The Independence of Liz Phair

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what's the self-doubt in either? "Your Man" just politely tells a girl that he doesn't have any interest in doing anything beyond nailing her, and as for "LPWM"

My girl's gone and she don't care at all
And if she did -- I wouldn't care. Let's ball

Whatever U heard about me is true
I change the rules and do what I wanna do

miccio (miccio), Wednesday, 3 August 2005 00:15 (eighteen years ago) link

mic Matos is right here - how can you not hear self doubt in "I Could Never Take the Place of Your Man"? The title alone is riddled with self-doubt!

Banana Nutrament (ghostface), Wednesday, 3 August 2005 00:17 (eighteen years ago) link

dude she's looking for someone to take care of her kids! If I told a pregnant woman who just lost her babydaddy I couldn't take the place of her man I wouldn't say I'm being self-doubtful!

miccio (miccio), Wednesday, 3 August 2005 00:19 (eighteen years ago) link

But that's my point! LPWM is "Rock Me", ICNTTPOYM [try typing that more than twice] is "Fuck & Run" and "Why Can't I?"

Alfred Soto (Alfred Soto), Wednesday, 3 August 2005 00:20 (eighteen years ago) link

Liz rides the hobbyhorse pretty hard now


Pictures, please.

M. V. (M.V.), Wednesday, 3 August 2005 00:20 (eighteen years ago) link

Guys, if we keep this up thru the night we can surpass the number of postings on the Dave Matthews thread!

Alfred Soto (Alfred Soto), Wednesday, 3 August 2005 00:21 (eighteen years ago) link

yeah but he's Prince, he's massively into the sort of relationship values implied by fatherhood - even when he's in his sex-you-up persona, he's never further than spitting distance from basic souls-united-as-one stuff! he means both "I ain't gonna take the place" and "I, as your lover, lack the depth of your husband"

Banana Nutrament (ghostface), Wednesday, 3 August 2005 00:22 (eighteen years ago) link

what depth did her husband have? He left her with a kid while pregnant!

miccio (miccio), Wednesday, 3 August 2005 00:23 (eighteen years ago) link

Guys, if we keep this up thru the night we can surpass the number of postings on the Dave Matthews thread!

yeah but I'd be cheating 'cause I really couldn't care if Liz releases a triple-disc of trombone improvisation, my presence in this thread is strictly "wtf, people are interested in Liz Phair" with a smidgen of Prince exegesis thrown in for texture

Banana Nutrament (ghostface), Wednesday, 3 August 2005 00:24 (eighteen years ago) link

xpost to Banana: I'm less surprised, but that's because the Capitol reps have been contacting me for a month now about the solo show she's playing in Seattle later this month, so I just figured it was the beginning of a big push for the next record.

AM: yeah I suppose yr right about "Your Man" though I hear regret in it as much as anything ("I Could" being key here, as in "I'm not capable of"). but "LPWM" is not exactly what I would call loaded with self-confidence. most people I know don't go out hunting for a snarling revenge-fuck when they feel GOOD about themselves, particularly. the second stanza you quote isn't part of the main body of the song anyway, it's an add-on at the end, and it just emphasizes the bravado without actually being all that convincing, which is why it works--when you're that upset about something your pride and anger puff up and you get defensive. (like me earlier in this thread, ahem.)

(I do think it's funny that I thought "Why Can't I" was more ambiguous lyrically than it actually was--the exact opposite of what most of the people who disliked the song for being unambiguous.)

Matos-Webster Dictionary (M Matos), Wednesday, 3 August 2005 00:24 (eighteen years ago) link

lotta xposts in that one

Matos-Webster Dictionary (M Matos), Wednesday, 3 August 2005 00:25 (eighteen years ago) link

yes mic but he's the father of the child! this role has meaning for Prince (note: both for Prince The Dude and for "Prince," narrator of Prince songs) whether the father's a decent guy or whatever! You're telling me Prince doesn't invest fatherhood with an almost Mosaic depth? Watch one Purple Rain

Banana Nutrament (ghostface), Wednesday, 3 August 2005 00:25 (eighteen years ago) link

anyway I'm seeing Alfred's point a lot more clearly now

Matos-Webster Dictionary (M Matos), Wednesday, 3 August 2005 00:27 (eighteen years ago) link

(nb I know what I mean by "Mosaic" even if it probably doesn't make any sense at all)

Banana Nutrament (ghostface), Wednesday, 3 August 2005 00:27 (eighteen years ago) link

Yes you can read a lot of self-doubt into these songs when you ignore the majority of the track (for instance, the cocksure glee of the music) and focus solely on a specific line "Help me forget about my girl" and "I could never take the place of your man"

miccio (miccio), Wednesday, 3 August 2005 00:27 (eighteen years ago) link

YES ANTHONY I IGNORE THE MAJORITY OF THE TRACKS IN PRINCE SONGS OMG YOU ARE ON FUCKING MARS DUDE

Matos-Webster Dictionary (M Matos), Wednesday, 3 August 2005 00:29 (eighteen years ago) link

"Why Can't I" is TOTALLY ambivalent, Matos. Note the qualifiers: "It's just like we were meant to be"; "got a girlfriend, you say it isn't right"; her intense need to assure her lover that "it's inevitable"; the final devastating "It's a fact that we're gonna get down to it."

Alfred Soto (Alfred Soto), Wednesday, 3 August 2005 00:29 (eighteen years ago) link

I'm not saying the tracks are DEVOID of self-doubt but to say these songs are rife with them is kinda willful.

x-post Matos, I'm referring to these specific songs. I'm on the planet where we read each others posts in full and back up our arguments, ok?

miccio (miccio), Wednesday, 3 August 2005 00:30 (eighteen years ago) link

I only cited LPWM because it's a perfect example of Prince at his most cocksure. There are any number of early Prince songs ("When U Were Mine") and later ones racked with self-doubt.

Alfred Soto (Alfred Soto), Wednesday, 3 August 2005 00:32 (eighteen years ago) link

a specific line "Help me forget about my girl" and "I could never take the place of your man"

"a specific line" like THE FUCKING TITLE OF THE SONG

Banana Nutrament (ghostface), Wednesday, 3 August 2005 00:35 (eighteen years ago) link

not to be all aggro but songwriters generally put some thought into the song's tagline, especially canny motherfuckers like Prince...he gives the song a chorus (big ol' punchline chorus, too) & title that's first person negative. "I Could Never." Kinda implicitly self-doubtful. Then, he finds some cocksureness in his self-doubt. Kinda his M.O. for much of his best shctick.

Banana Nutrament (ghostface), Wednesday, 3 August 2005 00:38 (eighteen years ago) link

I don't hear it that way, Alfred, and I never have. From the music on down, "LPWM" is riddled with angst; it's the tensest thing he ever recorded, like it's about to snap at any moment. That doesn't really spell "cocksure" to me, not the way something with more ease of movement does--even something similar sonically/arrangementwise like "It" does, and that song is totally about feeling self-doubtful.

Banana is completely OTM.

Matos-Webster Dictionary (M Matos), Wednesday, 3 August 2005 00:40 (eighteen years ago) link

I'm on the planet where we read each others posts in full and back up our arguments, ok?

I'm still waiting for you to do the latter.

Matos-Webster Dictionary (M Matos), Wednesday, 3 August 2005 00:41 (eighteen years ago) link

Look, you guys can deny Prince healthy rebound fucks and regret his inability to get involved with desperate babymommas if you like, I'm not going to focus solely on subtext for the sake of a pedantic argument inspired by someone's inability to remember what two other songs are actually about and his desperate attempts to one-up the person who pointed it out.

miccio (miccio), Wednesday, 3 August 2005 00:52 (eighteen years ago) link

LPWM riddled with angst? What?! His only regret is that he isn't married so that they could fuck all night like a respectable man and woman! Forget the lyrics: this sentiment is right upfront in the vocals and insistent robo-pulse.

Alfred Soto (Alfred Soto), Wednesday, 3 August 2005 01:00 (eighteen years ago) link

The Interdependence of Liz Phair/Prince Comparisons

Ned Raggett (Ned), Wednesday, 3 August 2005 01:02 (eighteen years ago) link

Dude, Liz would sound so hot singing "Nasty Girl."

Alfred Soto (Alfred Soto), Wednesday, 3 August 2005 01:04 (eighteen years ago) link

Mic the mental health I studied (& worked in, not without distinction) for a long long time didn't have much favorable to say about "healthy rebound fucks" - those're a pop-psych contstruction - I don't mean to step on any toes here but it's the sort of thing that people made up to make themselves feel good about behavior that's actually woefully unhealthy, which Prince knows but he also knows what feels good, which is the conflict at the center (or at least near it) of that song AS WELL AS a whole hell of a lot of other Prince songs

Banana Nutrament (ghostface), Wednesday, 3 August 2005 01:07 (eighteen years ago) link

(also I don't know if you're accusing me of trying to one-up anybody but if so not guilty! I am just a big talker and I happen to enjoy spinning my wheels about this sort of question)

Banana Nutrament (ghostface), Wednesday, 3 August 2005 01:08 (eighteen years ago) link

I'm not sure I'm ready to say Prince knows what's unhealthy as much as he knows God don't approve. And while I admit (and have admitted) that this is part of the subtext, I really disagree about it being at the center of either track.

And if you re-read the sentence (and the thread) its pretty clear I'm not accusing you of anything.

miccio (miccio), Wednesday, 3 August 2005 01:40 (eighteen years ago) link

> Exile in Guyville and Whipsmart are certified gold, which would indicate that
> Matador got more money back on its investment. But consider: "Why Can't I?"
> was just certified gold, and MTV and Clear Channel played the shit out of it.
> It's now her biggest post Guyville album.

By a very slight margin, but bear in mind that it cost TONS more to make and
TONS AND TONS more to promote - the return on the investment in it was
her poorest yet. So far, this has been true for each album.

> It seems like she's gained new fans to make up for those crying betrayal. It
> will hurt though when she realizes that these new fans are just as fickle as
> the indie fans.

I think she's always "traded even" - gaining (roughly) one new fan for every one
she's lost. But I think her ruin will be from the fact that it's been an expensive process, and therefore dangerous in careerist terms. She (and Capitol) really
believed that the last record would sell millions, and they spent an inordinate
amount of cash to make this happen. Barring greater success on this record,
you will either see Liz abandon music (she doesn't care enough about it for to
continue for its own sake) or totally retread.

Dee Xtrovert (dee dee), Wednesday, 3 August 2005 02:48 (eighteen years ago) link

(xpost)

I hate to break up the Prince dialogue but I have to track back to a point:

"Now I'm just trying to figure out if "singles" is a term that's not understood by the general population and thus needs to be defined in a NYT article."

I don't assume the general population realizes that certain songs are specifically crafted and tailored to the MOR (with top-tier artists, often with the involvement of guest writers like Diane Warren or Desmond Child) while other album tracks are by process closer to the artist's original intent.

So yes, the NYT had a good point in operationally defining "singles."

Joseph McCombs (Joseph McCombs), Wednesday, 3 August 2005 02:59 (eighteen years ago) link

I saw her live two nights ago and while she's undeniably talented, there was a real lack of rapport with the audience.
In any case, something didn't happen for me. I really loved Whipsmart and Exile back in the day but I guess I went a different direction that Liz. Best of luck to her.
But forget the NYT piece, did anybody see the NY Press review?
I can't find it online but the preview of the show ends with the writer telling Liz she should "suck his cock". I swear to god.

Forksclovetofu (Forksclovetofu), Wednesday, 3 August 2005 04:16 (eighteen years ago) link

No one deserves that degree of journalist hate. It was really unconscionable.

Forksclovetofu (Forksclovetofu), Wednesday, 3 August 2005 04:17 (eighteen years ago) link

Liz Phair
August 01, 7
The just out Whatever CD box set from Rhino—a 90s trip that follows the label’s listen-sees into the 60s, 70s and 80s—has me thinking. Not just because I don’t know what to do with its coffee bean filled cover, or even all of its seven CDs. Rather, it has me thinking about some of the label’s hyped “alternative” types I never liked. Namely Liz Phair. At the post-dawn of last decade, Phair dropped Exile in Guyville, a tedious girl-songwriter record that would’ve garnered zip attention had she not gone the gimmick of a Rolling Stones Response; the lo-fi production tricks and all-around zipless fuck mentality didn’t hurt either. To undergrads, the easily impressed and the way under-laid, tunes like “Fuck and Run” were risky, sexual laments. People were so much stupider it seems in 1993. Though a song like “Soap Star Joe” was actually cute, pitching a nasty glance at supposedly sensitive alterna-dudes, Phair rendered herself useless with that record; that is, once kids had her limp sexuality sussed. That said, Phair’s made choices good (the glam crocking Whip-Smart) and bad (whitechocolatespaceegg) ever since. On Liz Phair, she still sounds hungry to ball and blow younger boys, which is nice for an old lady with an overbite such as hers. Yet, despite the lameoid production of Michael Penn and the Matrix, her new melodic slickness actually has me anticipating her next record, for which she’s performing tunes now. So impress me already. Or else suck my cock.

Joe’s Pub, 425 Lafayette St. (betw. E. 4th St. & Astor Pl.), 212-539-8778; 7, $25/adv., $30/door

Dr. Glen Y. Abreu (dr g), Wednesday, 3 August 2005 04:19 (eighteen years ago) link

Who the fuck wrote that?

Forksclovetofu (Forksclovetofu), Wednesday, 3 August 2005 04:26 (eighteen years ago) link

google is your friend:

--- A.D. Amorosi

Dr. Glen Y. Abreu (dr g), Wednesday, 3 August 2005 04:32 (eighteen years ago) link

Yeah, I don't know this guy from Adam but I'll call him out:
That's a bullshit review and poorly written to boot.

Forksclovetofu (Forksclovetofu), Wednesday, 3 August 2005 04:44 (eighteen years ago) link

Anagram for Do a Ramosi?

nickn (nickn), Wednesday, 3 August 2005 04:44 (eighteen years ago) link

i don't have strong feelings about phair's music, but i liked this article and liz phair comes across as extremely knowing and interesting. it's rare that any article, let alone one in the daily press, conveys any sense of what pop musicians are thinking about when they make music, or conveys much sense of music as a vocation.

Amateur(ist) (Amateur(ist)), Wednesday, 3 August 2005 05:02 (eighteen years ago) link

i mean the new york times article by the way, not whatever else has since been posted to this thread.

Amateur(ist) (Amateur(ist)), Wednesday, 3 August 2005 05:02 (eighteen years ago) link

i really liked "why can't i," though there were a few production touches (like the reverbed "whenever i think about you..." backing vocals) that i didn't like. but the whole thing had a pleasing concision to it.

Amateur(ist) (Amateur(ist)), Wednesday, 3 August 2005 05:04 (eighteen years ago) link

I'd like to point out that 1) the forthcoming album's "Can't Get Out of What I'm Into," unless she's written a new song by the same name, is actually a remake from the ancient Girly Sound tapes; 2) it was originally called "Gigolo," a way better title for it. (One thing she did in the early days that I miss was giving songs titles that weren't in the lyrics but illuminated them, cf. "Divorce Song"; the early song usually known as "If I Ever Get You Back" is, on my copy of the tape, called "Don't Hold Yr Breath.")

Douglas (Douglas), Wednesday, 3 August 2005 05:11 (eighteen years ago) link

that's much nicer than the recent indie trend of giving songs

Amateur(ist) (Amateur(ist)), Wednesday, 3 August 2005 05:15 (eighteen years ago) link

whoops.

that's much nicer than the recent indie trend of giving songs totally opaque song titles. although maybe this is not such a recent trend, and not necessarily indie either.

Amateur(ist) (Amateur(ist)), Wednesday, 3 August 2005 05:15 (eighteen years ago) link

tracklisting for the new Sufjan Stevens/Out Hud collaboration album:

"One Thing She Did In the Early Days That I Miss"
"I Hate To Break Up the Prince Dialogue But I Have To Track Back To A Point"
"Although Maybe This Is Not Such A Recent Trend"
"The Whole Thing Had A Pleasing Concision To It"
"I Am Just A Big Talker and I Happen To Enjoy Spinning My Wheels"
"I Don't Know This Guy From Adam But I'll Call Him
Out"
It's About To Snap At Any Moment"
"Christ, She's On A Major"
A Diva Without Portfolio Or A Sly Genius, Depending"
Dude She's Looking For Someone To Take Care Of Her Kids"

gear (gear), Wednesday, 3 August 2005 05:24 (eighteen years ago) link

Okay, that's fucking funny.

Forksclovetofu (Forksclovetofu), Wednesday, 3 August 2005 05:27 (eighteen years ago) link

That Amorosi review kind of reminds me of some of what's happening on the "abusive comments" thread. I may be just old and sexist enough to feel a misplaced gallantry about this kind of stuff, but it disturbs me to see women being talked to that way. Even self-described blowjob queens.

Don't ask me to rationally defend this distinction, because I can't, but there it is.

M. V. (M.V.), Wednesday, 3 August 2005 05:36 (eighteen years ago) link

"One Thing She Did In the Early Days That I Miss"
"I Hate To Break Up the Prince Dialogue But I Have To Track Back To A Point"
"Although Maybe This Is Not Such A Recent Trend"
"The Whole Thing Had A Pleasing Concision To It"
"I Am Just A Big Talker and I Happen To Enjoy Spinning My Wheels"
"I Don't Know This Guy From Adam But I'll Call Him
Out"
It's About To Snap At Any Moment"
"Christ, She's On A Major"
A Diva Without Portfolio Or A Sly Genius, Depending"
Dude She's Looking For Someone To Take Care Of Her Kids"

those are great song titles.

Amateur(ist) (Amateur(ist)), Wednesday, 3 August 2005 05:38 (eighteen years ago) link

One or two of those might be Morrissey song titles. I am thinking specifically of "I Am Just a Big Talker and I Happen to Enjoy Spinning My Wheels."

jaymc (jaymc), Wednesday, 3 August 2005 06:06 (eighteen years ago) link


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