Greatest moments ever recorded

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You know them! Theese are specific instances (usually no mare than 10 seconds duration) in a song or composition that encapsulates something transcendant - something beyond linguistic translation. Powerful, profound, chill-inducing - here we go!

Possibly one of the greatest:

King Crimson "Starless" (RED) - After the tenor sax solo and the rest of the band has fallen away. Mel Collins (Sopraono sax) plays John Wetton's (Bass) lead vocal melody accompanied only by some intricate cymbal work by Bill Bruford (Drums), creating a sense of tension. After he playing the lead vocal melody *BOOM* the entire band junps in propelled by 3 HEAVY dicordant chords from Robert Fripp (Guitar)which leads into an insane run solo. Happens at about 10:23

Also:

David Sylvian "Wave" (GONE TO EARTH) - Rober Fripp, with atompheric synths swirling around, starts a short solo which lead into one of his trademark low-to-high note sustains at which point David sings "I'll tear my very soul to make you mine". Wow. (5:34-5:44)

Bjork - "Where is the Line" (MEDULLA) - The beginning of the where she is sing acapella ("where is the line with you, where is the liiiiine with you") and Rhazel starts the song with his digitally-enhanced beatboxing. About (0:20)

Cocteau Twins "Beatrix" (TREASURE) - At around the two minute mark when Liz starts wailing, in stark contrast to the unintelligible but beutiful singing prior to that point.

Meshuggah - "Future Breed Machine" - (DESTROY ERASE IMPROVE) - The machinegun (or rather Minigun) guitar/drum intro.

Mouse on Mars "Spaceship" (RADICAL CONNECTOR) - During the break in the song with the chopped up vocal samples ("space, space, space ship its a spacehiiiiip!") and then out of nowhere a heavy synth bass techno glitch beat starts up.

There's many, many more; almost too many to list all here, but well you get the idea.

― Cliftonb, Sunday, 1 January 2006 23:11 (eighteen years ago) link

Pavement: Trigger Cut
The Sha la la bit in the middle.

Rolling Stones: Loving Cup
The What a beautiful buzz bit.

The Clash: Complete Control
C-O-N-control

― kornrulez6969 (TCBeing), Sunday, 1 January 2006 23:14 (eighteen years ago) link

in the Associates' version of "Heart of Glass" where the song totally slows down during the first "and it was a gas"

― Morley Timmons (Donna Brown), Sunday, 1 January 2006 23:18 (eighteen years ago) link

the lil' guitar riff at the start of 'When Doves Cry'.

― Forksclovetofu (Forksclovetofu), Sunday, 1 January 2006 23:21 (eighteen years ago) link

Well, this may be a bit obvious, but the section in the middle of "Good Vibrations" with the harpsichord and "I don't know where but she sends me there" is so mind-bendingly lovely. Oh my God.

― clotpoll, Sunday, 1 January 2006 23:22 (eighteen years ago) link

There's this bit right in the middle of Pashupatinath on the ambient half of Painkiller's "Execution Ground" where there's nothing but Zorn's slightly reverbed saxophone playing a soulful, sad melody.

― vartman (novaheat), Sunday, 1 January 2006 23:32 (eighteen years ago) link

Pavement - range life
"nature kids, I/they don’t have no function"

― Stephen C (ihope), Sunday, 1 January 2006 23:36 (eighteen years ago) link

Gives ya the chills

― Alex in NYC (vassifer), Sunday, 1 January 2006 23:39 (eighteen years ago) link

There are thousands of these, but the first that springs to mind is the break in "To Hell With Poverty" by Gang of Four, when midway through the track everything else falls away except Andy Gill's screaming guitar and then Dave Allen's bass restores order. GENIUS, YOU FUCKERS, GENIUS!!

― Alex in NYC (vassifer), Sunday, 1 January 2006 23:42 (eighteen years ago) link

And when Peter Hook's bass arrives (bounding over a hiccuping sequencer) three-quarters of the way through "Subculture" by New Order (I'm talking about the version on Substance, not the original on Low-Life), it sounds like God ejaculating.

― Alex in NYC (vassifer), Sunday, 1 January 2006 23:44 (eighteen years ago) link

The precise moment during "Mothership Connection (Star Child)" on Mothership Connection by Parliament when the band switches back into the "Swing low sweet chariot..." refrain and the giant saucer gently lifts off again (I'm talking bout specificaly 5:13 into the song), it is truly a transcendent bit of music.

― Alex in NYC (vassifer), Sunday, 1 January 2006 23:54 (eighteen years ago) link

The chorus of Waves by Slowdive.

― Tokyo Ghost Stories (Tokyo Ghost Stories), Monday, 2 January 2006 00:30 (eighteen years ago) link

A few more:

Joe Henry - "Monkey" (FUSE). During the begging of the song with the acousic guitar and the electronic drones. The part when the beat finally kicks in and Joe sing "And maybe someday you'll come back to me". Floors me every time.

Sixteen Horsepower - "Prison Shoe Romp" (SACLOTH N' ASHES). The beginning the second verse after the band crescendos up to full blast and David Eugene Edward yells "OUT OF THE KETTLE from craddle to coffin, in between there's just too much walkin'". Whoa!

Bela Bartok - Concerto for Orchestra (Fritz Reiner and the Chicago Symphony Orchestra ) between 4:20 to 4:40 - this is an eerily beautiful orchestral passage. A truly great moment in Modern Composition.

― Cliftonb, Monday, 2 January 2006 00:41 (eighteen years ago) link

shake DOOOOOOOOOOWWWWWWWWWWWWWWWWWWWNNNNNNNNNNNNNNNNNN!!!!!!
(the rapture)

― sovietpanda (sovietpanda), Monday, 2 January 2006 00:51 (eighteen years ago) link

That bit on Top of the Pops when the All About Eve woman forgot to start miming.

Pavement's "I swung my fiery sword" thing on Brighten the Corners.

The bass line on Chic's "Good Times".

Public Enemy "My posse come quick because my posse got velocity".

The drum intro to Junior Murvin's "Tedious". And the bit on "Dub Revolution" where the "Waaah-d-da-da-daaah" vocal comes in. And most everything else in Lee Perry's career. "Jah is I light and salvation".

"Born to Make You Happy".

"Paranoid" riff.

Fucking everything, man.

― I Am Sexless and I Am Foul (noodle vague), Monday, 2 January 2006 01:04 (eighteen years ago) link

Despite myself, I immediately thought of
"YOU WANTED THE BEST AND YOU GOT THE BEST..."

― Bobby Peru (Bobby Peru), Monday, 2 January 2006 01:12 (eighteen years ago) link

The unprepared shift from C major to F major at the first appearance of the middle-8 in "From Me To You".

― Geir Hongro (GeirHong), Monday, 2 January 2006 01:20 (eighteen years ago) link

Despite myself, I immediately thought of
"YOU WANTED THE BEST AND YOU GOT THE BEST..."

Damn fuckin' skippy, Bobby you sage!

― Alex in NYC (vassifer), Monday, 2 January 2006 01:21 (eighteen years ago) link

That bit on Nirvana's cover of "Where Did You Sleep Last Night" on 'Unplugged' Where kurt's voice just wavers and breaks. Awesome. Makes the hairs stand on end everytime.

Maggot Brain where Eddie just starts to play the solo.

"I Wanna be Adored" when that bassline starts.

― Last Of The Famous International Pfunkboys (Kerr), Monday, 2 January 2006 01:23 (eighteen years ago) link

The Stone Roses sample on "Tunes Splits the Atom". God I miss MC Tunes.

― I Am Sexless and I Am Foul (noodle vague), Monday, 2 January 2006 01:26 (eighteen years ago) link

Pulp doing Common People at Glastonbury. When the whole thing just takes off. Man I wished I was there.

I have that as a bside somewhere, need to go dig that out now.

― Last Of The Famous International Pfunkboys (Kerr), Monday, 2 January 2006 01:29 (eighteen years ago) link

"The love you gave me, nothing else can save me".

― I Am Sexless and I Am Foul (noodle vague), Monday, 2 January 2006 01:30 (eighteen years ago) link

All Filter-Disco ever. Fuck, the first time you hear the Abba sample on "Hung Up".

― I Am Sexless and I Am Foul (noodle vague), Monday, 2 January 2006 01:32 (eighteen years ago) link

1. numerous moments on various Bikini Kill singles
2. Pere Ubu's "Final Solution" guitar solo
3. that part in PIL's "Memories" where the whole sound changes

― sleeve (sleeve), Monday, 2 January 2006 01:35 (eighteen years ago) link

The piano recorded down the end of a mile-long corridor on "Neighbourhood #1".

― I Am Sexless and I Am Foul (noodle vague), Monday, 2 January 2006 01:39 (eighteen years ago) link

And then the "Ooh ooh ooh ooh ooh"s.

― I Am Sexless and I Am Foul (noodle vague), Monday, 2 January 2006 01:41 (eighteen years ago) link

The whole of "Underwater Love".

― I Am Sexless and I Am Foul (noodle vague), Monday, 2 January 2006 01:43 (eighteen years ago) link

The opening riff and the first line of Joy Div's "Disorder". Best record to ape Dante ever.

"My smile is stuck, I cannot go back to your Frownland".

St Etienne: "In this world of ups and downs" sample on "She's the One".

Fiddy's voice.

― I Am Sexless and I Am Foul (noodle vague), Monday, 2 January 2006 01:45 (eighteen years ago) link

Stereo panning on Nurse With Wound's Tune Time Machine.

Everything Screwed and Chopped.

― I Am Sexless and I Am Foul (noodle vague), Monday, 2 January 2006 01:49 (eighteen years ago) link

I have to be honest, it was seeing Alex's name that spurred this contribution, but it's no less true for that - I've been blown away by it for 20+ years: the entrance of the drums in Killing Joke's "Requiem." If it's the first Killing Joke album you hear, and you're listening without any particular point of reference, it's a huge, declamatory moment, or at least it was for me circa 1983.

― Mr Straight Toxic (ghostface), Monday, 2 January 2006 01:53 (eighteen years ago) link

Unrelatedly, the delivery of the adlib "sing it, sing it, sing it baby" in the Spinners' "Then Came You"

― Mr Straight Toxic (ghostface), Monday, 2 January 2006 01:53 (eighteen years ago) link

beatles dropping a piano at end of "day in the life".

Unrelatedly, the delivery of the adlib "sing it, sing it, sing it baby" in the Spinners' "Then Came You"
-- Mr Straight Toxic (straightu...)

don't laugh
was this the theme to "webster" with emmanuelle lewis ?

― retroman, Monday, 2 January 2006 01:54 (eighteen years ago) link

I never watched "webster"!

― Mr Straight Toxic (ghostface), Monday, 2 January 2006 01:55 (eighteen years ago) link

- the guitar solo on daft punk's "digital love"
- the string section that eventually swells up during autechre's "arch carrier"
- "late at night i park my car/make my way to the singles bar" - roxy music "love is the drug"
- jonathan richman not letting the modern lovers end "ice-cream man" during a live performance. more false ends than any other song.
- the brian wilson's falsetto on the beach boys "surf's up"
- "i know your steps and your doorways" - tom waits's lyric on "downtown train"

― Wogan Lenin (dog latin), Monday, 2 January 2006 02:02 (eighteen years ago) link

I have already mentioned one perfect melodic/harmonic moment. Discarding melody and harmony for once, I would particularly mention these two moments:

- Steve Hackett's wonderful guitar solo on Genesis' "Firth Of Fifth"

- Those marvellous stereo effects in the background of the second verse of Depeche Mode's "Blasphemous Rumours"

― Geir Hongro (GeirHong), Monday, 2 January 2006 02:26 (eighteen years ago) link

Pretty much the whole glorious 5:30 of "Quixaberra" by Carlinhos Brown featuring Gilberto Gil, Caetano Veloso, Gal Costa, and Maria Bethania, but most specifically the "vu-oh, vu-oh, vu-oh" harmony bit between the ladies about 2:50 in. Like the sounds of a soul being saved...

― Mitya (mitya), Monday, 2 January 2006 02:29 (eighteen years ago) link

almost too many to list all here

― dar1a g (daria g), Monday, 2 January 2006 03:56 (eighteen years ago) link

1. Bob Dylan - "Like a Rolling Stone"
The "Judas!" recording, the build-up and then the moment the band kicks in. Made even greater by the new footage of Dylan making an incredibly cool "fuck you" gesture to the balcony with his first strum.

2. Talk Talk - "After the Flood"
The sixty-some seconds of shrieking feedback that just about defines beauty, for all intents and purposes.

3. The Beatles - "I Am the Walrus"
The "Hee hee hee, ha ha ha, ho ho ho" background bit that never fails to give me shivers.

4. Gang of Four - "To Hell with Poverty"
The "Ow ow ow OW!" bits with the harmonic jabs.

5. Slint - "Good Morning, Captain"
The whole "I miss you" screams, and how the distortion holds and then cuts out at the end. Sometimes a sudden silence is better than any sound at all.

― PB, Monday, 2 January 2006 04:11 (eighteen years ago) link

-Iron Maiden's Mission from 'arry

-"Hello, I'm Johnny Cash"

- Cigarette being lit in the intro to "Red Right Hand" (0.00-0.16)

..I'll think of more..

― VegemiteGrrl (VegemiteGrrl), Monday, 2 January 2006 04:17 (eighteen years ago) link

the harmonies on the line "it's the time of the season..." in the zombies' "time of the season."

and not to be really completely totally bloody obvious or anything, but the entrance of the drums on "stairway to heaven" still gets me every time.

― fact checking cuz (fcc), Monday, 2 January 2006 04:18 (eighteen years ago) link

The precise moment during "Mothership Connection (Star Child)" on Mothership Connection by Parliament when the band switches back into the "Swing low sweet chariot..." refrain and the giant saucer gently lifts off again (I'm talking bout specificaly 5:13 into the song), it is truly a transcendent bit of music.

ot$, ALEX.

― Forksclovetofu (Forksclovetofu), Monday, 2 January 2006 04:20 (eighteen years ago) link

In "I'm A Man" by the Yardbirds, when the harmonica starts going, there's this one moment where...wow. Beautiful.

Also, the end of "Love Child" when Diana starts belting "I'l always love...you-u-u". And the first moments of "Stayin' Alive".

― musically (musically), Monday, 2 January 2006 04:41 (eighteen years ago) link

I agree totally with "Underwater Love". I'll also add "Flying Away"

also:

Robert Fripp, Trey Gunn, Bill Rieflin (REPERCUSSIONS OF ANGELIC BEHAVIOR) Track 1 when Bill starts grooving in a shiftin, asymetric time signature and Fripp's solo starts. He plays up a slow scale and hits this unexpected high note sustain that surrounded by discordant digital harmonics.

Dengue Fever - "Sni Bong" (ESCAPE FROM DRAGON HOUSE). The start of the chorus gets me every time.

― Cliftonb, Monday, 2 January 2006 05:29 (eighteen years ago) link

"Hike up your fishnets/I know you"- "Dilaudid," Mountain Goats
then later that same song "and take your foot of of the brake/FOR CHRIST'S SAKE!"

― Morley Timmons (Donna Brown), Monday, 2 January 2006 19:37 (eighteen years ago) link

"off"

― Morley Timmons (Donna Brown), Monday, 2 January 2006 19:37 (eighteen years ago) link

I am not very good at onomotopiea (or however it's spelled), but I will attempt to transcribe the glorious first note of Thin Lizzy's "Jailbreak" anyhow:

"PWREEEEEEEEEEEEOWWWWWWWWWWWWWWWWWWWWRRRRRRRRRRRRRRRMMMMM"

Also, the strings in Barry White's "What Am I Gonna Do With You?" and the guitar bridge in the Hold Steady's "Cattle and the Creeping Things" (the one around 1:50 or so, leading up to "she said I've been seeing double for three straight days") have been giving me shivers.

― disco violence (disco violence), Monday, 2 January 2006 19:47 (eighteen years ago) link

The Thewlis sample in The Orb's "S.A.L.T." Specifically, toward the end when he shouts "ANOTHER FACT!" and the music goes wild. Always one of my favorite tracks.

― vartman (novaheat), Monday, 2 January 2006 22:01 (eighteen years ago) link

Halfway through Kraftwerk's "Computer Love" when the dance beats kick in.

Nick Drake's "Road" when he says "I" an eighth note before the downbeat.

Bauhaus's "Bela Lugosi's Dead" - "Ohhhhhh Beeeeeeeeeeeelaaaaaaaa, Beeeeeeeeelaaaaaaaaaaaa's Undeeeeeeeeead."

Every time a new instrument is introduced in SAWII Disc 1 Track 3.

The Chameleons' "Soul in Isolation" - the guitars in the "No more would you cry, cry, cryyyyyyyyy" part. And just about every other moment of Strange Times, really.

― Curt1s St3ph3ns, Monday, 2 January 2006 22:22 (eighteen years ago) link

off the top of my head:
The speeded up backwards bit after the first chorus of see emily play
the drum roll before the final chorus of the who's i'm a boy
the doorbell sound in tomorrow never knows, on the words 'love is all..'

― psychedelia smith, Tuesday, 3 January 2006 10:19 (eighteen years ago) link

"(We Are) The Road Crew," going into the first guitar solo. The feedback during the second one as the song goes into the coda. The snare crack before the second verse.

"Watching the Detectives": the drum intro before the bass comes in.

Wynonie Harris, "Down Boy Down": "Ain't it 'bout time for the house to buy?!"

Dee Dee Ramone yelling "Wait!" just before the band starts playing on the Ramones' "It's Alive."

― Rickey Wright (Rrrickey), Tuesday, 3 January 2006 10:31 (eighteen years ago) link

That part of "The Takeover" when Jay-Z starts running roughshod over the meter.

― Rickey Wright (Rrrickey), Tuesday, 3 January 2006 10:33 (eighteen years ago) link

Robert Johnson, "When You Got a Good Friend."

Marvin Gaye: "Do you remember all of the *bullshit*, baby?"

Dylan and the Band in England, and the Caetano Veloso/Os Mutantes live version of "E Proibido Proibir" ("Ambiente de Festival"). When someone's laying tracks to get kicked out of his own country, as on the latter, now *that's* true rock and roll outlawry.

― Rickey Wright (Rrrickey), Tuesday, 3 January 2006 10:37 (eighteen years ago) link

Half the PA crapping out in the middle of Patti Smith's B-side version of "My Generation."

― Rickey Wright (Rrrickey), Tuesday, 3 January 2006 10:42 (eighteen years ago) link

All of Monk's 1951 "Four in One."

― Rickey Wright (Rrrickey), Tuesday, 3 January 2006 10:46 (eighteen years ago) link

Fuckin' Little Richard.

― Rickey Wright (Rrrickey), Tuesday, 3 January 2006 10:48 (eighteen years ago) link

A WOMP BOMP A LU BOMP A WOMP BAM BOOM

also the drumbeat & Ray Davis' vocal intro on "Tear The Roof Off The Sucker (Give Up The Funk)"

and Carla Thomas & Otis Redding's exchange midway through "Tramp"

"Otis, you country. Straight from the Georgia woods."

"That's gooood.

― rockin' mel slirrup (lovebug starski), Tuesday, 3 January 2006 11:27 (eighteen years ago) link

the middle bit of Belle & Sebastian's Fox In The Snow, or the strings at the end of ABC's Al Of My Heart

― mentalist (mentalist), Tuesday, 3 January 2006 12:15 (eighteen years ago) link

From Mingus At Antibes, during Eric Dolphy's unaccompanied "What Love" bass-clarinet solo, when Mingus states "You can go fuck y'self!" to some rude French heckler.

Love, "Andmoreagain" - the cello that accompanies Arthur Lee's "Mate-he-rial"

Velvet Underground, "I Heard Her Call My Name": "And then my mind split open-" SKRKREEEK!

The opening fade-in to "I Feel Love", just before the drum machine kicks in.

I could name HUNDREDS more (and so could you.)

― Myonga Von Bontee (Myonga Von Bontee), Tuesday, 3 January 2006 19:07 (eighteen years ago) link

sleeve OTM about pere ubu

― don't start a RYE-OTT! (plsmith), Tuesday, 3 January 2006 19:36 (eighteen years ago) link

The arrival of the end stretch in "All Is Full Of Love," when Bjork's lead vocal jumps up an octave to meet the backing vocals.

― joseph cotten (joseph cotten), Tuesday, 3 January 2006 21:32 (eighteen years ago) link

CREEPER LAGOON'S - TONIGHT WAS FUN.

Could we kiss a little longer, it wouldn't be any WRONGER.

THE BEST!

― ddb (ddb), Tuesday, 3 January 2006 22:00 (eighteen years ago) link

Circa 4:24 in "Slow to the Core" by Sean Na Na, the little melisma on "when the bad blood is running" in the uptempo coda.

― Paul Eater (eater), Tuesday, 3 January 2006 22:23 (eighteen years ago) link

The entirety of the Sonic Boom/Dean Wareham/Britta Philips cover of "Old Toy Trains."

― vartman (novaheat), Wednesday, 4 January 2006 02:35 (eighteen years ago) link

The bridge in Wilson Pickett's "In the Midnight Hour," when the horns come in all slinky like for a few measures. I can listen to that over and over again, and sometimes do.

― Binjominia (Brilhante), Wednesday, 4 January 2006 03:06 (eighteen years ago) link

(Everyone pauses for 11 beats) BERNADETTE

― Joseph McCombs (Joseph McCombs), Wednesday, 4 January 2006 08:36 (eighteen years ago) link

two months pass...

" . . . And you need a haircut, tramp!"
"HAIRCUT?! Woman, you goofy. I'm a lover . . . "

― Rickey Wright (Rrrickey), Tuesday, 21 March 2006 14:46 (eighteen years ago) link

intro to "A Love Supreme" and intro to "Alabama", both by John Coltrane

― mervin heinz, Wednesday, 22 March 2006 01:09 (eighteen years ago) link

The final (instrumental) climax of "Sandblasted" by Swervedriver - when the drums slow down, down and then BOOOM!! guitars exploding everywhere!

― Sexy MFA (Hexy M.F.), Wednesday, 22 March 2006 01:36 (eighteen years ago) link

I've realized that the entirety of the Beatles' "Hey Jude" rests on Ringo's lone hi-hat hit in the break right before The Vocal Riff begins. He captures the energy perfectly in one swipe of the drumstick.

― Curt1s St3ph3ns, Wednesday, 22 March 2006 02:56 (eighteen years ago) link

The Outro of "I ran Away" by Coldplay
The bass line at the end of "Your Cover's Blown" by Belle and Sebastian

― joe schmoe (joeschmoe), Wednesday, 22 March 2006 13:00 (eighteen years ago) link

three years pass...

that first organ hit in "Love & Happiness"....

― m0stlyClean, Saturday, 2 January 2010 00:38 (fourteen years ago) link

Well... This was recorded. Has there ever been a greater moment?
https://www.youtube.com/watch?v=WaKWvAaSuyI

― Tied Up In Geir (Geir Hongro), Saturday, 2 January 2010 05:14 (fourteen years ago) link

The bit in Tusk where the voices come in, way louder than everything else, "Just tell me that you want me". Makes me jump with surprise and shiver with pleasure.

― ithappens, Saturday, 2 January 2010 19:46 (fourteen years ago) link

The moment in the version of "The River" on Live 1975-1985 when the monologue turns into the song. The band plays this loooong note soaked in sadness and then Bruce scythes through it with a searing blast of harmonica.

― anagram, Saturday, 2 January 2010 20:28 (fourteen years ago) link

Hello, I'm new.

The 3 second sliding bass intro to Wichita Lineman, as played by Carole Kaye.

The drum break in the Peel Session of The Container Drivers by The Fall.

― The Broken Brothers, Saturday, 2 January 2010 20:30 (fourteen years ago) link

https://www.youtube.com/watch?v=q4YEW7tRxHw

5:14---->

I AIN'T GONNA STOP YOU! YOU JUST DO IT.. LIKE THAT!

― Sentimental drunk, Saturday, 2 January 2010 20:34 (fourteen years ago) link

https://www.youtube.com/watch?v=mibmtAMMCwk

those "whoa-oh-oh-oh"s just kill

― un(!)registered (unregistered), Sunday, 3 January 2010 04:38 (fourteen years ago) link

that first organ hit in "Love & Happiness"....
― m0stlyClean, Saturday, January 2, 2010 12:38 AM (Yesterday) Bookmark Suggest Ban Permalink

which one :P

― meisenfek, Sunday, 3 January 2010 18:34 (fourteen years ago) link

the bit in kate bush's Big Sky where she'll "pause for a jet", then the bass comes back in

― Dr X O'Skeleton, Monday, 4 January 2010 18:25 (fourteen years ago) link

and all of A Quick One While He's Away on the Rock n Roll circus, of course

― Dr X O'Skeleton, Monday, 4 January 2010 18:26 (fourteen years ago) link

The last 20 seconds or so of that footage of Jimmy Hendrix playing The Killing Floor (the live footage introduced by Brian Jones) where he actually slows down time by doing something wierd with a guitar.

― The Broken Brothers, Monday, 4 January 2010 20:23 (fourteen years ago) link

Nina Nastasia - Run All You...

When the whole band comes in just as she sings the word 'Air', what a glorious sound and so beautifully captured, give me chills every single time.

― Joe Pass Filter (MaresNest), Monday, 4 January 2010 20:49 (fourteen years ago) link

The Accapella bit in Sloop John B.

― The Broken Brothers, Monday, 4 January 2010 21:19 (fourteen years ago) link

https://www.youtube.com/watch?v=lD7JsHWw3vg&feature=player_embedded

― hairylaser micropenis pavilion (latebloomer), Tuesday, 5 January 2010 05:49 (fourteen years ago) link

sike

― hairylaser micropenis pavilion (latebloomer), Tuesday, 5 January 2010 05:49 (fourteen years ago) link

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