2005 17:04 (twenty years ago)

Oi. (Love both those albums and the Hollis equally.)

Ned Raggett (Ned), Friday, 21 October 2005 17:11 (twenty years ago)

two years pass...

I've been listening to John Martyn's Solid Air and Bless the Weather. They sound like influences on these two Talk Talk records. Anybody know for sure?

QuantumNoise, Tuesday, 22 January 2008 22:15 (eighteen years ago)

http://batzbatz.com/uploads/posts/2007-10/1191230017_party.jpg

Geir Hongro, Tuesday, 22 January 2008 23:41 (eighteen years ago)

To me, there is no competition really since Spirit of Eden is just magic to my ears, but obviously, After the flood makes me doubt. I just feel so sad for all those people who haven't discovered Talk Talk.

ConnieXX, Tuesday, 5 February 2008 20:51 (eighteen years ago)

Geir, you ass.

stephen, Wednesday, 6 February 2008 01:44 (eighteen years ago)

"Today" was a perfect debut single.

Geir Hongro, Wednesday, 6 February 2008 02:20 (eighteen years ago)

^^^^^ Geir OTM

Curt1s Stephens, Wednesday, 6 February 2008 02:21 (eighteen years ago)

one month passes...

and then 4.10 into Desire, there it is, the most beautiful line ever sung......

ConnieXX, Friday, 28 March 2008 21:32 (eighteen years ago)

four years pass...

I first listened to Spirit of Eden at a time of crisis in my life. It was the year I graduated college and my first love/first relationship ended. I was at rock bottom. Spirit of Eden was the most deeply moving and spiritually cathartic album I had ever heard.

Around the same time, I had also listened to similar albums such as Hex (Bark Psychosis) which became one of my favorite albums and is, for me, perfect late-night listening and the quintessential winter album. At this time, I listened to Laughing Stock, as well, and, although its instrumental complexities were entrancing, it simply did not speak to my emotions the way Spirit of Eden did.

Spirit of Eden is still the album I go to when I'm at my lowest and searching for my path.

It's one of my Desert Island albums, alongside
A Storm in Heaven (The Verve)
No Other (Gene Clark)
Lazer Guided Melodies (Spiritualized)

Graveyard Poet, Monday, 25 February 2013 09:45 (thirteen years ago)

twelve years pass...

Spirit of Eden is still the album I go to when I'm at my lowest and searching for my path.

Feeling this a lot

longtime caller, first time listener (man alive), Monday, 3 March 2025 17:20 (one year ago)

Mark Hollis was literally this for me.

Halfway there but for you, Monday, 3 March 2025 17:28 (one year ago)


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