God, Leone in fullscreen would be almost pointless. His use of a widescreen frame is as good as any directors, ever. Of course it helped that he mainly worked in Westerns where he could fill up huges swathes of screen with sky and horizon and ugly extra.
"Once Upon a Time In America" is the only one of his films I have a real problem with. Its his most self-consciously "important" film, yet it feels somewhat trite, perhaps even empty. I can never really understand what he wants to say. Also, it is paced just like his other films - it ambles, as Westerns tend to. But the Crime/Gangster film is generally urban and demands a tauter pace, I think. So all of Leone's long silences, the quiet stares, the (beautiful) Morricone music seems out of place in this context. And the ending is baffling, in a way...
― David Nolan (David N.), Monday, 19 April 2004 23:21 (twenty-two years ago)