Hendrix: Classic or Dud?

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Opinions are meant to rub up against each other in discussion -- if everyone is right (and i'm not saying i am right) and all opinions are valid, then there is no point to discussing anything.

I don't see this as the case, though. Opinions on music are indeed, as I see them, inherently valid for each person as they possess them. But that doesn't then mean that said opinions can't rub up against each other, that interchange and exchange can't happen. I admit I find the insistence otherwise a bit strange, so that's perhaps why I'm so puzzled here. Why does the lack of an objective center prevent discussion of ideas?

Ned Raggett, Sunday, 28 July 2002 00:00 (twenty-one years ago) link

You know ML right? His huge parcels of stuff would be full of complete gems. So actually the 'would I send 'em shopping for me' is my main criteria for valuing someone's opinions.

A fine criteria in this case, since indeed I know ML and think him a grand feller. :-) But this is something you and he grew into, a relationship and friendship where you realized over time that there was a fine balance and exchange. It wasn't immediate, it was tested through time, if you like -- maybe an initial risk that you yourself trusted his judgment, a matching of, if you like, subjective but similar standards.

For myself, I admit I'd trust ML down the line with my money. I would be very surprised he wanted to trust me with his (I'd be flattered, though!).

The converse of this, is that overstating that each message here is just one person's opinion gets kinda weak.

Now this is more than fair -- but, as Tim, Tracer, Sean and others were saying, there is a sense, unavoidable in many cases and sensed maybe more in tone or in context, that the IMHO is often absent. If pressed, you and I and all of us here on this thread, I'd hope, would say, "Well, it's my opinion at base," or ultimately don't need to say it. But how many people, critical voices, installations (yer Rock and Roll Hall of Fames, yer Billboard rankings, yer Rolling Stone encyclopedias, whatever) take a far more dogmatic vision? I've encountered plenty of them, surely we all have. So again, I think there's a question of tone and context here, a strong one. "IMHO" may seem like a cop-out, but personally I see it as a powerful validation given how music is interpreted, discussed, enjoyed, received. It may be overemphasized but it IS important.

Ned Raggett, Sunday, 28 July 2002 00:00 (twenty-one years ago) link

ps i still think a buncha words should just be quietly taken away and stomped violently to hideous death = influence, irony, subjective/objective, post-modern, marketing and stupidity

some of them have no meaning and some of them have too many meanings and all of them divert arguments down into bad gulleys

mark s, Sunday, 28 July 2002 00:00 (twenty-one years ago) link

bad gulleys where i am waiting bwahaha!!

mark s, Sunday, 28 July 2002 00:00 (twenty-one years ago) link

[Add to list, mark: deconstruct.]

david h(0wie), Sunday, 28 July 2002 00:00 (twenty-one years ago) link

Ned is right that the IMHO (or IMO or IMNSHO, etc) is or at the very least should be tacitly assumed in much of what we say. I would think that anyone who has no understanding at all that other people may disagree with a musical opinion is probably a sociopath. As Ned states above, we differ on Prince and we differ on the value of GYBE, but I still respect his musical opinions as I hope he respects mine. But yeat, that doesn't make music discussions invalid. I'm always learning and willing to have my opinion changed, and sometime all it takes is a few carefully chosen words to give me the incentive to re- evaluate.

Sean Carruthers, Sunday, 28 July 2002 00:00 (twenty-one years ago) link

dude! GYBE suck and Prince rules!

chaki, Sunday, 28 July 2002 00:00 (twenty-one years ago) link

Dude! You hurt me! You hurt me in my heart!

Sean Carruthers, Sunday, 28 July 2002 00:00 (twenty-one years ago) link

can i just ask what is the dictionary definition of 'subjective' and 'objective'? I'm staring at the dictionary from where I'm sitting but I'm too lazy to pick it up.

Julio Desouza, Sunday, 28 July 2002 00:00 (twenty-one years ago) link

Lazy: "1. Resistant to work or exertion; disposed to idleness; slothful. 2. Slow-moving; sluggish: a lazy river. 3. Conducive to languor or indolence: a lazy summer day. 4. Depicted as reclining or lying on its side. Said of a livestock brand. [Origin obscure.]"

DeReyMi, Sunday, 28 July 2002 00:00 (twenty-one years ago) link

deraymi thanks! That has cleared things up.

Julio Desouza, Sunday, 28 July 2002 00:00 (twenty-one years ago) link

ned, i understand what you are saying, but too many times subjectivity is the club used to counter an opinion instead of dealing with the opinion itself.

Jack Cole, Sunday, 28 July 2002 00:00 (twenty-one years ago) link

Fair enough -- overreaction is possible and I'm guilty of it, as can be seen upthread with my initial response to Ben. But again, tone and context -- you can't separate that out from this discussion, and you can't deny that sometimes the temptation to simply club is incredibly strong -- and that sometimes someone just won't react otherwise. If the opinion and the person advancing it just won't allow for the possibility that there's a different approach, then underlining that possibility is important.

Ned Raggett, Sunday, 28 July 2002 00:00 (twenty-one years ago) link

Thanks, guys, for reminding me why I ran screaming from philosophy classes.
I don't think Hendrix sucks, its pretty good odds that if someone else think Hendrix sucks then I don't share enough od their value systems to engage in a pleasing discussion with them. I can't be sure about that, but I certainly wouldn't send that person blind record shopping with my own money - 'oh just get me anything, I'm sure I'll like it'
Isn't this (engaging in maybe non-pleasing discussions with people who don't share your esthetic sense) where a lot of really interesting stuff (art, music, good criticism, etc.) comes from, though? Clashing or shifting value systems- arguing over the "rules" that you judge artwork by- is more interesting to me than a discussion where everyone agrees on the criteria. It's more of a rush for me to go to a modern art museum with my dad (an excellent arguer but hates most painting post impressionism) than with friends who took the same classes & learned to do crits the same way. I think ILM, and discussions similiar to it, are essential but ridiculously boring when everyone starts out with similiar values they use to judge by. Only talking to people who share your aesthetics keeps you from having to justify and examine how you arrived at them to begin with.
So someone tell me whether I'm arguing for or against the possibility of subjective-only arguments, or whatever was going on above, because I have no idea whether I've even managed to address the topic.

lyra in seattle, Monday, 29 July 2002 00:00 (twenty-one years ago) link

Isn't this (engaging in maybe non-pleasing discussions with people who don't share your esthetic sense) where a lot of really interesting stuff (art, music, good criticism, etc.) comes from, though?

Hmm, no, definately not. If that was the case my only 'interesting' political discussions would be with Daily Telegraph readers, my only interesting discussion on gender issues with be with bigots. I don't find it all that interesting to talk to rabid homophobes for instance. I don't need to really understand them to appreciate my own opinions (whats to understand? I'll still just think of them as wankers). When I read vile hate websites like godhatesfags.com I feel nothing but revulsion - its certainly non- pleasing, its just not interesting. These people may be worth watching, but not because they have insights I need to constantly try to appreciate.

Obviously Im not suggesting there is a direct relationship between extreme bigots and people who aren't keen on Hendrix...(an extemem bigot may have their good points too - thats a joke ffs), but its a similar situation of probability of saying something interesting.

I think the interesting stuff comes from pleasing discussions with people who can offer contrasting opinions on specific things - but share enough of your values to allow you access to the things they value.

Alexander Blair, Monday, 29 July 2002 00:00 (twenty-one years ago) link

We can listen to Mr. Hendrix's music either dipolistically or aedigmatically. Either way the listener may find little to engage his/her cock in the field of ergonatism. Of course, shortly before joining the paratroops in the mid-1950s, Mr. Hendrix was involved in the synthesis of a new type of polymer, subsequently widely used in both the manufacture of japanese robotic toys and secret Israeli killing machines. (Mojo "All Time Untouchable Eternl Psychdlic Heros", Special Edition)

Pulpo, Monday, 29 July 2002 00:00 (twenty-one years ago) link

I changed my mind.

Having listened carefully to all the interesting debate following an earlier post I made, I would like to now state for the record that I think Hendrix is for shit and isn't really up to it after all.

Does this mean another 700 posts will follow?

Roger Fascist, Monday, 29 July 2002 00:00 (twenty-one years ago) link

Isn't this (engaging in maybe non-pleasing discussions with people who don't share your esthetic sense) where a lot of really interesting stuff (art, music, good criticism, etc.) comes from, though?

Hmm, no, definately not. If that was the case my only 'interesting' political discussions would be with Daily Telegraph readers.

I think the interesting stuff comes from pleasing discussions with people who can offer contrasting opinions on specific things - but share enough of your values to allow you an access point to the things they value.

Alexander Blair, Monday, 29 July 2002 00:00 (twenty-one years ago) link

I like Hendrix when he excites me. His BBC version of 'Day Tripper' is probably my favourite of his tracks. It's something about how he takes a pop favourite and makes it seem louder, rawer, rougher, more bruised and bruising - rockist words, you may say: but it gives me a thrill to hear him go to work on the piece, making it totally his own yet leaving it totally intact.

the pinefox, Monday, 29 July 2002 00:00 (twenty-one years ago) link

his mumbling skills are absolutely astonishing. dull soul blues widdling i can take or leave tho.

bob snoom, Monday, 29 July 2002 00:00 (twenty-one years ago) link

mark you forgot "retro"!!

most of this thread has been a kind of stinging rebuke of the C or D format, i think.

Tracer Hand, Monday, 29 July 2002 00:00 (twenty-one years ago) link

I'm so glad I had to go offline during the rest of this debate...

Ben Williams, Wednesday, 31 July 2002 00:00 (twenty-one years ago) link

!!!!!!

1. paul, i will borrow some of the tracks you have mentioned and play them next to the hardcore/dnb/4hero ones you mention, see if i can see hendrix in a different light. from a distance i can see the 4hero thing, maybe (more charles stepney though i'd have though), but then perhaps not in the manix stuff

2. alexander, interestingly myself and paul, as has been noted, share a similar ground tastewise, or system if you prefer, yet he likes hendrix and i do not

3. i do not understand the subjective objective thing, i have still to be convinced that objectivity exists, as for radically subjective i do not understand how this is different from just 'subjective'. i take jacks point though, that people can canon-bash but then flaunt their own taste. but perhaps everyone does this but in some cases it coincides with one of the many canons that exist so that particular canon can be used as back up, as pseudo-empirical evidence

4. i do not understand the implication that "i think hendrix sucks=i am Mr Iconoclast". many people do not like hendrix, outside of ilm (which is surely canonical, i have never understood why people say ilm is anti-canon, all the 'greats' are backed up here. all of them), i only know 2 people who own hendrix records. are we to suggest that the rest of these people are iconoclasts? i prefer the term, 'regular people'

5. following on, the implication "i think hendrix sucks=i am mr iconoclast" is really saying, i do not like hendrix because i am some kind of hipster, for ilm cred (but he is popular he, so how would that work exactly?) or IRL cred. but this is bizarre, and shows the old thing that if you don't like a rock or indie standard it is somehow a stance, this assumes that all people have rock or indie backgrounds. but this is not particularly common is it? today, i mean. such accusations would not be levelled at people who did not like Cole Porter, Eddie Palmieri, Offenbach, Madonna, Run DMC, Grooverider, 2pac or any of those old standards...

gareth, Wednesday, 31 July 2002 00:00 (twenty-one years ago) link

4. i do not understand the implication that "i think hendrix sucks=i am Mr Iconoclast". many people do not like hendrix, outside of ilm (which is surely canonical, i have never understood why people say ilm is anti-canon, all the 'greats' are backed up here. all of them), i only know 2 people who own hendrix records. are we to suggest that the rest of these people are iconoclasts? i prefer the term, 'regular people'

Gareth, this has nothing to do with the arguments that were made. Using the names Mr. Iconoclast and Mr. Canonical was meant as an alternative to using some more generic designation such as "Mr. X" and "Mr. Y." (It was meant to be slightly funny, but it probably failed to be funny at all.) The names are completely irrelevant to the point I was trying to make. Incidentally, I don't own any Hendrix albums.

DeRayMi, Wednesday, 31 July 2002 00:00 (twenty-one years ago) link

i like hendrix for his icon status - same way i lioke elvis for his icon status - they did alot just by appearing on stage, tv etc - i dont think there music was amazing - yeah i like some of the sounds jimi produced - i like the fact that his bands were tight whilst he had the ability to go off on tangents but at the end of the day i dont think his music is that touching, when it comes to his compositions i sometimes like to hear quirky covers rather than the original - i find they grind a little i like spikey, loud, edgey guitars but sometimes with hendrix it is a little too - well painful.

i thought he was cool on the lulu show, i thought he had coolhair, i like his voice and the fact that he made it in london town but this is nearly all icon stuff - as for his music well heard a load of it - own none of it

born clippy, Wednesday, 31 July 2002 00:00 (twenty-one years ago) link

yes, you're right deraymi, i was actually answering points made by others but using your Mr Iconoclast name, which was clumsyness on my part (once again!)

gareth, Wednesday, 31 July 2002 00:00 (twenty-one years ago) link

Anyway, try replacing "Mr. Iconoclast" and "Mr. Canonical" with Mr. X and Mr. Y. The names were merely a cartoon side-show to what I was attempting to argue.

Honestly, I do not think that the only reason someone would not like Hendrix is because they were trying to prove something, or were intetionally going out of their way to flaunt convention.

DeRayMi, Wednesday, 31 July 2002 00:00 (twenty-one years ago) link

Gareth, I made that last post before seeing your response to, etc.

DeRayMi, Wednesday, 31 July 2002 00:00 (twenty-one years ago) link

five years pass...

Holy shit "Crosstown Traffic" is great

Dom Passantino, Thursday, 20 December 2007 11:44 (sixteen years ago) link

Does Gareth still hate Hendrix I wonder?

Tom D., Thursday, 20 December 2007 11:50 (sixteen years ago) link

Just because someone can play the guitar well, or even with their teeth, does not mean they have a talent for making good music, does it?

Not neccessarily, but unless they stay away from extreme metal they usually do. And, yes, this goes for Joe Satriani as well.

Geir Hongro, Thursday, 20 December 2007 12:07 (sixteen years ago) link

how can anyone say hendrix couldnt write songs? maybe this holds true for all the stuff that came out after he died, but only partially so. the cry of love material might not be his strongest or as brilliant as the first 3 albums, but its still solid. the unfinished stuff that came after, obviously a lot of that is a bit unfocused, but its unfair to include that.

mr x, Thursday, 20 December 2007 12:18 (sixteen years ago) link

Holy shit "Crosstown Traffic" is great

it is the Hendrix gateway drug

stevie, Thursday, 20 December 2007 14:27 (sixteen years ago) link

classic. so glad First Rays Of The Rising Sun is finally completed, it makes an amazing posthumous album.

sleeve, Thursday, 20 December 2007 15:35 (sixteen years ago) link

Holy shit "Crosstown Traffic" is great

-- Dom Passantino, Thursday, December 20, 2007 5:44 AM (3 hours ago) Bookmark Link

yeah this is so true

deej, Thursday, 20 December 2007 15:38 (sixteen years ago) link

If I recall my Hendrix lore correctly, Jimi didn't want Crosstown Traffic on the album, as he felt it sounded too much like "early" Experience. Chas Chandler (for whom this was the only production credit on the record) won the argument to our eternal benefit.

Sparkle Motion, Thursday, 20 December 2007 15:51 (sixteen years ago) link

Classic.

B.L.A.M., Thursday, 20 December 2007 16:01 (sixteen years ago) link

Agreed, even if just for Band of Gypsys alone. I love that.

Bill Magill, Thursday, 20 December 2007 16:07 (sixteen years ago) link

Hell, yeah. That shit blew me AWAY when I first heard it. I thought I liked Hendrix before I heard it. No concept.

B.L.A.M., Thursday, 20 December 2007 19:03 (sixteen years ago) link

one month passes...

this morning i was playing Band of Gypsys and wifee asked me if i was playing Pearl Jam.

we're getting divorced tomorrow

jaxon, Saturday, 26 January 2008 23:35 (sixteen years ago) link

I can't even imagine which track might have sounded similar.

Sundar, Saturday, 26 January 2008 23:53 (sixteen years ago) link

i think it was "Who Knows". don't think there was any singing at the time.

jaxon, Sunday, 27 January 2008 00:00 (sixteen years ago) link

one year passes...

christgau once called hendrix "a psychedelic uncle tom"

memo from norv turner (omar little), Thursday, 12 February 2009 09:09 (fifteen years ago) link

¯\(°_o)/¯

memo from norv turner (omar little), Thursday, 12 February 2009 09:09 (fifteen years ago) link

ugh

The Reverend, Thursday, 12 February 2009 09:14 (fifteen years ago) link

Ugh for real...

Been seeing the 40th Anniversary edition of Electric Ladyland around, anyone know what the deal is with that thing?

Frank Sumatra (NickB), Thursday, 12 February 2009 09:16 (fifteen years ago) link

Is Xgau Dying?

velko, Thursday, 12 February 2009 09:17 (fifteen years ago) link

3 of 11 people found the following review helpful:

***** 40th Anniversary Release of Electric Ladyland
31 Dec 2008

By The Bass Man "Thebassman" (Hayling Island) - See all my reviews

Excellant release under the control of Authentic Hendrix, the Hendrix family business that controls all releases for the great man and a superb job they do too and this release is no exception.

The quality of releases just gets better and better,

I would recommend avoiding any retail material that is not released by Authentic Hendrix and most serious collectors of Hendrix material know this and all should report any dodgy recordings and releases to Authentic Hendrix where they can take the appropriate action.

You won't go wrong with this 40th Anniversary set.

Comment | Permalink | Was this review helpful to you?

Frank Sumatra (NickB), Thursday, 12 February 2009 09:27 (fifteen years ago) link

The Bass Man u r a feeb and a snitch

Frank Sumatra (NickB), Thursday, 12 February 2009 09:29 (fifteen years ago) link

"the Hendrix family business that controls all releases for the great man and a superb job they do too and this release is no exception."

not so superb artwork though (outside of the original albums).

Yellow Carded (titchyschneiderMk2), Thursday, 12 February 2009 10:17 (fifteen years ago) link


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