i thought v. was fucking dull for the first 60 pages or so, but i kept with it and from there on out, it was fantastic; the bit about the priest's interactions with the holy rats in the sewers is probably the funniest thing pynchon's ever written.
i read the cyring of lot 49 in a day, and it was great fun and very inventive and likely his most musical book what with the garage band and the electronic music "club," but it feels increasingly slight and just a wee bit sexist.
the short stories are insightful and informative and worth it alone for pynchon's introduction, which reads just like his fiction. "the secret integration" is the most touching thing i've ever read by him and, indeed, he's still amazed that he wrote it.
i've never vineland or mason & dixon and i don't know if i want to, frankly. i'll defer to the opinion of others on these two.
― fred solinger, Wednesday, 6 June 2001 00:00 (twenty-two years ago) link
― tarden, Wednesday, 6 June 2001 00:00 (twenty-two years ago) link
― mark s, Wednesday, 6 June 2001 00:00 (twenty-two years ago) link
― Richard Tunnicliffe, Wednesday, 6 June 2001 00:00 (twenty-two years ago) link
― gareth, Wednesday, 6 June 2001 00:00 (twenty-two years ago) link
― Ned Raggett, Wednesday, 6 June 2001 00:00 (twenty-two years ago) link
― Mark, Wednesday, 6 June 2001 00:00 (twenty-two years ago) link
Fred is quite right about The Secret Integration. I prefer it as a "gateway" work for those new to Pynchon above anything else he's written, especially (ick) The Crying of Lot 49.
And Steve T's list of musical works that fit Pynchon is a cop-out, coz he mentions or praises most of 'em.
― Sterling Clover, Wednesday, 6 June 2001 00:00 (twenty-two years ago) link
A question related to this - finding music that fit somehow with GR - came up on the Pynchon mailing list like more than a year ago. There were some attempts at answers but I think the best I heard was that there's not really any piece of music comparable to it - it's just too damn big and complicated.
― Josh, Wednesday, 6 June 2001 00:00 (twenty-two years ago) link
'Cop-out'???
― the pinefox, Thursday, 7 June 2001 00:00 (twenty-two years ago) link
― Tadeusz Suchodolski, Thursday, 7 June 2001 00:00 (twenty-two years ago) link
― K-reg, Friday, 8 June 2001 00:00 (twenty-two years ago) link
ha! is Pynchon the anthony braxton of am lit then?
(I got a copy of GR for 3 quid)
― Julio Desouza (jdesouza), Tuesday, 18 March 2003 21:42 (twenty-one years ago) link
― Jess Hill (jesshill), Wednesday, 19 March 2003 00:14 (twenty-one years ago) link
― Dave Fischer, Wednesday, 19 March 2003 01:17 (twenty-one years ago) link
Pleased to meet you.
― A Woman Who Likes "TMR" (Jody Beth Rosen), Wednesday, 19 March 2003 01:20 (twenty-one years ago) link
― Julio Desouza (jdesouza), Wednesday, 19 March 2003 09:08 (twenty-one years ago) link
-- A Woman Who Likes "TMR"
Likewise I'm sure!!
― Jess Hill (jesshill), Wednesday, 19 March 2003 19:53 (twenty-one years ago) link
― elwisty, Thursday, 20 January 2005 00:25 (nineteen years ago) link
― J (Jay), Thursday, 20 January 2005 01:24 (nineteen years ago) link
― zappi (joni), Thursday, 20 January 2005 01:43 (nineteen years ago) link
― elwisty, Thursday, 20 January 2005 01:50 (nineteen years ago) link
― poortheatre (poortheatre), Thursday, 20 January 2005 01:54 (nineteen years ago) link
― elwisty, Thursday, 20 January 2005 02:08 (nineteen years ago) link
in no way analagous is wrong but I've become increasingly convinced that critics' assumptions that there is something called *Art* that can generally be discussed in a similar way, as opposed to more-or-less completely different things like literature and music and painting that need to be discussed in completely different ways is a bad thing.
― frankiemachine, Thursday, 20 January 2005 15:05 (nineteen years ago) link