Grand Old Opry music show playin' on my radioFiddle and a steel guitar in some little redneck barParkin' lot full of four wheel drivesYou won't hear no hip hop jiveCowgirls lookin' for cowboysTwo-step to that ol' white noise
I'm talkin' 'bout white noise comin' from the white boysI can't keep my cowboy boots from stompin'To that white noise comin' from the white boysTake me where those honky's are a-tonkin'
When the evenin' sun goes down cruisin' through our little townCountry girls and country boys showin' off hillbilly toys
Talkin' 'bout white noise comin' from the white boysI can't keep my cowboy boots from stompin'To that white noise comin' from the white boysTake me where those honky's are a-tonkin'
[Instrumental]
Tractor pulls and rodeos, county fairs and bluegrass showsIt ain't a thing 'bout black and whiteIt's Johnny Cash and Charley Pride
It what I call white noise comin' from the real mccoysI can't keep my cowboy boots from stompin'To that white noise comin' from the real mccoysTake me where those honky's are a-tonkin'Take me where those honky's are a-tonkin'And take me where those honky's are a-tonkin'
― scott seward (scott seward), Monday, 23 January 2006 23:19 (twenty years ago)
Sure sounds like it!
― scott seward (scott seward), Monday, 23 January 2006 23:21 (twenty years ago)
The song most likely to cause a stir is "White Noise," an infectious, sing-along country anthem that must make Mr. Turner's record company nervous: it flirts overtly with white pride. The song, a duet with the country veteran John Anderson (who once famously sang, oddly enough, about being "the black sheep of the family"), pays loving tribute to an old-fashioned "redneck bar": a place, Mr. Anderson sings, where "you won't hear no hip-hop jive." In the chorus, the two pay tribute to the boot-stomping music they love: "That white noise/ Coming from the white boys/ Take me where those honkies are a-tonkin'."
Near the end, they hedge their bets, announcing, "It ain't a thing 'bout black and white/ It's Johnny Cash and Charlie Pride." In the chorus that follows, "white boys" is changed to "real McCoys." Perhaps without meaning to, Mr. Turner and Mr. Anderson have upended an old notion about race and authenticity: the song suggests that black singers, if they're real enough and soulful enough, can be honorary "honkies."
― gypsy mothra (gypsy mothra), Monday, 23 January 2006 23:23 (twenty years ago)
― dan bunnybrain (dan bunnybrain), Monday, 23 January 2006 23:46 (twenty years ago)
― scott seward (scott seward), Tuesday, 24 January 2006 00:03 (twenty years ago)
― dan bunnybrain (dan bunnybrain), Tuesday, 24 January 2006 00:12 (twenty years ago)
― dan bunnybrain (dan bunnybrain), Tuesday, 24 January 2006 00:14 (twenty years ago)