Capital Swamp: The DC Resource Thread

Yea DC 9 is a bit more dancefloor-friendly but I kinda like the RnR Hotel upstairs despite the inferior soundsystem and lack of an establish dancefloor area. It has the various rooms and the couches and pool tables. Somehow, you gotta develop a bigger Moneytown following.

That would be another reason to move - it's a bitch to develop a following out at RnR.

after our last experience playing there i'm not exactly itching to go back.

I'll be working at bringing in more people for the Moneytown thing. My other nights round DC do do extremely well, however. Got one coming up this Thursday. People definitely dance at this one, as the system goes loud...and well the crowd that I get loves it. Here's the info:

HEAT
THIS THURSDAY
August 9th (monthly, every second Thursday)
9:45PM-close (No Cover)
Saint Ex, Gate 54 (14th and T, NW DC) http://www.saint-ex.com/location.html

Dance Floor Funk+Uptempo Soul = HOT. We're talking 70's Soul Brother material......from straight ahead jams with that James Brown punch, to funky island covers. Rated as one of DC's top nightlife events in On Tap Magazine and recently mentioned by NBC 4! ( http://www.nbc4.com/dcscene/13688511/detail.html )

This month featuring DJ Nitekrawler and DJ Lunch Money
Set your soul on fire!

As a last resort, you guys should come out for my Wonderland Night. That night is super outta-control so if you want to dance, there is no better and it's been solid for over 2 years. Here's that info:

BREAKIN' GLASS
Saturday, August 18th (monthly, every third Sat)
10PM-3am
Wonderland Ballroom, (11th and Kenyon, Columbia Heights in NW DC)
OldSchoolHiphop*80s*Electro*Funk*Disco
DJs Nitekrawler & Lunch Money

Boogie til' your glass hits the floor. No Cover!

Thanks for the publicity curmudgeon!

http://www.GoingOutTonightDC.com

Thanks for the publicity curmudgeon!

www.GoingOutTonightDC

Wow, so people pay you folks to tell them the answers to those questions- "Are you on vacation in DC and not quite sure where to go for a fun night out?
Are you new to DC and haven't found your nightlife niche?
Do you frequently visit the DC area for
business and want to get the most out of your evenings?
Would you like a special evening out and just don't have time to do the planning?"

Reviews of Going Out Tonight DC,

"Everyone's got a racket" -- curmudgeon, Friday, July 6, 2007 11:17 PM

Ever heard of the tourist industry, wedding industry, special occasion planning, event planning, conference and meeting planners, concierge services?

You might want to look it up. There's a high demand for services in these industries and we happily serve them all and very well!

Again, thanks for the publicity!

The question nitekrawler and i are pondering is what happened to old DC soul singer Eddie Daye? Have he and Denise moved out of the area?

ISO
Mark Opsasnick would like to conduct interviews with the following individuals, most of whom performed in the Washington, D.C. area during the fifties and/or sixties. If you know their whereabouts or if you have any biographical information about them and/or the bands they played in please send Me an email and I will forward the contact to him

THE THREE OF US TRIO
Clarence Dillard – guitar
Laurence Farrell – drums
Charles Kelly – saxophone/vocals
I have an ad for Clarence Dillard working as a solo performer at the old Club Bali in Washington, D.C. from 1949.
The Three of Us Trio started off as an R&B band and then worked almost every early-era rock and roll club in town from 1952 to 1960.

THE THREE JACKS
Bill Abernathy
Paul Rose
Sonny Kline
The Three Jacks started off as a backing group for pop singer Mary Martell at the Quonset Inn in Silver Hill, Maryland in early 1953.
From mid-1953 to 1960 they worked a number of nightclubs in the Washington area, including a long stretch at the Wheel Bar on Bladensburg Road in Colmar Manor, Maryland.

CHUCK BENNETT
Real name – Charles Avery. He sang with Link Wray and the Raymen for many years in the fifties and sixties and also worked with a variety of other rock and roll bands in the nation’s capital. Is Chuck still with us?

GEORGE EADES
This early-era rock and roll singer worked many local nightclubs including a long stay at Jack Rowe’s in Southeast Washington, D.C. in 1952-53.

"CJ" – CHARLIE JONES (The Fallen Angels)
CJ was the original guitarist for the Fallen Angels back in the mid-sixties. I have never been able to track him down, though he is believed to be living in St. Petersburg, Florida.

MARY MARTELL
Whatever happened to this popular singer from the fifties?

DICK WEBB
Dick Webb was a rock and roll singer that hailed from Anacostia and in the early sixties worked many local nightclubs like Guy’s, the Alpine Room and the Rocket Room with Charlie Daniels and the Jaguars. Webb also released several singles for Epic Records during this time.

DICK WILLIAMS
This country/pop/jazz singer-guitarist worked the local clubs (The Famous, the Ozarks, Strick’s, etc.) back in the fifties and early sixties. He recorded several singles for RCA. I believe he has passed on, but I’m hoping to obtain some biographical information about him.

I shoulda gone to the John Stabb benefit tonight...

I never made it to Fort Dupont this summer. Their soul and funk oldies shows were not as good as in past years. No Stone Soul Picnic at RFK Stadium for me today either. Just off to work on a Saturday (ugh).

Was just up in NYC. Other Music had a few (but not enough) photos on their walls from former DC resident and harDCore bandmember Bert Queiroiz who's living up in Brooklyn and working at OM.

Anything new and exciting, folks?

crossroads sept. 9 - buju banton and beenie man. don't know if i can do the $40 ticket though.

i did find a place here in b-more that does a weekly reggae band/dancehall dj thing on sundays

Did anyone catch the Spectrum show at the Black Cat backstage yesterday? I found out about it too late and wasn't able to make it.

I was reviewing Beach House so I did not get to see Mr. Sonic Boom/Spaceman 3.

Amon--

Crossroads shows never start on time either.

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Upthread we were talking about folks being more excited by Baltimore rock bands than dc ones, and I see they're posting about that at the W. City Paper blog as well. They're getting enthusiastic and nostalgic about Pat Graham's new photo book of early 90s era DC bands.

I'm working on a few new venues now...

Marv!n, just north of 14th & U, is a belgian/soul food bistro with an upstairs cocktail bar and DJ booth. This will be like a slightly smaller but nicer version of the basement at Saint-Ex. They'll be doing funk and soul DJ nights. Roof deck, too. Should be open in a month.

T0wn is going into the old ki1i's cafe space at 8th & U. Primarily gay club, two floors, 1200+ person occupancy. Downstairs will have cabaret/drag shows and DJs later, the larger upstairs will be more of a pure dance venue. Massive soundproofing. Open until 5 on weekends. Opening Oct-Nov.

hm, excitingish local stuff...the blues control/psychedelic horseshit/pink reason show last thursday at 611 fla. was insanely good.

might go to see rah dunes, aunt dracula, lakes, and coconuts at current in bmore tonight. haven't decided if i'm going to deerhunter on thursday.

also we're playing at velvet this friday, then the black cat next tuesday with julie ocean and the hoodoo gurus, which should be weird.

The DJ Hut record store caught on fire. Not good. Channel 4 and the City Paper blog and that dc soul chatboard that nitekrawler posts to have more details.

In more upbeat news, that Ethiopian Millennium show at the DC Armory Sat. September 8th is scheduled to run from 8 to 4 in the morning.

That's the second time in the last couple years that there's been a fire in that building that started at Albertos.

DJ Hut used to house 12" Dance, which was there for 17 years before closing in 2002.

Is that show seriously going to run until 4am at the armory?!? I know they used to have a rule there that all events had to end by midnight, which led to the oddity of the old Ultraworld raves (still the best events I've ever been to) starting at noon.

Starting Sept. 21, Buzz is going weekly again for the first time since 2002 (when they returned to Nation after the shutdown it was as Cubik). They'll be at Fur. We'll see how that pans out.

X-post. Yep, good ol' 12 " Dance Records. As for the Armory, hmmmm, I'm trying to remember how late that Los Tigres Del Norte show at the Armory I reviewed last winter ran. The website for the Ethiopian show says that's the time. I was gonna try to find out more details, but it has not been easy so far. I saw a poster on the wall at Dama, an Ethiopian restaurant in Arlington, advertising Ethiopian Millenium celebrations. I then did some googling and found
http://www.ethiopianmillennium2000.com/millennium.html It does not list the names of the performers (unless the Amharaic writing does so, but not in English!) so I e-mailed them for more information. It took 3 e-mails for them to understand that I wanted the first and last names of the performers (they ultimately sent me such names for a handful of the 25 performers).

On Wednesday September 12 there is also an Ethiopian Milennium celebration near the Washington Monument. I have no details on that.

So the Deerhunter show in DC was just on Black Cat's backstage? I would have thought that with the attention they've gotten this year they'd be on the mainstage. I can never figure out DC rock audiences these days and who's popular. So the (overrated, but with a few nice mellowish Leonard Cohen singing with a Brit sounding group) National are playing 2 nights at the 930 club.

I need to see the Points.

So there's a myspace site for restaurant/club Selam

http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=129668564

<i>So the Deerhunter show in DC was just on Black Cat's backstage? I would have thought that with the attention they've gotten this year they'd be on the mainstage. I can never figure out DC rock audiences these days and who's popular</i>

I thought the same thing with respect to The Lucksmiths, who are playing DC9 later this month. I figured that The Lucksmiths-- playing with Ladybug Transistor no less-- would be enough of a draw for the Black Cat mainstage. Not that I'm complaining!

Still Flyin' are playing that Lucksmiths/Ladybug Transistor show. Wish I could see that, but I got tix to another show that night.

How come Maryland soul acts the Hardway Connection and Jim Bennett & Lady Mary never play DC? Some of those folks digging Skip Mahoney and other soul acts at Carter Barron and Fort Dupont would show up I think?

MN8 productions should give 'em a try.

I hope the Buzz dj promotion folks are a little more imaginative this time around (please not just the same big name trance and drum & bass acts) at Fur. How about obscure African-American house djs and German minimalist kompact djs and dancehall djs and dj rupture types?

GLOW has pretty much taken over the big name trance. Buzz announced their opening night lineup and it's Moby, Sander Van Doorn, and Scott Henry. Not too exciting, but I'll go because Moby's actually a pretty damn good DJ.

I'll reserve judgement until they announce the first full month of lineups - I really hope they're bringing up and presenting new talent and genres instead of booking the same names that were playing Buzz 5-10 years ago...

Wonder what ever happened to these guys...

Check out the Blackcat schedule for Sept. 14th :)

Nitekrawler spinning Afrobeat I guess. So, do you like Chopteeth's Fela homages? I guess since good Nigerian bands do not come through town that often, Choteeth serve a function (and/or maybe they have gotten more original since I listened to that one cd)

Group told me to play obscure uptempo funk actually, no afrobeat.

That's odd. I guess they just wanted live afrobeat. Anybody make it to any of those Wilson plaza near the Reagan building shows? I hear that Willie Colon was great in the rain last Friday and there were thousands there to see he and his band. Last night while I was helping my kid study for his science test and write an English paper after baseball practice, Little Richard and the Jewels were there. Also, I think obscure local soul/r'n'b band the Mustangs are gonna play there at lunchtime soon.

Other stuff I missed last night(Thursday the 20th): Opening of a Brazilian dj Thursday thing at St. Ex; a Curley Taylor zydeco show; the NEA Roots music Heritage Award show and I think a decent indie rock show or 2.

endless boogie last night = so awes

Like for real or in an "ironic way." Read that they were influenced by Canned Heat!

oh no, very very much for real. i mean, basically the thing is that they take a real raw groovin blues rock jam approach, locate the exact moment in said jamming where you achieve liftoff, and just extend that out for like 20 minutes. they have fun with it but that's obviously not the same thing as an ironic take (not that you implied it was!). also, nicest dudes ever.

I was there too, fuckin' awesome. Why can't DC have local bands like that? I had to bail before Circle, did anyone see them?

Are people reading music blurbs on who's appearing in town, in the Onion, as well as elsewhere(City Paper, W. Post,W. Post Express, blogs, club websites, e-mails) or instead of? Or are they not reading the Onion? Any circulation experts or folks with anecdotes out there?

Gonna be out of town and miss the dc library benefit at 930 with ESL djs and Federal Reserve bands. Sometime I'll finally see Kitty Hawk.

930 Club's Seth Hurwitz sure seemed like he was snoozing as first the Birchmere and and eventually live Nation got involved with trying to open a club in Silver Spring. He's complaining now about Montgomery County and State of Maryland tax payer dollars going into the Sliver Spring Fillmore. Where has he been? The County has been talking about this for like a year now.

Not that I think it's a good thing. Live Nation has the reputation of Walmart without the low prices.

Correct me if I am wrong, but I do not get the point of the DAM(District Awake Music) Festival. It looks like the same indie-rock bands that play local clubs every other night of the year.

The Washington DCJCC’s Annual Hyman S. & Freda Bernstein Jewish Literary Festival presents Steven Lee Beeber, author of The Heebie-Jeebies at CBGB’s: A Secret History of Jewish Punk and panelists Mark Jenkins, Steve Kiviat and Lauren Strauss at the Black Cat on Tuesday, October 9 at 8:00 pm.

With a dynamic interplay of information and music (including the Ramones song "Commando" with the line “Fourth rule is, eat kosher salami”), the panel will explore the Jewish origins of punk rock. The centerpiece will be Beeber’s book, which will be available at a signing following the program.

The Heebie-Jeebies at CBGB’s is based in part on recent interviews with more than 125 people —including Tommy Ramone, Chris Stein (Blondie), Lenny Kaye (Patti Smith Group), John Zorn and the late Hilly Kristal (CBGB’s owner). It focuses on punk’s beginnings in New York City to show that punk was the most Jewish of rock movements, in both makeup and attitude. As it originated in Manhattan’s Lower East Side in the early 1970s, punk rock was the embodiment of a Jewish cultural tradition that found its ultimate expression in the generation born after the Holocaust.

Beginning with Lenny Bruce, “the patron saint of punk,” and following pre-punk progenitors such as Lou Reed and The Dictators,and on into Joey Ramone, Tommy Ramone, Lenny Kaye, Chris Stein, Richard Hell, Alan Vega, manager Danny Fields, Jonathan Richman, Hilly Kristal, founders of Punk magazine, various photographers, and others this fascinating mix of biography, cultural studies and musical analysis delves into the lives of Jewish punks to create a fascinating historical overview of the scene. Reflecting the irony, romanticism and humor of the Jewish experience, this tale of changing Jewish identity in America reveals the forces that drove New York Jewish rockers to reinvent themselves and popular music...

bump

The Black Cat backroom was packed for the Beeber book thing and panel. Ian M. told me afterwards that Bubba Dupree from Void is Jewish. Who knew? I always liked Void anyway, and now I can claim Bubba as a fellow member of the tribe.

DC Reggae Awards coming up October 30th at Zanzibar. WKYS Go-go Awards November 18th(?) at DAR Constitution Hall.

I wanna see Marcel Montano's soca and more band when they're in town next weekend for Howard U.'s homecoming. Plus I bet the Saturday night step show that weekend at the Armory will be awesome.

Anyone wanna join me in hating on the predictable DAM Fest. I want a DC event that mixes All Tomorrows parties approach with a Ponderosa Stomp Approach and throws in some club and reggae fest action as well.

Buzz appears to be bringing in the same 'ol names-Carl Cox, etc.

Yea some interesting bands are appearing in town in conjunction with the Dam Fest, but heck, there are always rock bands worth seeing here--what's unique about this. I'm not just being an old guy disdainful hater--when I was in my early 20s I was digging Minor Threat, King Sunny Ade, Troublefunk, Sugarhill label rap, Delta 5, Clifton Chenier, and Prince. Is it wrong to expect more than just rock now?

I love listening to PFW 89.3 on Saturday mornings and afternoons for the chitlin circuit blues and soul but they're doing one of their 4 times a year pledge drives again. I usually contribute although these drives run on too long(10 days to 2 weeks I think), and I have my doubts on how efficient the station is run.

Mika Miko at AU, Kay Spiritual Life Center
American University (Tenleytown/AU on the red line- courtesy shuttle to campus) 4400 Mass. Ave. NW
tonight for free with DC's the Apes. Sounds promising though there are like 2 other bands on the bill(I'm tired of overly long shows)

Justin Moyer's blogging his band's European tour over at the Washington City Paper blog.

The Going Out Gurus do a little nightlife agenda at washingtonpost.com each week (Rhome and Fritz help make it more than just rock, and the rock choices are impressive and often obscure).