The Phantom of the Opera (1925, Rupert Julian)Dracula, Pages From a Virgin's Diary (Guy Maddin)Personal Velocity (Rebecca Miller)Standing in the Shadows of Motown (Paul Justman)Sweet Sweetback's BaadAsssss Song (Melvin Van Peebles)Chihwaseon (Im Kwon-taek)Blue Car (Karen Moncrieff)The Crime of Father Amaro (Carlos Carrera)Tape (Richard Linklater)Open Hearts (Open Hearts)Sex Is Comedy (Catherine Breillat)Lost in La Mancha (Terry Gilliam)Marooned in Iraq (Bahman Ghobadi)All the Real Girls (David Gordon Green)Together (Chen Kaige)Stevie (Steve James)Amandla! A Revolution in Four-Part Harmony (Lee Hirsch)BaadAsssss Cinema (Isaac Julien)In This World (Michael Winterbottom)Oasis (Lee Chang-dong)Stone Reader (Mark Moskowitz)Ripley's Game (Liliana Cavani)Lon Chaney: A Thousand Faces (Kevin Brownlow)The Unknown (Tod Browning)City of God (Fernando Meirelles, Katia Lund)Travelling Birds a/k/a Winged Migration (Jacques Perrin)Abouna (Mahamat-Saleh Haroun)The Decay of Fiction (Pat O'Neill)Women's Prison (Manijeh Hekmat)Once Upon a Time in the Midlands (Shane Meadows)Seafood (Zhu Wen)Love Is a Treasure (Eija-Liisa Ahtila)
(Just be thankful I didn't list all 134 titles.)
― b.R.A.d. (Brad), Monday, 16 June 2003 11:22 (twenty-two years ago)
― Sommermute (Wintermute), Monday, 16 June 2003 13:36 (twenty-two years ago)
― s1utsky (slutsky), Monday, 16 June 2003 14:36 (twenty-two years ago)
Beyond that, Standing in the Shadows of Motown is a not very well-done take on a fascinating subject. Open Hearts is a surprisingly compelling Dogme drama that I liked a lot.
Stone Reader played at the Maryland Film Festival earlier this year. I didn't see it, but the person who reviewed it for our festival supplement liked it a lot. Ditto for Stevie.
Among the rest, I'v heard good things about Blue Car and Winged Migration, and I've heard less than complimentary things about All the Real Girls and Together. Personally, I would try to see the new Breillat if only so I could argue about it with whomever later.
― Lee G (Lee G), Monday, 16 June 2003 20:23 (twenty-two years ago)
― Anthony (Anthony F), Tuesday, 17 June 2003 01:13 (twenty-two years ago)
The only reason I'm interested in Together is because Armond White gave it a glowing review in the NY Press, and when he gives outspoken praise, he's right enough of the time (about Mission to Mars, for instance, although maybe not A.I.) to make me interested. Still, I'll probably skip it.
― b.R.A.d. (Brad), Tuesday, 17 June 2003 01:23 (twenty-two years ago)
― Tag (Tag), Tuesday, 17 June 2003 10:58 (twenty-two years ago)
― Pete (Pete), Tuesday, 17 June 2003 13:12 (twenty-two years ago)
― PVC (peeveecee), Tuesday, 17 June 2003 20:39 (twenty-two years ago)
GoodfellasBoyz in the HoodThe Harder They Come
It's worth seeing. Really.
― Lee G (Lee G), Wednesday, 18 June 2003 13:41 (twenty-two years ago)
1. Tape (Richard Linklater) - I would generally rather die painfully than ever watch a Linklater movie ever again, but YMMV. 2. Lost in La Mancha (Terry Gilliam) - This is just kind of there. It felt kind of self-defeating to me - not that it's self-defeating to make a movie about an unmakeable movie, but rather that its conceived audience seems to be film nerds like me, and I'm well aware that movie shoots can go horribly horribly wrong. I guess it's worth seeing for a few of the contained anecdotes, and the part with the rainstorm is pretty great, but overall I'd probably skip this. 3. Amandla! A Revolution in Four-Part Harmony (Lee Hirsch) - Film used to position some other art form as a "true" "pure" form of expression, as if that's a shopworn trope that hasn't been done to death already. If I never see another one of these movies again it will be too soon; it's like having someone bake you a cake to teach you math.4. Travelling Birds a/k/a Winged Migration (Jacques Perrin) - This is pretty cool, although Microcosmos is way more interesting. But I'd definitely make an effort to see it on the big screen.
― James Cobo (James Cobo), Wednesday, 18 June 2003 18:27 (twenty-two years ago)