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the new album, 'chocolate wheelchair', is very close to 'higgins', a daffy party album. the beats stay strict tempo enabling 'dancing', and it's built from samples of happy hardcore and kids tv & movie themes instead of people talking about murdering children.
I can relate to Josh's comment about electronic music that plays with time signatures. Software has made it very easy to experiment with tempo, and so a lot of people are suddenly experimenting. No surprise that very few people have ears for good results, it's underexplored territory. Hard to leave the pleasures of strict tempo behind and find something actually compelling. It was just as much of a struggle with orchestral music and free jazz.
Snares owes a huge debt to music like Squarepusher, who I like but never really listened to much. Squarepusher's music has a lot of rhythmic density, but it's all completely on the grid; sure the rhythm's been intricately composed down to the 64th note but you can tap your foot throughout, I get bored. On 'doll doll doll' the rhythm breaks the grid, it hops with precision through signatures in unprecedented, humanly unperformable ways, it is mad. My ears blink, I'm on the edge of my seat, it leaves behind questions of craft, it's pure music.
His sample set borrows heavily from traditional darkcore dnb, and sometimes the horror movie samples make me feel like I'm too old to be listening to this music, but the rhythmic invention on his best stuff keeps me listening...
― , Monday, 3 November 2003 20:17 (twenty years ago) link
six months pass...
His new album
Huge Chrome Cylinder Box Unfolding is a fucking masterpiece. Dark, eerie, beautiful synthscapes covered with great 8-bit glitch rhythms... definitely worth picking up.
― Andrew (enneff), Saturday, 22 May 2004 01:08 (nineteen years ago) link
thirteen years pass...