How much of a role do surprise and company play in making a song enjoyable to listen to?

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I was thinking about this the other day when a certain song came on my car radio that I was sure the station that was playing it would never play. I got pretty excited and enjoyed hearing the song in my car, even though I would've never have chosen to play that song myself if given the choice. I forget what the song was, but that's besides the point. That sort of thing has happened to me, and probably you, before in your life. A song, artist or genre that you would could say to be "sick of" comes on at an unexpected time and all of the sudden this unexpected sense of fun takes over and you appreciate the song on a level you didn't think you could ever have again.

If I were asked to pick from a thousand songs on my computer to play for myself I probably wouldn't want to pick that song, but when it happens to randomly come out of some radio station's playlist I seem to take a great enjoyment in hearing it again. How does this work?

Another directly related question is why is it that people appreciate songs differently in the context of it unexpectedly coming on a radio, or during a party, or over a supermarket speaker than would if they could listen to that song at a later time at their own leisure?

Is it the sense of being surprised by the song that makes it more enjoyable? I mean, anybody can enjoy about any song at their leisure and by themselves, but you can't always enjoy that same song with someone else all the time and through these circumstances. So is it because people have more fun listening to songs in the company of others that makes it more enjoyable? Even if those "others" don't always exist as far as they know do they enjoy the idea that they are now experiencing some sort of "community listening" to a certain song? Is this why some people would rather hear a "B" song over the radio than an "A" song all by themselves?

What say you?

My Imperfect Cousin (MIC), Tuesday, 31 October 2006 06:32 (nineteen years ago)

4

richard wood johnson (rwj), Wednesday, 1 November 2006 23:50 (nineteen years ago)

Having someone other than yourself make the selection may be the key. I find that when I choose something to listen to, I seem to pre-play it in my mind and then, maybe I don't want to hear it after all. Unexpected sources can be like a breath of fresh air in this respect.

jim wentworth (wench), Thursday, 2 November 2006 00:46 (nineteen years ago)

BOO

Sadly, he will be the next Alexis Petridish. (Dom Passantino), Thursday, 2 November 2006 00:48 (nineteen years ago)

I missed something.

jim wentworth (wench), Thursday, 2 November 2006 01:07 (nineteen years ago)

I've never heard of Surprise & Company, but judging by the name, it sounds like they might play a significant role in making a song enjoyable to listen to. Depends on what kind of music it is, though, and if it's really as unique and "big party sound" as it would appear superficially. Is this just more 70s funk?

Scorpion Tea (Dick Butkus), Thursday, 2 November 2006 02:47 (nineteen years ago)

The opening track of the new Agalloch starts with two instruments feeding back (or just high squealy tones?) loudly. After a few seconds your ears get accustomed to the feedback and you start to hear overtones, and then suddenly the overtones harmonize.

Probably my favorite musical surprise of the last 365 days.

Hoosteen (Hoosteen), Thursday, 2 November 2006 03:04 (nineteen years ago)


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