Angel Haze

deej you were saying this about angel haze before this album came out, so it's obvious you just don't/can't hear what makes her great in the first place

Yes, deej's criticism is fair enough (though I disagree) but it's not relevant to the drop-off from Reservation to this album.

the one "artistic" choice i think maybe she flopped on is trying too hard to be a capital p poet?

also running all her songs through the Skylar Grey machine

i think we can actually just go ahead and call it the sia machine now

the other thing with this album is that it sounds like it was designed for a live band, even when it's not being played by one. it's loud and in-yr-face and i'm not sure that's the best look over the course of an album for her - so many of her best moments previously have been v much brooding/introverted in terms of delivery

xp the markus dravs machine more like

is this likely to make any dent in the charts at all? feel like she's only going to move kreayshawn-style numbers, but idk

the release last week was only digital (with a CD release to follow in the UK soon and later in the US) -- obviously most of her sales were gonna be digital anyway but that certainly lowers the bar even further

i wasn't saying you don't know anything about jazz i'm saying you were talking some really cliched basic shit that's been said like 8 zillion times on ILM (ie jazz 101) and acted like you were educating us

in the case of Yelawolf i think he had great phrasing as Matt DC said

― ilx snitch (upper mississippi sh@kedown), Tuesday, January 7, 2014 9:34 AM (2 hours ago) Bookmark Flag Post Permalink

well it was a one-sentence post without references to jazz but people asked for clarification so i gave it

the word now is that Angel Haze's album will debut at #196 on the Billboard 200 with 857 copies sold. so about a quarter of Kreayshawn's numbers.

welp

haha

damn that's dreadful

"technical frippery" is a maybe too-easy shot to take at a technically skilled rapper u don't like and i understand everyones exasperation there probably are more fruitful ways to talk abt why this sucks, but i don't think matt dc is making a different point or using a less false binary, seems like just swapping the word "musicality" for "songwriting"

Well I think the point is that these things aren't fixed properties, and technical frippery and musicality aren't playing a zero sum game where one always comes at the expense of the other (deej wasn't actually saying that, but it's worth teasing out anyway).

I would recast Deej's point to say that when the strength of material is there it's easy to then be wowed by the technical prowess and take everything else for granted a bit, but when the rest ebbs away it becomes readily apparent that technique alone isn't enough and may not even be the dominant quality that made the artist's prior work so special.

But the above is less about Yelawolf and Angel Haze in and of themselves and more about how we talk about artists like these.

i don't really see that it's all that relevant a point here seeing as no one brought up technical frippery as a criticism except deej, who hasn't provided any examples and who was making the same argument about angel haze when reservation came out

I think the comparison with Yelawolf is relevant and useful, even if I disagree with deej's take on both artists.

yes, but for different reasons than "technical frippery" - more to do with personae that don't fit into the (increasingly narrowing) parameters of rap fandom, but make even less sense when recast as commercially viable major label prospects

xp fine, if you're only interested in criticisms by people who liked reservation

i pretty much am tbh

or at least if you're using the same criticism about new angel haze that you were about old angel haze it doesn't exactly scream insight because this entire discussion is about why the new stuff is worse than the old stuff

ya i get that

i just happen to agree with deej in not liking a lot of the early stuff, too

yes, but for different reasons than "technical frippery" - more to do with personae that don't fit into the (increasingly narrowing) parameters of rap fandom, but make even less sense when recast as commercially viable major label prospects

― lex pretend, Tuesday, January 7, 2014 9:56 PM (3 minutes ago) Bookmark Flag Post Permalink

I think this is definitely a big part of it as well, but I would be reluctant to reduce their appeal/distinctiveness to "personae" when for me a lot of it comes down to how their personae and their rapping styles inform and reinforce one another.

the word now is that Angel Haze's album will debut at #196 on the Billboard 200 with 857 copies sold. so about a quarter of Kreayshawn's numbers

Whoever could have foreseen that forcing the release on December 30th might backfire?

Also wow, REALLY no one buys albums any more if that number gets you even in the top 200.

https://twitter.com/factmag/status/420690125861834752

I didn't know Angel Haze had so many UK fans!

Pretty sure they've been promoting her more heavily here than in the US, she's been at loads of festivals, on the Rudimental album etc.

i mean i'm not really into this album but :(

"battle cry" is getting radio 1 play i guess?

ahh yeah i wondered if there was some misinformation in there. still...we should know in a couple days what her US number is. people will be amazed and impressed now if she does 5k.

perhaps this is destined for the 'heatseekers' album chart in the us

http://instagram.com/p/lELvk8rmnl/

link won't open for me?

http://noisey.vice.com/blog/angel-haze-on-hip-hop-and-cultural-appropriation-2015

She needs to name some names.

her new tape is out. and it's rly good.

"impossible" and "babe ruthless" are amazing

i just realized the producer went to high school w/ me O.o

really great interview

http://www.billboard.com/articles/columns/the-juice/6693399/angel-haze-back-to-the-woods-exclusive

"yung rap morticia / no bible all scripture / real shit rap god, your favourite rapper's mortician"

this really is everything i hoped dirty gold would be

it's crazy good. her best release so far imo

Halfway through first listen and I fucking love this.

Btw guys, the billboard article clearly says Angel Haze prefers "they" pronouns, so maybe good not to disrespect their wishes on that front?

fuck sorry, my bad

great interview w them

http://www.thefader.com/2015/09/17/angel-haze-back-to-the-woods-interview

i find it v funny that people talk of drake as setting the bar for confessionalism in rap when angel haze exists

i mean sure, but "dirty gold" was so bad it had me ready to revoke my stan card so i don't blame people for losing interest or not talking about them

this is really much much better, and really Dirty Gold was their only "enhh" release so far

I have been caning this today. I'm sort of surprised I like the "singy" songs so much, as they are less my normal wheelhouse but pretty much everything about this record works for me.

Also, thanks Simon for being cool about being pulled up on the pronouns thing.

having read plenty about their experiences making this record I was mortified at myself for the slip tbh

meanwhile I like the sung songs less this time 'round, "Dark Places" excepted (only two listens so far). Good interview, horrible headline.

i generally like angel and ill check this out but them saying this makes me really uncomfortable “Last night I was super, super suicidal,”

obv its healthy to really express ones tru feelings but that strikes me as trivializing & idk if angel was really in that mindstate then get sum help immed dont do interviews to promote your mixtape