Turner Prize

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Emp N.C. is a great story but a hateful - or rather misinterpreted - metaphor. It's surely a story about looking beyond your learned response. If the learned response is deference, iconoclasm is appropriate. When the learned response is to cite the ENC story, the actual lesson of the ENC story is to move the conversation somewhere else entirely. Surely?

Tom, Tuesday, 11 December 2001 01:00 (twenty-two years ago) link

Have to interject at this point that the one Owada album I've heard is really pretty wonderful. Saying it's "literally minimalist math-rock" is... well, it's _literally_ true, but I can imagine seeing that description and thinking of something very different. Let's just say I've played it a lot on the radio and put songs from it on mix tapes...

Douglas, Tuesday, 11 December 2001 01:00 (twenty-two years ago) link

It sounds very Buzzcocks/Wire No-Wave hence I think a lot of people here might like it.

suzy, Tuesday, 11 December 2001 01:00 (twenty-two years ago) link

But Suzy, we all like S Club 7 (except for Katie who got lucky on Saturday when ver Club got lost trying to find the Betsey. I told them not to let Bradley to do their map reading for them...)

Pete, Tuesday, 11 December 2001 01:00 (twenty-two years ago) link

I have to admit my reaction from the 10 secs or so in the Turner Prize TV show was "christ spare us", and the lyrics don't inspire me with much confidence. I'm interested as to why he chose the rock-band format though.

Tom, Tuesday, 11 December 2001 01:00 (twenty-two years ago) link

suzy - people aren't having a problem with 'conceptual detail'. it just appears to me that there is a lack of just that (i.e. the DETAIL) in these works. a lump of blu-tak or a flashing light has little or no figurative, technical or conceptual detail

michael, Tuesday, 11 December 2001 01:00 (twenty-two years ago) link

Martin Creed was on the C4 news last night and did really well, looking chuffed to bits on top of everything. The lights alernate five seconds off, five seconds on. News person goes, 'blink and you'll miss it, eh?' as lame attempt at humour. MC replies: 'actually blinking is a lot faster than that so you can't really say that!'

Also 'conceptual detail' is all about, 'why only the one work?' (answer: because Creed wants the observer to consider their relationship to ONE work rather than have them compare how a few works react against one another) which is a curatorial choice. His, as his exhibitions usually only have one work in them. It's 'why? rather than 'what?'.

suzy, Tuesday, 11 December 2001 01:00 (twenty-two years ago) link

His exhibitions must be a great laugh. Though if the first punter bought the exhibit, I bet all the rest would stare chin-strokingly at the empty space before declaring it "a poignant study of art in the void" or somesuch.

***I am only being facetious***

Mark C, Tuesday, 11 December 2001 01:00 (twenty-two years ago) link

(btw, has anyone got any tips abt removing the very old martin creeds from my plastered and whitewashed kitchen wall: they leave an oily mark and often take material with them?)

Possibly I should put a little red paper spot by the holes and boast about how much I sold the MCs for...

mark s, Tuesday, 11 December 2001 01:00 (twenty-two years ago) link

Just remove the Creeds and then daub over the mark a bit of white paint. A very hot washcloth will also remove the Creeds.

suzy, Tuesday, 11 December 2001 01:00 (twenty-two years ago) link

or apparently some WD-40 followed by detergent, although this sounds like a very bad idea! :)

katie, Tuesday, 11 December 2001 01:00 (twenty-two years ago) link

Fantastic lip-smacking distaste from the Daily Telegraph:

"The other shortlisted artists were: Mike Nelson, favourite with bookmakers to win, who works with rubbish and exhibited a labyrinth of planks; Richard Billingham, who exhibited photos and videos of his family, notably his alcoholic father who lives in a Glasgow slum; and Isaac Julien, who exhibited short films featuring homosexual cowboys."

Tom, Thursday, 13 December 2001 01:00 (twenty-two years ago) link

Obviously we expect the Telegraph to fail miserably in the fact- checking department, but I'm disappointed that it's somehow OK for their condescending tone to be acceptable analysis of art, when you'd have kittens if they condescended around left-wing politics or some other interest. RB's family live in Cradley Heath, Birmingham, not Glasgow. The other descriptions of work are reductive and mean- spirited: Mike Nelson's installations comprise a number of elements, none of which are rubbish/garbage; Isaac Julien's cowboys in desert is one of two works on display.

There is a better argument for saying that yBa work = made of rubbish. In the late 1980's, when many of the artists of the Freeze generation were leaving art college, they used whatever was to hand, a lot of which materials were others' castoffs. In the Thatcherist climate of the time, using such materials was a fact of life and the political climate informed the work in many ways.

Yesterday I went to Tate Modern with Nick Currie (he was in town for an eye op) and we had a discussion about the nature of elites (they are fluid, not static, and there are many forms of The Elite). Why, for example, do we not bat an eyelash over the elite of sport (unless they misuse their status to bash Asians) but find ourselves gnashing and wailing about the elite of the art world. Is it envy, or something else?

suzy, Monday, 17 December 2001 01:00 (twenty-two years ago) link

Suzy of course the Telegraph's attitude is shocking - the word "fantastic" (should have been "fantastically" but I was overworked that day) in my post is meant to represent "mind-boggling" (as well as, admittedly, a kind of gobsmacked admiration for their consistency and for the burnished contempt of Telegraph prose).

Obviously there are diffs between the elites of sport and art - in fact in the current climate they are almost opposites. Sport is about the application of skills within a strict set of rules. Art - or a strand of it - is about the questioning or removal of rules. I would advance the idea that the well-rounded personality should take joy from both.

Tom, Monday, 17 December 2001 01:00 (twenty-two years ago) link

Art - or a strand of it - is about the questioning or removal of rules

i would just like to point out that i got shouted at for saying this upthread. if tom doesn't get shouted at i am going to sulk :):)

katie, Monday, 17 December 2001 01:00 (twenty-two years ago) link

Yeah Katie but you said that after you'd set up your rule-sets (involving ideas like "skill" and "thought") about what constitutes "art"!

Tom, Monday, 17 December 2001 01:00 (twenty-two years ago) link

tom, i have been taken to task for the thoughtless things i said after that. this is why the smiley faces! :):):)

katie, Monday, 17 December 2001 01:00 (twenty-two years ago) link

My point re. the Telegraph was if they are going to sneer, at least get the facts right.

One of my favourite works of art is The Rules by Angela Bulloch. It has, among other things, 'handkerchief code' for rent boys (eg. yellow hanky = does water sports).

Art comments on all ideas in society, and rules are ideas of a sort. Formalism is all about rules, d'oh. Sport and art are not mutually exclusive or even opposite; see Mark Wallinger's 'A Living Work Of Art' eg. a racehorse bought by the artist and put in races.

Another interesting comment thrown up at Suzy and Nick's Art Summit was that Western people were clamouring for figurative representation in their art and were confused/angered by a lack of same. This would of course be anathema to Muslims and abstract artists.

suzy, Monday, 17 December 2001 01:00 (twenty-two years ago) link

I went to see it this morning for something to do while I'm in London. I know nowt about art, have never been to a proper gallery before, and I meant to read this thread beforehand but forgot. So I probably (hopefully?) sound ignorant and vapid.

Things that amused me about the Creed thing:

Even though I'd stood at the edge watching it for a bit, when I walked across I still instinctively stopped as soon as the lights went out (daytime + clear skies + glass roof = Not actually very dark either). I saw other people doing this.
You can see it flicking on and off from the other rooms. This is PunXor.
As Nick kind of suggested, everyone came in and said "it's a light going on and off" and walked away without even looking at the thing. You'd think after they'd paid their £3 they would at least try.

So yeah, I was expecting to either be bored it by it and/or come up with some silly pseudo-intellectual justification to pretend I wasn't, but it just made me snigger.

The other stuff (that I didn't look at much):

Films: - A short arty dance film featuring semi-naked [possibly] homosexual models, no one's thought of that before. There was more to it than that, but it just seemed like such a dull starting point that I couldn't be bothered (I liked the split scren bits, rminds me of something, Len "Steal My Sunshine" video?).
- Quite pretty, wished I'd remembered the concept at the time
- Isn't this that God Lives Underwater/Roman Cappola video with the fat kid?
- [Didn't watch it really - Old people, ugggh]

Photos: Wasn't trying to link them or make references like Suzy sed, but thought they were nice anyway, if not that special (I liked the girl on the beach one best actually
Forgot about the forth guy - might have been interesting.

[If I got anything right, it's beginner's luck, promise]

Graham, Monday, 31 December 2001 01:00 (twenty-two years ago) link

(I'm gibbering, ignore me)

Graham, Monday, 31 December 2001 01:00 (twenty-two years ago) link

I had a second look at the Mark Wallinger show at the Whitechapel the other day, and it's fantastic, almost all the way through. It's on until January 13th, and if you can get there, do (it's free too! hurrah!).

The experience of the *freezing* installation in the currently in the Wapping Pump House place is well worth the (cost-free) ticket, too, with the added attractions of Prospect of Whitby / Captain Kidd / Town of Ramsgate diversions. Thames-side drinking, num.

Tim, Thursday, 3 January 2002 01:00 (twenty-two years ago) link

Oooh - that reminds me. My mum went to the Wallinger show and said I must too. That's tomorrow's entertainment sorted out. Funny, my mum has never expressed much of an interest in installation art before. Good old mum.

N., Friday, 4 January 2002 01:00 (twenty-two years ago) link

three months pass...
So who are you nominating for next year's?

Now I don't count myself among the ranks of the Turner Prize haters, but can anyone think of a more pointless gesture at inclusivity than this? As if the tine panel is going to se a nomination and go "oh yes, XXX's show of YYY at the ZZZ gallery, hadn't thought of that one, stick it on the list!"

If the TP is good for anything it's good for being the stony face of the unelected art elite.

Tim, Thursday, 18 April 2002 00:00 (twenty-two years ago) link

We should nominate our Princess & The Pea installation plus out "One Of These People Is Alive"series of X-Rays.

And Mark S's going to the Tate Modern to see the Turner Prize last year.

Pete, Thursday, 18 April 2002 00:00 (twenty-two years ago) link

i nominate myself and talitha (see upthread)

mark s, Thursday, 18 April 2002 00:00 (twenty-two years ago) link

Pete, conceptual art is one thing, art which has remained at the concept stage is another entirely.

Still think princess / pea thing is a great idea, though not perhaps quite as great as the urban myths plan.

Tim, Thursday, 18 April 2002 00:00 (twenty-two years ago) link

CONCEPT ART!!!!! Where is the point in carrying it out, the concept is the key thing. And frankly how are we going to talk the Rankin' Miss P into it?

Pete, Thursday, 18 April 2002 00:00 (twenty-two years ago) link

You still haven't managed to talk me into it for god's sake.

Emma, Thursday, 18 April 2002 00:00 (twenty-two years ago) link

haha it is not upthread it is on another thread: more turners for me!!

also bah talitha just phoned to say let's meet for lunch except i was at another desk and didn't get her message till too late = hat trick of turners but the third is tinged with sadness

mark s, Thursday, 18 April 2002 00:00 (twenty-two years ago) link

Emma, no disrespect intended but I think we could ask several people whose qualification as Princess are a match for yours. You would naturally be our first choice but your non-participation would not be the end of the project.

Miss P, on the other hand...

Tim, Thursday, 18 April 2002 00:00 (twenty-two years ago) link

Yes Tim but the fact that I refused a) despite being the art collective's chum and b)when pissed makes me think that you'd have a snowball's chance of getting anyone else to do it.

Emma, Thursday, 18 April 2002 00:00 (twenty-two years ago) link

Oh but for *art*, Emma.

Tim, Thursday, 18 April 2002 00:00 (twenty-two years ago) link

I am a philistine I'm afraid.

Emma, Thursday, 18 April 2002 00:00 (twenty-two years ago) link

Poor Emma you must be insecure about art.

Sarah, Thursday, 18 April 2002 00:00 (twenty-two years ago) link

seventeen years pass...

<3

"Turner Prize nominees form a collective so they all win"

https://www.itsnicethat.com/news/turner-prize-winner-2019-art-041219

koogs, Wednesday, 4 December 2019 09:53 (four years ago) link

the prize is only £25,000?

treeship., Wednesday, 4 December 2019 12:34 (four years ago) link

25k for the winner, 5k for other 3. so they split the 40k total 4 equal ways.

koogs, Wednesday, 4 December 2019 12:56 (four years ago) link


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