Bond Pre-Credits Sequences: POLL

The difference is that in the Moore films the humour is before the action, and effectively spoils the build up of tension. In the Connery films the humour is after the action.

went with The World is Not Enough. you can turn it off after it gets to the opening credits.

you're gonna do the title sequence poll too right?

yeah, we're doing everything, soup-to-nuts.

I love the title sequences and Maurice Binder's importance to the Bonds is not to be underestimated, but I can barely remember any of em. You gonna seek out videos of 'em?

IMO that's the one poll Tomorrow Never Dies could do quite well in.

FRWL and Goldfinger feature two early highlights, and Goldfinger is again notable for setting the format of most subsequent pre-title sequences.

I didn't care much for any of the Moore bits, but TSWLM and Moonraker were pretty good. The Living Daylights was easly the best of the 80s crop, and GoldenEye is the reigning modern champ, IMO.

Can't wait for the title poll.

I love the title sequences and Maurice Binder's importance to the Bonds is not to be underestimated, but I can barely remember any of em. You gonna seek out videos of 'em?

I seem to recall that all of them are on YouTube.

'goldeneye' is great, but i think they got carried away in subsequent brosnans, went too big.

correcto

the one where's he's on skis and he goes off a cliff and pulls out a big parachute with the Union Jack on it. the ultimate cheeseball Roger Moore sequence, imo.

ah my quote was a bit abstract.

Sonja: "The Spy Who Loved Me" is a brilliant film. It begin in forest in Germany...
Alan Partridge: It's Austria! Austria!
John: What's the one where the laser beam goes up his jack...
Alan Partridge: "Goldfinger"!
Michael: What's the one with the, with the volcano, and it splits up and a big rocket comes out with all Chinkies jumping up and down?
Tex: Isn't that, er, "Thunderball"?
Alan Partridge: No. No! No! No! Stop getting Bond wrong! I'll tell you about "The Spy Who Loved Me". All do that with your fingers round your eye. I am Roger Moore. Bang! Blood dribbles down. We're on a submarine. Two sailors sit down and have a game of chess. Then the cups start wobbling and then a man who used to be in "The Onedin Line" comes in and goes, "Why are the cups wobbling? What's going on?" And then... yeah, you can stop doing that now. And then he peers down the periscope thing and looks through it and goes, "Oh my God. The submarine's being eaten by a a giant tanker." And then we cut to Moscow. And there's a man there and he's Russian - he's got eyebrows, you know - and he's on the phone going, "What, a whole submarine? You're joking! I'm gonna have to tell some other Russians. See ya!" Right, and then, and then, it cuts to James - Roger Moore - and er, yes, he's with a lady. Yeah. Yeah. He's, he's necking with her. And he goes, "I've got to go, love. Something's come up."
Michael: Aye. He means his cock.
Alan Partridge: Anyway, then he, he, he puts on his underpants and his ski suit and he gets on his skis and he starts skiing. And he's being chased by these Russian shits in black jumpsuits with lemon piping. And, er, he's just skiing along like that, and they start shooting at him, and he goes, "Right! I've had enough of that! Just stop it!" And he turns round with his gun and then he does a backward somersault off this ramp, and he, he lands on his feet - I'm not sure why, but he's not showing off. And then, then he goes over a cliff and he's falling and you think, oh God, James Bond's going to die! He's going to die! But then at the last minute...
Michael: He pulls a ripcord, right? And a, a, a parachute comes out and it's got a Union Jack...
Alan Partridge: Michael! Michael!
Michael: But that'show it ends.
Alan Partridge: That's not the end of the beginning. The end of the beginning goes like this: glang! Glanalangalangalangalangalang! Glanalang, langalangalanga, nobody does it better - and I'm a naked woman in silhouette with a gun, spinning round - Makes me feel sad for the rest. Nobody does it - ooh, bit of nipple - quite as good as you. Baby, you're the best. Da, da, da - and now a really big bounce right over and I land on my feet. Da, da, da, da, da, der. I wasn't looking, so now you found me... ooh, bit of bush, er - I tried to hide from your love life - and a woman swinging on a Luger, a giant Luger; ooh, look at that... Like heaven above me - and now another naked woman walking along the top of a gun, completely Billy Bollocks... The spy who loved me is keeping all my secrets safe tonight - and then one more big swing from the woman; legs go right up - ooh, what was that? Too late... Nobody does it half as good as you, baby you're the best!

In all its glory.

lol I voted for the hovercraft chase. that was actually a lot of fun. FYEO and CR are really awesome too though

I recognised the Partridge quote. I really love the SWLM pre-credit even tho I'm not a Moore fan.

I think I am officially burned out on Moore in the snow

not enough u tube on here

one of the best parts about the Moonraker intro is the way the drumroll continues after Jaws lands on the tent, at which point we see his outline falling through space, then the drumroll finally crashes as the title comes up.

Best James Bond Narrow Escape Scene

Best James Bond Chase Scene

Haha I've read too much economy shitbin threads; I thought "bond pre-credit sequences" were some kind of complex financial instruments or something!

What's with all the SIKEs?

http://www.raf-sylt.org.uk/Eric_Sykes.jpg

Casino Royale is definitely the best of those. A pity the original Casino Royale with pre-cred sequence of John Huston in appalling red toupee and worse Scots accent wasn't included.

Automatic thread bump. This poll is closing tomorrow.

A pity the original Casino Royale with pre-cred sequence of John Huston in appalling red toupee and worse Scots accent wasn't included.

-- Dingbod Kesterson, Tuesday, 26 February 2008 11:25 (1 week ago) Link

decided it wasn't real enough.

i don't feel we've given this poll our all, somehow :(

too soon?

Automatic thread bump. This poll's results are now in.

the opening of 'tomorrow never dies' is basically like 'octopussy'. i think it's kind of good -- got to be better than 'jaws on a plane'.

the thunderball one really is one of the worst of these. like, extra doses of stupid, that idiotic looking helmet, and no tension at all. He chokes to death some french bastard in drag and the straight into 100% dumb. Water spouts? how about just DRIVING AWAY?

not even any good lines!

ok, homeless james bond is pretty stupid, but the "okay, that one's not" line is perfectly delivered and quality lol.

if we ever did an 'implausibly righteous' or whatever poll i think i'd have to cast a vote for the LTK climax with all that truck porn. Especially when it pops a wheelie through the flames.

as revealed here: http://www.youtube.com/watch?v=HpDLRkf2CD0

the only bond with no traditional-walking-along-then-BANG!-gunbarrel-intro is CASINO ROYALE. i hadnt noticed at the time. also connery wore a *hat* in all of his intro bits. whats that about?!

yes i'm stoked by the new trailer. waiting 5 months is a bit of a pain mind.

the thunderball one really is one of the worst of these. like, extra doses of stupid, that idiotic looking helmet, and no tension at all. He chokes to death some french bastard in drag and the straight into 100% dumb. Water spouts? how about just DRIVING AWAY?

relentlessly off tm.

i mean, JETPACK

poll got the only possible right answers in the top two, good job. most of the rest are pretty dull and forgettable though they often do fine setting the tone of the films. i like the living daylights gibraltar run a lot. the blofeld bullshit in for your eyes only is disgraceful.

he drops him down a smokestack, it rules

theme song to "You Only Live Twice" is so amazing

the one where's he's on skis and he goes off a cliff and pulls out a big parachute with the Union Jack on it. the ultimate cheeseball Roger Moore sequence, imo.

was this the View to a Kill one? Didn't they also break out a Beach Boys number mid way? damn