John HarrisFriday October 13, 2006The Guardian
Must we go through all this again? ... The Klaxons
With the students back, parliament in session and that Killers album slowly being revealed as an overwrought dud, what better time for the greatest minds of their generation to go down the pub and invent a new genre? Cheers, then, to an apparent alliance of the NME, a few people in London's trendy E1 district and some dumb young musicians, because "New Rave" is upon us, and there is apparently no stopping it. In a slightly patronising way, I approve: a media life devoid of the pleasure of inventing a supposed youthquake is no life at all, and I have the trophies from such piss-poor attempts as "the New Eclecticism" (rap-rock for cult-stud undergrads, circa 1993) and "the New Wave of New Wave" (Britpop without the good bits, circa 1994) to prove it.
So, what have we got with New Rave? The essential idea, it seems, is to tap back into the spirit of the pre-Britpop years, all gurgling keyboards, cut-price drugs and secret parties, only this time with more guitars. Here follows a cut-out-and-keep guide to all this, written with the aid of a few promo CDs and MySpace, so: scissors at the ready, and let's get it over with.Shitdisco are from Scotland, sound less like anything "rave" than like the unremarkable row once made by such rock-groups-with-a-synthesizer as Classix Nouveaux, and will surely all be over by Christmas. Trash Fashion reek of east-London trendiness, are chiefly famed for a song called Rave Dave ("And then my friend will sort you out/ 'Cos that's what raves are all about") and may yet turn out to be a scam. New Young Pony Club sound quite good in a Talking Heads/Grace Jones kind of way, but Lord alone knows what they're doing lumped in with any of this stuff. And then there's my own personal favourite: those Worcester-based jokers Analogue Domestos, who are about to release a single entitled I'm Mental, and do weekly slots at the voguish London club Byte Slasher. (One of these is made up - there's a free lightstick if you can spot which one).
The leaders of this sea change, however, are a London-based trio called the Klaxons, who have recently been posing with Acid House-esque Mr Smiley faces. Clearly, they've surmised that if a pop-cultural wave comes along and life on income support is starting to pall, you may as well surf it. I don't mind the noise they make - scabrous electronics meets vaguely indie-sounding rock. But two minutes into their hot(ish) new single Magick, you suddenly realise the flaw in their plan. They sound a bit like those American gadflies the Bravery, and that is not good at all.
As for the "rave" aspects of all this, it may seem like a laugh now, but just you wait. Some of us remember Old Rave, and what with all those white gloves, whistles and regular tales of some hapless young person losing their sight after doing nine Es, we do not want it back. Remember, though: in the dark days of 1991-93, it looked like the guitar really was extinct, but rock bit back and eventually won. Who now listens to such rave milestones as the Prodigy's 1992 hit Charly, the entire oeuvre of Altern 8 (two blokes who essentially released the same record over and over again - what cards!) and Shaft's 1992 smash Roobarb and Custard? Only very strange people.
Then again, perhaps folks like me are taking all this far too seriously. "This country needs to party," reckon the Klaxons, which may be a very reasonable point, and rather makes me want to paraphrase an old David Bowie song. Sorry and all that, but the pun was too good to use: Genre? I'm only dancing!
― Lovelace (Lovelace), Thursday, 19 October 2006 16:08 (nineteen years ago)
― Lovelace (Lovelace), Thursday, 19 October 2006 16:10 (nineteen years ago)
― Tiki Theater Xymposium (Bent Over at the Arclight), Thursday, 19 October 2006 16:15 (nineteen years ago)
― The Lex (The Lex), Thursday, 19 October 2006 16:18 (nineteen years ago)
― Ned Raggett (Ned), Thursday, 19 October 2006 16:21 (nineteen years ago)
― I.M. From Hollywood (i_m_from_hollywood), Thursday, 19 October 2006 16:32 (nineteen years ago)
― James Herbert Dip (noodle vague), Thursday, 19 October 2006 16:45 (nineteen years ago)
Oh for fucks....
but rock bit back and eventually won. Who now listens to such rave milestones as the Prodigy's 1992 hit Charly, the entire oeuvre of Altern 8 (two blokes who essentially released the same record over and over again - what cards!) and Shaft's 1992 smash Roobarb and Custard? Only very strange people.
Well apart from Shaft, call me very strange.
― Chewshabadoo (Chewshabadoo), Thursday, 19 October 2006 16:55 (nineteen years ago)
― Tantrum The Cat (Tantrum The Cat), Thursday, 19 October 2006 17:45 (nineteen years ago)
Also, anyone who says "Activ8", "Brutal-8-E", "Frequency", "Evapor8" and "Hypnotic St8" are the same song is seriously stupid.
― Young Fresh Danny D (Dan Perry), Thursday, 19 October 2006 17:49 (nineteen years ago)
― James Herbert Dip (noodle vague), Thursday, 19 October 2006 17:51 (nineteen years ago)
― don (dow), Thursday, 19 October 2006 17:55 (nineteen years ago)
also though, klaxons have fueled the fire. they encourage people to use the term not because it is an accurate description of the sound, but because every time someone uses it their fame increases, and they are confident that their songs will keep them around long after the glow sticks have dimmed.
― firstworldman (firstworldman), Thursday, 19 October 2006 18:00 (nineteen years ago)
― firstworldman (firstworldman), Thursday, 19 October 2006 18:01 (nineteen years ago)
― firstworldman (firstworldman), Thursday, 19 October 2006 18:07 (nineteen years ago)
― dmr (Renard), Thursday, 19 October 2006 18:11 (nineteen years ago)
― occasional mongrel (kit brash), Thursday, 19 October 2006 20:32 (nineteen years ago)
― Good Dog (Good Dog), Thursday, 19 October 2006 20:50 (nineteen years ago)
― I.M. From Hollywood (i_m_from_hollywood), Thursday, 19 October 2006 20:52 (nineteen years ago)
― Good Dog (Good Dog), Thursday, 19 October 2006 21:01 (nineteen years ago)
― wogan lenin (dog latin), Thursday, 19 October 2006 22:30 (nineteen years ago)
― Euai Kapaui (tracerhand), Thursday, 19 October 2006 22:58 (nineteen years ago)
― Euai Kapaui (tracerhand), Thursday, 19 October 2006 23:24 (nineteen years ago)
― wogan lenin (dog latin), Friday, 20 October 2006 00:00 (nineteen years ago)
― Euai Kapaui (tracerhand), Friday, 20 October 2006 00:06 (nineteen years ago)
HOORAY
only this time with more guitars.
BOO
― Curt1s St3ph3ns, Friday, 20 October 2006 00:08 (nineteen years ago)
― cutty (mcutt), Friday, 20 October 2006 00:09 (nineteen years ago)
― H2-H4 (H2-H4), Friday, 20 October 2006 00:34 (nineteen years ago)
― cutty (mcutt), Friday, 20 October 2006 00:38 (nineteen years ago)
September 21, 2006Music ReviewDanceable Tantrums From an East Village Basement By KELEFA SANNEHEven before their first American performance on Tuesday night, there were a few things we knew about Klaxons.
There are three of them. (Except onstage, when they add a drummer to become four.) They love the unpretentious dance music associated with Britain’s early-1990’s rave scene. (Although at least one member says he hates it.) And they play squiggly, noisy dance-punk. (Though they’re always talking about their love of “melodic pop.”)
But until sometime after midnight, when the three-plus-one took the stage in the basement of Club Midway, on Avenue B in the East Village, we Americans couldn’t quite be sure that this group actually existed. Half an hour later the set was over, but the answer still wasn’t quite clear.
With their danceable tantrums, Klaxons sound a bit like the short-lived Test Icicles, who announced their breakup about a month after their first album was released in America. And with their press-friendly back story (scrappy lads revive rave), their predictably provocative quotations (they work hard to cultivate an aura of druggy decadence) and their suspiciously sudden ascent, Klaxons could almost be another clever British hoax. Perhaps you remember Hope Against Hope, the beloved British band whose promising career was interrupted this year by the announcement that it didn’t really exist. (Q magazine was having a bit of fun.)
In any case there were definitely British people onstage, and they were definitely making a danceable racket, provided you like dancing to frantic disco-inspired beats and a distorted bass guitar and yelped falsetto. This was a short, wilfully messy set: part of the idea, it seemed, was to put the screaming punk back in dance-punk. Their breakthrough single, “Gravity’s Rainbow,” is fast and angular, with a warm, daffy chorus to balance the sharp bass line: “I’ll always be there for you, my future love.”
No American listener would be likely to identify this tumult as a tribute to rave culture. But then, those dance tracks that once ruled Britain were never more than obscure import singles over here.
In Britain the band’s cover of the the dance smash “Not Over Yet” sounds like a sly nod to Paul Oakenfold, the star D.J. who helped produce it. But at Club Midway, some listeners may have been hearing the song for the first time. Similarly, the band’s forthcoming American debut, a smartly produced mini-album called “Xan Valleys” (Modular), includes a scrappy take on “The Bouncer”; if you’ve never heard that once-omnipresent rave track (by Kicks Like a Mule), the Klaxons version sounds less like a joke and more like a lark.
Maybe that’s for the best. It’s hard to hate a band that barely exists, and it’s hard to roll your eyes at a joke you don’t quite get. The British are being bombarded with articles about Klaxons’ sweaty live shows and bright clothes and tongue-in-cheek devotion to all things glow-sticky. Transplanted to an East Village basement, they seemed more like a pleasant curiosity, beamed in from Britain, or the Internet, or some other faraway — possibly imaginary — place.
Klaxons play Studio B, 259 Banker Street between Meserole and Calyer Streets, Greenpoint, Brooklyn, tonight, with Soulwax.
― researching ur life (grady), Friday, 20 October 2006 00:53 (nineteen years ago)
― H2-H4 (H2-H4), Friday, 20 October 2006 00:55 (nineteen years ago)
― cutty (mcutt), Friday, 20 October 2006 01:29 (nineteen years ago)
I guess this is where I'm at then. That Gravity's Rainbow song sounds like TV on the Radio to me.
― dmr (Renard), Friday, 20 October 2006 04:55 (nineteen years ago)
― Period period period (Period period period), Friday, 20 October 2006 06:14 (nineteen years ago)
― mark e (mark e), Friday, 20 October 2006 06:47 (nineteen years ago)
― braveclub (braveclub), Friday, 20 October 2006 08:12 (nineteen years ago)
― ;_; (blueski), Friday, 20 October 2006 08:35 (nineteen years ago)
― white heat (white heat), Friday, 20 October 2006 23:09 (nineteen years ago)
― Sadly, he will be the next Alexis Petridish. (Dom Passantino), Friday, 20 October 2006 23:18 (nineteen years ago)
How true is this? I forced everyone in my high school and then college to listen to that stuff.
― I.M. From Hollywood (i_m_from_hollywood), Friday, 20 October 2006 23:58 (nineteen years ago)
OHH!
― Euai Kapaui (tracerhand), Saturday, 21 October 2006 00:12 (nineteen years ago)
― HUNTA-V (vahid), Saturday, 21 October 2006 00:24 (nineteen years ago)
― HUNTA-V (vahid), Saturday, 21 October 2006 00:26 (nineteen years ago)
(Check the sirens at the start of Atlantis to Interzone - it's all very Lo-Fidelity Allstars)
― Jamie T Smith (Jamie T Smith), Saturday, 21 October 2006 13:05 (nineteen years ago)
BUT - I went to see The Presets and Shitdisco the other night and there WAS at least one glowstick. And a young boy came out of the moshpit all sweaty in jeans, a t-shirt and PEARLS??
Moshpits are not very rave either, are they?
― Jamie T Smith (Jamie T Smith), Saturday, 21 October 2006 13:08 (nineteen years ago)
― The Real Esteban Buttez (EstieButtez1), Saturday, 21 October 2006 13:26 (nineteen years ago)
― ;_; (blueski), Saturday, 21 October 2006 13:41 (nineteen years ago)
― braveclub (braveclub), Saturday, 21 October 2006 13:42 (nineteen years ago)
Fuck Ravers.
― The Real Esteban Buttez (EstieButtez1), Saturday, 21 October 2006 13:48 (nineteen years ago)
Me, it's a great tune!
― chap who would dare to welcome our new stingray masters (chap), Saturday, 21 October 2006 13:56 (nineteen years ago)
whatever
― HUNTA-V (vahid), Thursday, 2 November 2006 07:19 (nineteen years ago)
― HUNTA-V (vahid), Thursday, 2 November 2006 07:20 (nineteen years ago)
― HUNTA-V (vahid), Thursday, 2 November 2006 07:22 (nineteen years ago)
― Britain's Obtusest Shepherd (Alan), Thursday, 2 November 2006 17:07 (nineteen years ago)
― Matt DC (Matt DC), Thursday, 2 November 2006 17:16 (nineteen years ago)
― chap who would dare to welcome our new stingray masters (chap), Thursday, 2 November 2006 17:24 (nineteen years ago)
― Britain's Obtusest Shepherd (Alan), Thursday, 2 November 2006 17:39 (nineteen years ago)
Earlier rave was not necessarily super intricate proto-drum n bass. Something like "The Dominator" is pretty basically programmed. Many of the earlier tracks simply relied on things like hoover sounds and sirens.
― I.M. From Hollywood (i_m_from_hollywood), Thursday, 2 November 2006 19:00 (nineteen years ago)
"Computer Camp Love"!
― Telephonething (Telephonething), Thursday, 2 November 2006 19:01 (nineteen years ago)
― James.Cobo (jamescobo), Tuesday, 7 November 2006 07:26 (nineteen years ago)
You need to search the Third Eye Mafia remix of Atlantis To Interzone then. Ridiculously bombastic proggy breakdown + pianos + utterly tasteless last couple of minutes of breakbeat mentalism.
Last night I downloaded a zip file containing every single remix of the Klaxons. They've managed to make three songs go a very long way indeed.
― Matt DC (Matt DC), Tuesday, 7 November 2006 09:30 (nineteen years ago)
Do Pull Tiger Tail belong here as well? I quite like the one song I've heard by them.
What's going on? I like lots of the young person's indie music again, for the first time since about 2001.
― Matt DC (Matt DC), Tuesday, 7 November 2006 09:31 (nineteen years ago)
― Tim Finney (Tim Finney), Tuesday, 7 November 2006 09:34 (nineteen years ago)
― Matt DC (Matt DC), Tuesday, 7 November 2006 09:52 (nineteen years ago)
― Matt DC (Matt DC), Tuesday, 7 November 2006 09:55 (nineteen years ago)
― Tim Finney (Tim Finney), Tuesday, 7 November 2006 10:24 (nineteen years ago)
Epic Man & Plan B - "More is Enough (Sinden remix)", available on fluo kids: http://fluokids.blogspot.com/
― I.M. From Hollywood (i_m_from_hollywood), Tuesday, 7 November 2006 17:54 (nineteen years ago)
zing zang zong
― bo janglin (dubplatestyle), Tuesday, 7 November 2006 18:06 (nineteen years ago)
http://www.nme.com/images/84_NMEcover_oasis_L111106.jpg
― DJ Martian (djmartian), Tuesday, 7 November 2006 18:16 (nineteen years ago)
― Drew Daniel (Drew Daniel), Tuesday, 7 November 2006 18:32 (nineteen years ago)
― 2 american 4 u (blueski), Tuesday, 7 November 2006 18:38 (nineteen years ago)
― I.M. From Hollywood (i_m_from_hollywood), Tuesday, 7 November 2006 18:40 (nineteen years ago)
― cutty (mcutt), Tuesday, 7 November 2006 18:44 (nineteen years ago)
― Login Name consigliere (consigliere), Tuesday, 7 November 2006 19:32 (nineteen years ago)
― Tiki Theater Xymposium (Bent Over at the Arclight), Wednesday, 8 November 2006 16:32 (nineteen years ago)
01. Simian Mobile Disco / I Believe02. The Lovely Feathers / Frantic03. The Whip / Trash04. Fox n’ Wolf / Youth Alcoholic05. Klaxons / Gravity’s Rainbow (Van She Remix)06. Freeform Five / Home With U07. Boys Noize / Feel Good (TV=Off)08. Gossip / Standing in the Way of Control (Soulwax Nite Version)09. Alex Gopher / Motorcycle (Wet Clutch Short Edit)10. The World Domination / Galactic Lover11. Dead Disco / The Treatment (Metronomy Remix)12. The Valentinos / Kafka ! (Bag Raiders How’d Ya Like at Five Remix)13. Oh No ! Oh My! / I Love You All The Time14. The Whitest Boy Alive / Done With You15. Digitalism / Zdarlight (Paranoid Asteroid mix)
New Rave http://img165.imageshack.us/img165/5030/pacmanxk0.gifieclash...
― brr (fandango), Sunday, 12 November 2006 21:54 (nineteen years ago)
this song is REALLY good.
― James.Cobo (jamescobo), Sunday, 12 November 2006 22:07 (nineteen years ago)
― Euai Kapaui (tracerhand), Sunday, 12 November 2006 22:27 (nineteen years ago)
http://www.dummymag.com/dummymonthly/SMDMix.mp3
― mark e (mark e), Thursday, 16 November 2006 11:16 (nineteen years ago)
― Matt DC (Matt DC), Thursday, 16 November 2006 11:38 (nineteen years ago)
― Matt DC (Matt DC), Thursday, 16 November 2006 11:39 (nineteen years ago)
― Britain's Obtusest Shepherd (Alan), Thursday, 16 November 2006 12:02 (nineteen years ago)
― Euai Kapaui (tracerhand), Thursday, 16 November 2006 12:50 (nineteen years ago)
― Matt DC (Matt DC), Thursday, 16 November 2006 12:51 (nineteen years ago)
end sentence
― 2 american 4 u (blueski), Thursday, 16 November 2006 12:52 (nineteen years ago)
― 2 american 4 u (blueski), Thursday, 16 November 2006 12:53 (nineteen years ago)
― pernicus (pernicus), Friday, 17 November 2006 01:10 (nineteen years ago)
― Tiki Theater Xymposium (Bent Over at the Arclight), Friday, 17 November 2006 01:35 (nineteen years ago)
― pernicus (pernicus), Friday, 17 November 2006 01:37 (nineteen years ago)
― dommy p is alright WHICH IS A LOT MORE THAN I CAN SAY ABOUT A LOT OF PEOPLE (Dom, Friday, 17 November 2006 01:39 (nineteen years ago)
― Tiki Theater Xymposium (Bent Over at the Arclight), Friday, 17 November 2006 14:34 (nineteen years ago)
― Britain's Obtusest Shepherd (Alan), Friday, 17 November 2006 14:37 (nineteen years ago)
― cutty (mcutt), Friday, 17 November 2006 14:42 (nineteen years ago)
― Matt DC (Matt DC), Friday, 17 November 2006 14:47 (nineteen years ago)
― cutty (mcutt), Friday, 17 November 2006 14:48 (nineteen years ago)
― Matt DC (Matt DC), Friday, 17 November 2006 14:49 (nineteen years ago)
― The Lex (The Lex), Friday, 17 November 2006 14:53 (nineteen years ago)
― Matt DC (Matt DC), Friday, 17 November 2006 14:54 (nineteen years ago)
― The Lex (The Lex), Friday, 17 November 2006 14:55 (nineteen years ago)