― Nude Spock, Thursday, 30 August 2001 00:00 (twenty-two years ago) link
I mean it ultimately becomes impossible to argue about this because you just dismiss any reason and say "oh but thats not about the music/film/whatever" as if the context of the music/film/whatever was totally unimportant. Nobody here dislikes [band] because it is 'cool' to dislike [band], they dislike them initially because they make tedious music. That dislike then becomes fury when the tedious music suddenly becomes a supremely popular cultural touchstone.
If you really think any artist gets a raw deal on ILM then please, please, set a good example and explain why those people are *good* - that's after all what we did to start with on FT and NYLPM, trying to explain why we thought Britney and R'n'B *weren't* the devil's work. But this second-guessing and ghost-chasing after some kind of phantom hipster consensus is getting really old.
― Tom, Thursday, 30 August 2001 00:00 (twenty-two years ago) link
― gareth, Thursday, 30 August 2001 00:00 (twenty-two years ago) link
I LOVE MUSIC precisely because that's all I care about. The performers mean nothing to me. Lyrics often fall on deaf ears with me, too.
See, this is why I hate this board and love ILE. It's like I don't exist here. This complain about Richie-haters comes up every time Richie's name is mentioned ("You all never explain it beyond he's a wanker/fuckhead/pissbag/whatever"), and every time I explain that I think he's a very smug individual with no talent to back it up. His films are awful, irritating toss with no saving graces besides Brad Pitt. AND him and Madonna make the most obnoxious couple.
― Ally, Thursday, 30 August 2001 00:00 (twenty-two years ago) link
Critics of music critics seem preoccupied with the idea that music critics don't really enjoy music, and that any enjoyment of the music must fit into a discrete area of inauthentic music enjoyment. It must be because the music is like old music the critic already enjoyed, or because it's 'fun', or 'innovative'. According to the critic of the music critic, these categories of enjoyment are clearly inauthentic - signs of a critically debilitating 'professional' approach to the music - and can be easily contrasted with the critic of the music critic's authentic appreciation of . I think the safest thing people here can do is work on the assumption that everyone here is a music critic. Firstly, because a hell of a lot of people here do it professionally, and secondly - and more importantly - because by writing here you implicate yourself within a critical discourse re music that is both unconscious and inescapable. Unless you limit yourself to "it's just music, man!" posts, you automatically become the enemy of which you speak. And I don't think there's anything wrong with liking music because it's fun, innovative or like other music you already enjoy.― Tim, Thursday, 30 August 2001 00:00 (twenty-two years ago) link
I think the safest thing people here can do is work on the assumption that everyone here is a music critic. Firstly, because a hell of a lot of people here do it professionally, and secondly - and more importantly - because by writing here you implicate yourself within a critical discourse re music that is both unconscious and inescapable. Unless you limit yourself to "it's just music, man!" posts, you automatically become the enemy of which you speak. And I don't think there's anything wrong with liking music because it's fun, innovative or like other music you already enjoy.― Tim, Thursday, 30 August 2001 00:00 (twenty-two years ago) link
― Tim, Thursday, 30 August 2001 00:00 (twenty-two years ago) link
― Tim, Friday, 31 August 2001 00:00 (twenty-two years ago) link
― Nude Spock, Friday, 31 August 2001 00:00 (twenty-two years ago) link
― ethan, Friday, 31 August 2001 00:00 (twenty-two years ago) link