― djh, Sunday, 3 January 2010 19:05 (eight years ago) Permalink
And perhaps to consider this assertion, from a friend: "I have regularly wondered if it's pointless listening to Peter Broderick/Olafur Arnalds when solo piano stuff is probably done best by those who have stood the test of centuries."
― djh, Sunday, 3 January 2010 19:07 (eight years ago) Permalink
Not sure if this is quite inside the Boomkat context, but I'm very fond of this band.
― Joe Pass Filter (MaresNest), Sunday, 3 January 2010 20:42 (eight years ago) Permalink
"I have regularly wondered if it's pointless listening to Peter Broderick/Olafur Arnalds when solo piano stuff is probably done best by those who have stood the test of centuries."
― Monophonic Spree (Paul in Santa Cruz), Monday, 4 January 2010 01:32 (eight years ago) Permalink
But certainly there's more interesting new stuff out there besides quasi-classical music aimed at the indie set?
― Sailor Tuxedo Moon Mask (Daruton), Monday, 4 January 2010 01:47 (eight years ago) Permalink
For the most part, I agree with both of the two previous posts.
― djh, Monday, 4 January 2010 11:25 (eight years ago) Permalink
I do find Richard Skelton quite moving:
― djh, Friday, 8 January 2010 22:32 (eight years ago) Permalink
a lot of that boomkat modern classical kinda stuff is really wonderful
― A™ machine (sic) (omar little), Friday, 8 January 2010 22:44 (eight years ago) Permalink
who do you rate in particular?
― djh, Saturday, 9 January 2010 16:34 (eight years ago) Permalink
Richard Skelton is one of my very favourite musicians of the last few years. Everything he's done that I have is amazing; particularly notable is the attention to the physical packaging etc (though even without that, the music is amazing).
― toby, Wednesday, 13 January 2010 18:59 (eight years ago) Permalink
What would you go for next, after "Landings"?
― djh, Wednesday, 13 January 2010 19:21 (eight years ago) Permalink
i really like Olafur Arnalds. i haven't heard much of his other music, but 'the blue notebooks' by max richter--while a fairly obvious and PFM-approved pick--is really great. 'a box of birch' by a broken consort is good (another skelton project, i think?) would leyland kirby/the caretaker count?
― A™ machine (sic) (omar little), Wednesday, 13 January 2010 19:30 (eight years ago) Permalink
Loving the Kirby album, all three discs of it.
Interesting that Richter's album on the (um, late) Late Junction imprint got picked up by FatCat's neo-classical off-shoot.
― djh, Wednesday, 13 January 2010 19:52 (eight years ago) Permalink
these were the other three Type things that arrived from boomkat the other day (in addition to zelienople mentioned elswhere). not listened to it all in depth yet but have shuffled it during last three commutes. i got the On lp (ambient drones), the Goldmund (reminds me of music for airports piano bits) and the recent Helios (like the quiet bits of mogwai)
http://typerecords.com/releases <- handy podcast section
there's also a boomkat winter sale featuring a lot of Type lps, mine came to about £4 each
> "I have regularly wondered if it's pointless listening to Peter Broderick/Olafur Arnalds when solo piano stuff is probably done best by those who have stood the test of centuries."
i kinda thought the same with the goldmund, whether there were classical piano works i should be looking up, but in addition to rather than instead of.
― koogs, Thursday, 14 January 2010 10:04 (eight years ago) Permalink
Koogs, thanks for the heads-up on the Boomkat deals. I went for the On record too. Sounds awesome: "SYLVAIN CHAUVEAU AND STEVEN HESS REWORKED BY DEATHPROD... this is the great 'lost' Deathprod album".
― We should have called Suzie and Bobby (NickB), Thursday, 14 January 2010 10:21 (eight years ago) Permalink
that On cover pic as well, is lovely (folded out is even better). a lot of the Type records have covers that remind me of red house painters 4ad sleeves.
― koogs, Thursday, 14 January 2010 10:26 (eight years ago) Permalink
Also went for the ON cd ...
― djh, Thursday, 14 January 2010 10:27 (eight years ago) Permalink
Yeah, that whole visual aesthetic is something that I'm quite easily sold on. x-post
― We should have called Suzie and Bobby (NickB), Thursday, 14 January 2010 10:28 (eight years ago) Permalink
(On photographer has more photos here:http://blog.shawnconvey.com/#57065/Your-Naked-Ghost )
― koogs, Thursday, 14 January 2010 11:07 (eight years ago) Permalink
Woah unexpected mental guitars on the last track of Olafur Arnald's Eulogy for Evolution.
Eluvium's piano stuff definitely worth a mention here - An Accidental Memory in Case of Death, When I Live by the Garden and the Sea. Also Copia, and Miniatures under his name of Robert Cooper Clarke, more instrumentation but still of the 'classical' bent.
Would be happy to listen to older stuff if I knew of any that sounded like this, but aside from Satie, I don't. Recommendations welcome!
― CATBEAST 7777 (ledge), Thursday, 14 January 2010 11:31 (eight years ago) Permalink
> Woah unexpected mental guitars on the last track of Olafur Arnald's Eulogy for Evolution.
mental guitars = industrial revolution
― koogs, Thursday, 14 January 2010 12:17 (eight years ago) Permalink
so anyway, pilfering the Type podcasts. and there's pme by Simon Scott, ex-ex-ex of slowdive. and there's a link to his blog. and there's an lp by him ('Navigare') and a link to Boomkat who gave it record of the week last october
is in a similar vein to the On record (in the way all ambient stuff sounds the same) but with tinges of the old slowdive sound (or am i imagining that?)
(typed in classical piano to amazon's mp3 downloads site. millions of hits. oh um)
― koogs, Friday, 15 January 2010 12:58 (eight years ago) Permalink
Either "Marking Time" or "Box of Birch", I guess. It's all good though.
― toby, Friday, 15 January 2010 13:35 (eight years ago) Permalink
On a piano bent, it's not exactly the same as this stuff, but if you don't know Chopin's Nocturnes, you should definitely check them out.
― toby, Friday, 15 January 2010 13:39 (eight years ago) Permalink
this week's boomkat recommendations (link should be good for future use too):
the Minamo sounds nice from the samples (but i have more cheap Type records to check out first). the Owen Pallett is miss categorised i think, sounds more like the beach boys.
i also find there's some crossover with the Dark Ambient / Drone / Metal genre
(the mp3 versions have samples of all tracks, not just the three they choose for the cds)
― koogs, Saturday, 16 January 2010 13:10 (eight years ago) Permalink
*Loving* On's Your Naked Ghost Comes Back At Night.
― djh, Monday, 18 January 2010 21:05 (eight years ago) Permalink
If you like Johann Johannsson you should investigate ... ? (contemporary or otherwise)
― djh, Monday, 18 January 2010 21:07 (eight years ago) Permalink
On's a bit bleak for my tastes. Where's the choons?
― CATBEAST 7777 (ledge), Wednesday, 20 January 2010 14:12 (eight years ago) Permalink
Palmless Prayer/Mass Murder Refrain by Mono & World's End Girlfriend is a bit Johannsonesque. Well it has violins anyway. Pretty miserablist though.
― CATBEAST 7777 (ledge), Wednesday, 20 January 2010 15:18 (eight years ago) Permalink
I have never heard of these composers. I assume they sound something like Satie informed by minimalism with subtle O'Rourke-ish electronic touches, with higher production values and lower standards of performance technique than most 'new music'? Which could be great or not, depending.
(Ha, OK, just noticed the Satie comparison.)
― Sundar, Wednesday, 20 January 2010 15:38 (eight years ago) Permalink
Thanks for the Skelton link!
― Sundar, Thursday, 21 January 2010 17:25 (eight years ago) Permalink
Johann Johannsson & Greg Haines (?) live in London in May:http://www.last.fm/event/1380575+Arctic+Circle+Presents+-+J%C3%B3hann+J%C3%B3hannsson+-+Greg+Haines
― take me to your lemur (ledge), Friday, 22 January 2010 12:43 (eight years ago) Permalink
Hildur Gudnadottier's Without Sinking deserves a special mention.
(Any thoughts on her other releases? I haven't heard them).
― djh, Wednesday, 27 January 2010 08:03 (eight years ago) Permalink
this thread title cracks me up and is so otm
― ben bernankles (Whiney G. Weingarten), Wednesday, 27 January 2010 08:07 (eight years ago) Permalink
Do any of these artists get reviewed as "classical" music in anywhere other than the Wire? Do they get coverage in what might be described as "traditional" classical music magazines?
― djh, Wednesday, 27 January 2010 14:11 (eight years ago) Permalink
the actual boomkat category is 'classical / home listening / ambient' and it's pretty much a catch all for slow quiet stuff.
― koogs, Wednesday, 27 January 2010 14:26 (eight years ago) Permalink
Do they get coverage in what might be described as "traditional" classical music magazines?
judging from a cursory search, not at all.
― take me to your lemur (ledge), Wednesday, 27 January 2010 14:30 (eight years ago) Permalink
Never bought it myself, but I think that the BBC Music magazine (mostly classical, some jazz too) has Late Junction-type stuff in it (Late Junction being the one mainstream radio programme that plays this sorta stuff).
― We should have called Suzie and Bobby (NickB), Wednesday, 27 January 2010 14:38 (eight years ago) Permalink
Nils Frahm added to the Johann Johannsson show.
― djh, Friday, 29 January 2010 22:48 (eight years ago) Permalink
Akira Rabelais has a new album coming out soon. Everyone should listen to Eisoptrophobia. Lovely, haunted reworkings of gorgeous piano pieces from the likes of Satie et al.
― Salvador Dali Parton (Turangalila), Friday, 29 January 2010 22:56 (eight years ago) Permalink
Frahm's The Bells sounded lovely earlier while cleaning the kitchen; Johannsson's Virdulegu forsetar sounding gorgeous now (possibly my favourite classical album ever, up there with my favourite albums of any genre); have also been enjoying Valgeir Sigurdsson's Draumalandid.
― djh, Saturday, 30 January 2010 22:44 (eight years ago) Permalink
Anyone heard the Rachel Grimes album?
― djh, Wednesday, 3 February 2010 10:23 (eight years ago) Permalink
BTW, djh, thanks for starting this thread...hadn't heard Chauveau or Arnalds yet and grabbed a bunch of both. The Arnalds albums I got have rapidly become some of my favourites.
Anyone else picked up the newish Johannsson soundtrack to the film Varmints? Grabbed it on vinyl and ripped it to MP3 (guess the CD isn't out yet) but there seems to be some weird distortion that comes in on the last track of side one...not sure if that's part of the sound or whether my rip was bad...was perfectly clear up until that point. Either way, enjoyed the album.
― Sean Carruthers, Friday, 5 February 2010 03:43 (eight years ago) Permalink
the Varmints soundtrack turned up in today's boomkat newsletter (vinyl only until april it says) and actually goes by the snappy title "And In The Endless Pause There Came The Sound Of Bees"
― koogs, Friday, 5 February 2010 11:49 (eight years ago) Permalink
You can get Varmints on CD - it came out as a tour CD - I got my copy from Insound. It's being re-issued in the UK in April.
― djh, Friday, 5 February 2010 16:17 (eight years ago) Permalink
Free compilation that partly matches this thread's aesthetic here: http://jointhecircle.net/
― djh, Friday, 5 February 2010 20:19 (eight years ago) Permalink
nils frahm's wintermusik sounding fucking gorgeous right now (washing the dishes, glass of red on the go).
― djh, Saturday, 13 February 2010 18:54 (eight years ago) Permalink
Want to echo the Richard Skelton love upthread - Landings is great. Maybe I just don't listen to enough of this sort of thing, but the strings on it sound fantastic, there's a really earthy resonance to them.
― We should have called Suzie and Bobby (NickB), Saturday, 13 February 2010 20:46 (eight years ago) Permalink
In the mood to buy a record in this genre ... Any suggestions?
― djh, Saturday, 20 February 2010 16:59 (eight years ago) Permalink
One artist you may want to check out is Harold Budd - a lot of good albums dating back to the 70s, even. It varies a bit, from very piano-heavy to highly processed, so you'll want to preview them first I guess. I have a soft spot for Lovely Thunder and his collab with the Cocteau Twins, Moon and the Melodies but people often point to The White Arcades as a good starting point. (He also has some newer releases too which I'm somewhat less familiar with.)
― Sean Carruthers, Monday, 22 February 2010 17:24 (eight years ago) Permalink
I have to say, getting the weekly Boomkat email of new albums, going through it and finding almost all the intriguing looking stuff on Spotify, and settling in a for a day's listening at work is very satisfying. Today there's a new Peter Broderick (Partners), the new Scott Walker OST for The Childhood of a Leader, Marielle V Jakobsons, Chino Amobi's 'Airport Music for Black Folk', stuff like that.
― James Morrison, Friday, 19 August 2016 00:22 (one year ago) Permalink
Like bits of the Ben Lukas Boysen (on Erased Tapes).
― djh, Tuesday, 18 October 2016 18:09 (one year ago) Permalink
Actually, love this track:
― djh, Wednesday, 19 October 2016 19:49 (one year ago) Permalink
Apparently, there's a feature in this month's Uncut on some of these types.
― djh, Friday, 21 October 2016 15:35 (one year ago) Permalink
> these types
― koogs, Friday, 21 October 2016 17:43 (one year ago) Permalink
Yeah, the Boyson, Christopher Tignor and Ian William are good 2016 additions
― Whiney G. Weingarten, Friday, 21 October 2016 18:02 (one year ago) Permalink
*Ian William Craig
Peter Broderick's PlaylistStuart Maconie's Freakier Zone
Stuart's guest from the Freak Zone this week, Peter Broderick, offers a 60-minute playlist of music from his studio in Oregon called The Sparkle which he has just closed. Featuring a bounty of unreleased tracks from The Sparkle's archive including Portland's Shelley Short, harpist Desiree Rousseau's band Brumes and his sister Heather Woods Broderick.
interview in the main freak zone show too
― koogs, Monday, 14 November 2016 16:38 (one year ago) Permalink
Some temptation here:
Their "Sense of Place" list is also interesting.
― djh, Sunday, 8 January 2017 12:36 (one year ago) Permalink
I had no idea Touch had a bandcamp
― Dinsdale, Sunday, 8 January 2017 12:56 (one year ago) Permalink
― djh, Tuesday, 10 January 2017 21:40 (one year ago) Permalink
^oh hey, i'm friends with that cellist
― sam jax sax jam (Jordan), Tuesday, 10 January 2017 22:19 (one year ago) Permalink
I must buy that Claire M Singer album. The bits I've heard sound great.
― djh, Saturday, 14 January 2017 19:03 (one year ago) Permalink
Sampling some of these I haven't heard, I'm sorta taken aback by the homogeneity of a lot of this stuff. Guess I hadn't realized until now what a big shadow Erased Tapes really cast, but so much of this is just really conservative, featherlight furniture music that makes Satie sound like Jerry Lee Lewis. Guess I just don't get it?
― Wimmels, Saturday, 14 January 2017 19:16 (one year ago) Permalink
Any recommendations, Wimmels?
― djh, Saturday, 14 January 2017 22:56 (one year ago) Permalink
Well, if you're asking, some of the younger Scandinavian pianists on ECM fill this void for me quite nicely. It's music that often surprises me while still capturing / evoking icy or bucolic or mellow moods. It too can occasionally be overly polite and antiseptic, but even then I find it more adventurous and challenging than a lot of the stately, grandiloquent somber / pretty music in this thread. I also don't understand why I should listen to frustrated post-rockers play bootleg Debussy through effects pedals when something like this exists.
To be clear, I'm not dismissing the entire above list. I like a few of these artists. But of the ones I'd never heard, most of the samples did not make me want to investigate further. Claire M. Singer is probably the lone exception, that's definitely something I need to look into, based on the sample...
― Wimmels, Saturday, 14 January 2017 23:36 (one year ago) Permalink
Thanks Wimmels. I kind of in agreement with you and it's why this thread was started. There's a lot of "classical music you buy from Boomkat" that I like (including some Erased Tapes) but I'm mindful that there's also a lot of stuff that I hear simply because ... it's on my radar and I've always had a suspicion that there's better stuff out there.
I did enjoying finding that Stationary Travels list to play through, though (even if ultimately there wasn't much I needed to hear again). Of that list I have Boysen, Arnalds/Frahm and Johannsson (though I'd Have chosen "End of Summer" over the album listed) and the Claire M Singer album was the one I hadn't heard but have felt the need to order.
― djh, Sunday, 15 January 2017 14:02 (one year ago) Permalink
I've noticed that with this sort of style they pretty much always use an instrumental palette of piano and/or string instruments. There must be some exceptions though. Are there any people out there doing this type of thing with woodwind or brass instruments?
― mirostones, Tuesday, 24 January 2017 23:34 (one year ago) Permalink
― calstars, Wednesday, 25 January 2017 00:23 (one year ago) Permalink
Colin Stetson? Lots of sax and suchlike. His version of Gorecki's Symphony of Sorrowful Songs, 'Sorrow', is one of my favourite albums from 2016
― I hear from this arsehole again, he's going in the river (James Morrison), Wednesday, 25 January 2017 02:44 (one year ago) Permalink
The new Gavin Bryars album on ECM, The Fifth Century, is a choir and sax quartet thing. Very lovely it is too.
― heaven parker (anagram), Wednesday, 25 January 2017 08:56 (one year ago) Permalink
New Jacaszek coming up on Ghostly:
― djh, Friday, 27 January 2017 16:14 (one year ago) Permalink
New Ian Hawgood:
― djh, Monday, 30 January 2017 20:26 (one year ago) Permalink
Just ordered the Resina album ...
and looking forward to the Olivier Alary compilation.
― djh, Monday, 13 February 2017 21:45 (one year ago) Permalink
Haven't yet played this but my Sunday evening now seems sorted:
― djh, Sunday, 19 February 2017 17:05 (one year ago) Permalink
^ Actually it wasn't that good.
― djh, Thursday, 9 March 2017 22:08 (one year ago) Permalink
Anyone rate the new Hauschka? I've not heard it yet but think I might have reached the point where I don't need anymore Hauschka ...
― djh, Wednesday, 29 March 2017 18:55 (one year ago) Permalink
It was all right but I don't remember much about it.
― Ned Raggett, Wednesday, 29 March 2017 19:07 (one year ago) Permalink
I'm at that point too, djh. Same with Peter Broderick tbh. I thought it would happen with Max Richter, but he continues to amaze me.
― Le Bateau Ivre, Wednesday, 29 March 2017 20:28 (one year ago) Permalink
Sunday night drunkenness. The last Douglas Dare album is hitting the spot though I've felt ambivalent about it at points. It doesn't really have much to do with "classical you buy from Boomkat" aside from being on Erased Tapes, mind.
― djh, Sunday, 20 August 2017 19:46 (eleven months ago) Permalink
new Peter Broderick / Peter Liversige Late Junction session here
(think the download is uk only, but non-britishers should be able to stream)
― koogs, Friday, 25 August 2017 11:48 (ten months ago) Permalink
Ólafur Arnalds' Island Songs, the movie: tomorrow on iTunes (except for North America: soon)
Island Songs, the film. Out FRIDAY on @iTunes!(US date coming soon) pic.twitter.com/S1amATRvAn— Ólafur Arnalds (@OlafurArnalds) September 13, 2017
― StanM, Thursday, 14 September 2017 18:33 (ten months ago) Permalink
It pains me a bit but one of my favourite albums of the year is being sold for a quid *for the CD* on Bandcamp:
I've checked and it isn't a mistake.
― djh, Monday, 23 October 2017 19:42 (eight months ago) Permalink
― djh, Wednesday, 22 November 2017 20:17 (eight months ago) Permalink
I loved his previous one
― Dinsdale, Sunday, 26 November 2017 19:01 (seven months ago) Permalink
http://olafurarnalds.com/tour-dates/ touring with strings again
― StanM, Wednesday, 29 November 2017 15:56 (seven months ago) Permalink
This includes some good stuff, much of which is "the classical music you buy from Boomkat":
Particularly enjoying this:
Not yet made my way through this (posting so I can find it later):
― djh, Monday, 1 January 2018 15:25 (six months ago) Permalink
That all looks promising, will investigate: cheers
― Mince Pramthwart (James Morrison), Tuesday, 2 January 2018 23:01 (six months ago) Permalink
Since Vanessa Amara was mentioned above, she has a new record next month again on Posh Isolation and you can hear a beautiful track off it on her bandcamp:
Also enjoying this Swoop and Cross record on Time Released Soundhttps://timereleasedsound.bandcamp.com/album/stories-of-disintegration
― Dinsdale, Wednesday, 7 February 2018 14:00 (five months ago) Permalink
the keyboard player from super furry animals composed something. it's pretty good imo...
― afriendlypioneer, Wednesday, 7 February 2018 15:42 (five months ago) Permalink
Sure there are a lot of Reich-isms, but this Anenon record is beautiful, very pleasant listening. Really nice textures (all that breath sound on the saxophone) and room sound. https://anenon.bandcamp.com/album/tongue
― change display name (Jordan), Friday, 16 February 2018 19:39 (five months ago) Permalink
thanks for the Anenon, sounds good
― Dinsdale, Saturday, 17 February 2018 08:00 (five months ago) Permalink
New ólafur Arnalds:
― StanM, Saturday, 7 April 2018 15:06 (three months ago) Permalink
there's a new BBC Radio 3 show that covers this stuff:
"Elizabeth Alker with music by an exciting new generation of unclassified composers and performers, breaking free of the constraints of practice rooms and concert halls."
6 episodes, first one was last sunday at 23:30 but available (everywhere?) via iplayer radio
― koogs, Thursday, 12 April 2018 08:48 (three months ago) Permalink
― Mince Pramthwart (James Morrison), Friday, 13 April 2018 00:35 (three months ago) Permalink
― djh, Tuesday, 24 April 2018 20:33 (two months ago) Permalink
Female artist spotlight on last Sunday's episode of Unclassified
― koogs, Friday, 27 April 2018 11:49 (two months ago) Permalink
Sunday midnightNightingalesSlow Radio
A magical late night listening experience - six musicians go into the Sussex woods to play nocturnal music with the nightingales, who gather there to sing at night each Spring. The soloists taking turns to respond musically to the nightingales are Clive Bell (Japanese bamboo flute); Laura Moody (cello and vocal); Sam Amidon, (violin and vocal), John Baily (rubab) with Veronica Doubleday (frame drum and vocal) ,and Sam Lee (vocal & harmonium). The entire programme takes place in the woods, recorded on one night in April. Verity Sharp presents, leading the listener into the wild nocturnal environment and describing the atmosphere, and folk singer and outdoorsman Sam Lee will explain the migratory behaviour of the birds, the character of their songs, and the habitats that they favour for singing.
This is a Slow Radio experience, immersing the listener in the remarkable and magical experience of the nocturnal songs of nightingales. They are rarely to be heard in England today, but this programme will lead your ears into one of the woods where they still migrate every Spring, to sing through the night.
And who knows what other sounds may be captured on the night - a fox bark, an owl hoot, frogs calling, the wind in the branches...
― koogs, Thursday, 3 May 2018 16:05 (two months ago) Permalink
ólafur Arnalds was brilliant in Brussels last Sunday. The first part of his All Strings Attached tour is nearly over now, here's 75 minutes of the Berlin show on German radio (will be online for a couple more days) : https://www.radioeins.de/programm/index.htm/psdoc=!content!rbb!rad!programm!sendungen!sendungen!154!1805!180517_eins_sch_ne_t_ne_38153.html
― StanM, Friday, 18 May 2018 15:45 (two months ago) Permalink
― djh, Monday, 16 July 2018 18:42 (six days ago) Permalink