Pitchfork's Chris Ott takes No Prisoners

Aussie buddy Tom Morgan of Smudge wrote most of this record ['Come on Feel the Lemonheads'], and though I'm sure he made some nice money on the royalties for "Into Your Arms", he couldn't have been too happy that a druggie pinup boy reaped all the career-extending rewards.

anyone with either an internet connection or the album itself could tell you that (a) morgan shares co-writing credit with evan dando on 8 out of 15 songs and gets full credit on none, which is not the same thing as writing "most of the record" and (b) morgan had nothing to do with writing "into your arms," that was by another aussie, robyn st. clare, though maybe all those aussie pop geniuses look alike.

frankly, i don't think it's that huge a deal, but then again my name does happen to be...

it's true! we all look like shabby longhairs

also, i try not to miss any chance to enter tom morgan and robyn st. clare into the discussion.

I'm enjoying the article, not for any one album critique in particular but because it gives me a rather neat snapshot of a particular span of time, from when I first discovered, uh, alternative via MTV's 120 Minutes and bought a couple of the records named (a Lush album, actually just found my old cassette of "Happy Days" by Catherine Wheel, "Honey's Dead," "Psalm 69," Sugar, Belly, etc.).. and then saw nearly all the rest of them either show up at my college radio station & get trashed mercilessly by the staff, or already on the shelves of the radio station, never getting airplay.

Thing is I no longer fret so much about what kinda music is cool & actually rebought a couple of albums I'd ditched because, you know, I LIKE Ministry & recently discovered how Depeche Mode are utter genius (and did plenty of brilliant songs well after 1990) & Lush & Belly have some great singles, and I wish I could find my tape of "Harmacy" because "Beauty of the Ride" is another all-time fave of mine.

And who sells "Last Splash"? It never gets old! Nobody sells that! :)

Well as I recall he did that Fischerspooner review and made that astonishing observation wrt Royksopp and microhouse.

http://www.ad.nl/images/posh.jpg

I LIKE Ministry & recently discovered how Depeche Mode are utter genius (and did plenty of brilliant songs well after 1990) & Lush & Belly have some great singles

Daria G just became Dan's and my closest friend.

Tim, yeah, as soon as I typed that I did think, 'oh, Fischerspooner.'

...which is still wrong.

I can't help but smile...

UPDATE: DAMN YOU JORDAN!!!! NOBODY steals my lame replies!

(or else i'll start thinking i'm losing my touch)

For what it's worth, Ott probably turned a couple kids onto Ministry. For that I can forgive most any flaws.

To ‘clear that up,’ in August, PFM had more unique hits than Spin has monthly subscribers. (But this, of course, does not mean that PFM has more readers because that stat doesn’t take into account Spin’s newsstand sales, comp list recipients, and that multiple ppl read each circulated copy of a magazine.)

The website I work for gets around 20 million unique hits a month. And it has around 6 million users a month. Big difference.

No, of course not. I'm not trying to manipulate these numbers to 'prove' PFM is bigger than Spin, just explaining in the face of this confusion and derision the root of that claim (and why, yes, it is flawed). (And I'm probably being defensive in the process, but I personally don't find anything healthy about these sorts of pissing contests. I'm more than happy to defend the site when I think it's being unfairly characterized, but floating misinformation as proof of PFM's size and 'superiority,' I don't find to be helpful to altering the site's image. That's not meant to be a slight toward Chris. We just approach things differently.)