National Record Store Day

Rsd 7 inches can be so dumb, like a 45 of w popular songs that never even existed in the first place

https://redirect.haulix.com//89510/PromoImage.jpg?width=425&height=425

• Song premieres on Stereogum + Noisey
• Available on vinyl ONLY, limited to 500 on "Fake Grape" purple vinyl
• Record release show scheduled at Palisades (Brooklyn, NY) on Tuesday, April 28

Faux Real II is the second volume in the Faux Real compilation series, originally launched as a Record Store Day exclusive in 2014. Rising from the ashes of its RSD15 rejection, Faux Real II follows its predecessor with ten new covers of songs originally made famous by faux musicians. Faux Real II is available April 28, 2015 only on “Fake Grape” vinyl, limited to 500 copies (includes digital download card), and will not be released digitally.

LPs can be pre-ordered from the following labels:
Father/Daughter
Exploding In Sound
Double Double Whammy
Anchorless
Team Love
Art Is Hard (UK)
Jet Set Records (Japan)

And will be available for purchase starting April 28th from:
Deep Cuts at Silent Barn (Brooklyn, NY)
Rocket Number Nine (Kingston, NY)
Team Love Ravenhouse Gallery (New Paltz, NY)

Additionally, Father/Daughter will host a Faux Real II record release show on Tuesday, April 28th at Palisades in Brooklyn, NY with live performances from Bellows, Small Wonder, Rivergazer, and Sharpless. A limited number of LPs will be available for purchase that night or pre-order your copy of Faux Real II on vinyl with a ticket to the show here: https://www.ticketfly.com/purchase/event/780453

Track Listing
01. Chumped - “Threshold” (Scott Pilgrim vs. the World)
02. Krill - “Billy Madison Victory Song” (Billy Madison)
03. Quarterbacks - “You Painted My World” (The Adventures of Pete & Pete)
04. Running In The Fog - “Killer Tofu” (Doug)
05. Allison Crutchfield (of Swearin’) - “Special To Me (Phoenix Audition Song)” (Phantom of the Paradise)
06. LVL UP - “Somebody Kill Me Please” (The Wedding Singer)
07. Sharpless - “Franz Kafka” (Home Movies)
08. Rivergazer - “Fever Dog” (Almost Famous)
09. Paint Sepsi - “I Must Be In Love” (The Rutles)
10. Small Wonder - “Margerine” (The Simpsons)

apart from Adam Sandler screaming with a mullet none of those songs ring any kind of bell and I've seen most of those films. guess they blew their load on volume 1

Last Year's Faux Real (limited to 500 copies on yellow wax)

1. Bent Shapes – “Ow, My Face!” by Mystik Spiral (from Daria)
2. Potty Mouth – “Take Me Away” by Pink Slip (from Freaky Friday)
3. Levek – “Don’t Blame the Dynamite” by Dr. Teeth and the Electric Mayhem (from The Muppets)
4. Cocktails – “The Dark Side” by Eddie and The Cruisers (from Eddie And The Cruisers)
5. Sadie Dupuis (of Speedy Ortiz) – “Pretend to be Nice” by Josie and The Pussycats (from Josie And The Pussycats)
6. Body Parts – “Stand Out” by Max Goof (from A Goofy Movie)
7. Field Mouse – “That Thing You Do” by The Wonders (from That Thing You Do)
8. The Everywheres – “Eep Opp Ork Ah-Ah” by Jet Screamer (from The Jetsons)
9. Radiator Hospital – “How Did I Ever Get So Lucky?” by The Cattanooga Cats (from The Cattanooga Cats)

Somebody should do the Rex Manning song next year.

http://www.digitalmusicnews.com/permalink/2015/03/20/sorry-indie-labels-record-store-day-doesnt-care-theyre-hurting-business

Mr. Pine, surely you jest. How could you forget The Rutles?!

https://www.youtube.com/watch?v=54KBPA20b9Q

I can assure you the Sharpless Franz Kafka is REALLY weird

'Tis an exciting Record Store Day for us here at Light In The Attic-in addition to the slew of distribution titles (check our site for more info), we are proud to announce the following LITA zingers below.

Also if in LA, please join us for a special midnight screening of Shogun Assassin at Cinefamily on RSD, April 18th-details HERE.
http://blog.lightintheattic.net/wp-content/uploads/unnamed3-675x675.jpg

Thanks as always.
Willie Nelson
Teatro
Available: April 18, 2015

Location is everything. When Willie Nelson and album producer Daniel Lanois set out to create a cinematic-sounding album, Teatro, they took over a disused movie theatre in Oxnard, California, and pictured its dusty glory on the LP sleeve. Recorded as-live in situ amid the red velvet seats, Teatro sees Nelson working extensively with his frequent collaborator Emmylou Harris, who joins him for duets and on backing vocals on 11 of the 14 tracks.

The other major player is collaborator Daniel Lanois (producer of Bob Dylan’s Time Out of Mind, Emmylou Harris’ Wrecking Ball), who produces the album, plays guitar and bass, took the cover photo and wrote one of the album’s songs, "The Maker”, a stunning performance with glacier-thick vibe and where Red Headed Stranger masterfully meets the Brian Eno/Lanois classic Apollo.
Reinvention is key on Teatro, with Nelson revisiting a number of songs he first wrote in the 1960s, including 1968’s "I Just Can’t Let You Say Goodbye” and 1962’s “I’ve Just Destroyed the World” and “Three Days”. Though the songs are familiar, the sounds aren’t: Teatro found Nelson experimenting with rhythms and flavors as never before, from the Spanish-influenced “Darkness On The Face Of The Earth” to the double-drum-kit percussive groove of “My Own Peculiar Way”.

Originally released by Island Record in 1998, Teatro is issued here as it’s never been seen before – on vinyl. Pressed on gold vinyl with a deluxe, gatefold, ‘tip-on’ uncoated jacket, this is a chance to own this unique album in its most beautifully presented form.

Shogun Assassin Original Soundtrack Recording
Available: April 18, 2015

It’s not unusual for hip hop artists to immortalize something by sampling it, but few did so as extensively—or as effectively—as GZA in his use of snippets from Shogun Assassin on his 1995 album Liquid Swords. Though we know them as elder statesmen now, in the mid-90s The Wu-Tang Clan were the spookiest kids on the block, sharing an obsession with shaolin monks, B-movies, and soul-chillingly dark string samples. Producer RZA was a big fan and let the soundtrack shape his work on his bandmate’s solo LP.

“[The album tells] the story of a shogun told through different narratives and scenarios. It’s not a theme but more like a thread throughout the album,” GZA has said. “While we were mastering the album, RZA asked the engineer to go out and get it and bring it back to us. That’s when I watched it. I loved it immediately and thought it fit with the album well.”

The film’s soundtrack blends eastern melodies chiming out of futuristic synths, electronic beats, and bouncing disco bass lines introduced by a child’s ominous voiceover. It was neither Japanese nor authentic. It was, in fact, recorded and mixed at Icon Studios, Hollywood and composed and performed by W. Michael Lewis (of LA disco pioneers Rinder & Lewis) and Mark Lindsay, a man well known as the frontman of hit 1960s beat group Paul Revere & The Raiders. The combination produces results that are typical of neither and all the more intriguing for it.

Never officially released on vinyl beyond a limited promotional pressing, this is your chance to own the highly sought after LP. It’s sure to be of interest to soundtrack buffs, Wu-Tang lovers, Tarantino aficionados (who may recall Shogun’s homage in Kill Bill Vol. 2), and fans of experimental synth music.

LITA Zine Issue 7
Legend has it that each year on Record Store Day, the Light In The Attic zine magically appears, as if by alchemy, in fine retailers across the globe. These small, ancient, newsprint catalogs of days gone by unveil highlights from the past year’s releases, teasers of things to come, and other pertinent musical musings. This issue features exclusive interviews with Françoise Hardy, Willie Nelson, and Sly Stone,

would it kill you to just put links instead of these ridiculous promo dumps?

yeah

I prefer the full text

you would

Those two are press releases in email; I incl. any links in them (except for ones with passwords). The movie poster is a link. For audio samples and info on other offers, like it says at the beginning, see LITA's label site.

vinyl edition of Elliott Smith's s/t is blue, appropriately enough. Ditto blue & white cover---the images---were on the original, right
https://www.newburycomics.com/rel/v2_viewupc.php?storenr=103&upc=103-2095055N

I meant to write "right?"

Numero's Ork box

https://files.ctctcdn.com/62ea251b001/0d95d805-db75-4023-945c-775a75dd2367.jpg

NUM707

Ork: Box

At the epicenter of New York's most significant music scene was an instantly-forgotten record label; Ork Records, the first punk label and the original "indie." For the first time ever, the monumental output of this explosive imprint's 1975-1979 run is all in one place. Sixteen singles that birthed punk, no-wave, power pop, and the next four decades of indie rock, including the debut releases from Television, Richard Hell, Richard Lloyd, Cheetah Chrome, Alex Chilton, the DBs, and Chris Stamey, future nuggets by the Revelons, Student Teachers, Prix, Marbles, Idols, Mick Farren, and Link Cromwell, and previously unreleased singles from the Feelies and Erasers. This is a limited edition of 2000 carefully replicated 7" sleeves ensconced in a custom box modeled on period-specific Ork mailing labels.

01. Television - Little Johnny Jewel Pt. 1

02. Television - Little Johnny Jewel Pt. 2

03. Richard Hell - Another World

04. Richard Hell - Blank Generation

05. Richard Hell - You Gotta Lose

06. Marbles - Red Light

07. Marbles - Fire And Smoke

08. Alex Chilton - Free Again

09. Alex Chilton - The Singer Not The Song

10. Alex Chilton - Take Me Home & Make Me Like It

11. Alex Chilton - All The Time

12. Alex Chilton - Summertime Blues

13. Prix - Girl

14. Prix - Everytime I Close My Eyes

15. Prix - Zero

16. Mick Farren - Play With Fire

17. Mick Farren - Lost Johnny

18. Link Cromwell - Crazy Like A Fox

19. Link Cromwell - Shock Me

20. Chris Stamey - Summer Sun

21. Chris Stamey - Where The Fun Is

22. Chris Stamey & The dBs - I Thought You Wanted To Know

23. Chris Stamey & The dBs - If And When

24. The Feelies - Fa Ce'La

25. The Feelies - Big Plans

26. Richard Lloyd - Get Off My Cloud

27. Richard Lloyd - Connection

28. Erasers - Funny

29. Erasers - I Won't Give Up

30. Idols - You

31. Idols - Girl That I Love

32. Revelons - The Way You Touch My Hand

33. Revelons - 96 Tears

34. Cheetah Chrome - Still Wanna Die

35. Cheeta Chrome - Take Me Home

36. Student Teachers - Christmas Weather

37. Student Teachers - Channel 13

Listen to Television's debut single "Little Johnny Jewel Pt. 1":http://pitchfork.com/news/58199-numero-group-to-release-ork-records-box-set-featuring-television-alex-chilton-the-feelies-more/"> http://pitchfork.com/news/58199-numero-group-to-release-ork-records-box-set-featuring-television-alex-chilton-the-feelies-more/

(they've also got a Bedhead box and "outsiders 60s comp" mentioned in that link)

Sleater-Kinney apparently are doing a signing/meet & greet for RSD at Cactus Music in Houston (they're playing a big club downtown that night).

No news re price, the Ork box?

When asked at the record store if there was anything I'd like them to order for RSD I answered I'd only consider the Ork box if it'd be reasonably priced. €160. No thanks.

ow.

damn that's even more than i expected

Maybe transatlantic distro is included in that price and it'll be cheaper in the US?

maybe!
one cool Ork thing i'd never heard before is the Link Cromwell single -- Lenny Kaye's 60s band, which appropriately enough would've fit right in on his Nuggets comp.

I can assure you the Sharpless Franz Kafka is REALLY weird

― Bringing the mosh (Jimmy The Mod Awaits The Return Of His Beloved), Tuesday, March 24, 2015 9:41 AM (1 week ago) Bookmark Flag Post Permalink

https://soundcloud.com/fatherdaughter/sharpless-franz-kafka/s-GAaTc

'franz kafka' is one of the greatest accomplishments in animation

would totally buy a cd of the ork thing. hope they put one out. or a two cd thing. 7 inch thing is just annoying.

or does a cd comp already exist? i've never actually looked...

i think this is the first time they've been compiled in one place -- it's definitely the first time those feelies demos have been released.

some links in this linked round-up: http://blurtonline.com/news/last-minute-record-store-day-2015-titles-announced/, which I don't have time now to check further, but I'm curious about these:

The H-Bombs – The Great Lost H-Bombs Double EP (two 10” Eps; pre-dB’s/Let’s Active band featuring Peter Holsapple and Mitch Easter)

Big Star – November Boys 7” one-sided single (long-rumored “answer single” that Chilton, Stephens and Hummel had reportedly cut one Quaalude-fueled night at Ardent Studios in Memphis after watching a Bangles video on MTV, includes digital download for the track + special “Stringfellow remix” version of same) (3000 copies)

Shoes – Boots ‘n’ Laces b/w Brannock Device 7” (power pop icons’ 45 reissued; originally released as fanclub-only single 4/1/81; shoe-black vinyl) (750 copies)

Doors – Rock Is Dead mega-mix 12” (legendary final studio session from the late Jim Morrison, rarely bootlegged, in which he chronicles a semi-history of rock ‘n’ roll; benefit disc for Save The Whales Foundation; special Ralph Steadman artwork) (4500 copies)

The Sidewinders/Sidewinder– The Sidewinder(s) Sessions split 7” EP; “depressed grey” vinyl (legendary Tucson desert rockers and legendary Raleigh classic rockers bury the hatchet and do two songs apiece of each other’s faves as voted on by fans; includes bonus flexi disc from the Sand Rubies doing “special Tarheel mix” of their own song “Goodbye”) (100 copies REGIONAL EXCLUSIVE, 50 apiece for NC’s Schoolkids Records and Tucson’s Zia Record Exchange)

think you've been april fooled!

Cleveland Indie opts out of Record Store Day because it's become too big to fail:

As a small brick and mortar shop owner, the frustration starts with the ordering process. Here is how the RSD ordering process goes down. All music stores have “distributors” that we “order/buy” the releases from. Typically, big labels (say, Columbia) use big distributors (probably, Super D). For RSD, the shops usually start getting lists from their distributors as to what they are carrying in late January. Record stores have to compete with one another as to what we want to carry. Since we all know that volume will give the stores an advantage, we over inflate an order hoping to get at least a couple pieces of that title. For example, last year we might have ordered 20 copies of the Joy Division 10” hoping to get at least 3 or 4 copies for the shop. (In actuality I think that we got 1 copy.) It is the distributors that control the fate of who gets what. Typically, it is the big independents (like Ameoba, or locally, The Exchange) that get priority. OK, that’s just how it is. Since we are way down on the food chain, Blue Arrow Records got accustomed to our small allotment of “pieces.” Typically, the shops would get notified of what our allotments would be a month or so prior to the big day and we would then start to get our allotments during that period 2 weeks prior to RSD.

Last year, I ordered over 125 separate titles; most of the titles from a single distributor (whom I will not name at this point). We started to receive our allotments from the smaller distributors roughly 2 weeks prior to RSD (which was Saturday, April 19th). In an April 3rd email from my largest distributor, I was told that they would start shipping on Monday, April 7th. So I thought, “OK, that is plenty of time.”

In my experience, it's been that most stores don't know what actual product they're getting until they open the box.

it's truly the weirdest way to do things.

i mean there has to be a way for people to make something and then sell it and ship it before a specific date to the people who purchase it? or am i crazy?

What I find hilarious is the handful of limited releases every year that aren't available until AFTER the proper RSD date.

Cause they're limited?

No, because they flubbed the deadline.

it's truly the weirdest way to do things.

It's so bizarre. And I spend the month before RSD explaining, over and over, that we A) don't know what we'll get and B) can't hold anything so if you want something, show up early. And we've got a much larger indie across town who order at least 10 of everything so when people do come here early and leave without their precious Guardians of the Galaxy cassette they just think we're assholes.

RSD spreads the love...

I'm sure we will see some long winded apology penned by RSD staff, followed up by a "we're going to do our best to improve this situation" blah blah. Just scrap the whole thing.

No, because they flubbed the deadline.

― austinato (Austin), Monday, April 6, 2015 2:17 PM (24 minutes ago) Bookmark Flag Post Permalink

OH! I skimmed over the "until" in your post.

Add in the fact that majors are monopolizing limited pressing plant resources with rsd releases, causing months-long delays for indies (and likely contributing to the increasing crapulence of new pressings):
http://noisey.vice.com/blog/how-independent-artists-and-labels-are-getting-squeezed-out-by-the-vinyl-revival

the compact disc is really the way to go when it comes to 95% of new releases.

you know what else is awesome? spotify!

Can't tell if you're being facetious.

no, I'm not joking about new releases. most new vinyl releases are digitally sourced so why bother with vinyl? and I just started checking out spotify for the first time this week and it's cool! it's probably a fad with me though. it's still strangely airless like when I heard digital radio for the first time. but so much moombahton!

I have Spotify, but use it rarely. And even then, it's mainly to preview stuff I want to buy anyway.

Good point, though RE: new release vinyl.

in my experience w diy shit the point of vinyl is that it's a precious object (...that you can justify owning because the grooves last forever, man, and that shit won't decay like a cd, maaaaannnn...) more so than an actual medium. Yeah, you can listen to it at home but 90% of the time it's just the digital download code on your iDevice. The vinyl is the illusion that you actually BOUGHT SOMETHING and the fact that the something is BIG is important.

A lot of smaller DIY types (inc some friends of mine) are big into cassettes for the same reason, only the illusion that they will last forever is a non-factor. Think a music-based Hummel. It's actually junk but you can convince yourself it's cute if there's, like, a hand printed cover or some shit.

The CD as initial release is fine logically in that digital origin --> digital delivery makes sense. The problem is the youngs don't value CDs bc they have always been able to copy them willy nilly -- and rightly so. CDs are light, cheap to produce, unpleasant to hold in the hand. Further, bc your first move w a CD is to rip it into your computer you have the knowledge that you're "done with it" and can give it away to a friend/resell it. Y'know, typical audiophile complaints.

afaict the actual MUSIC part of RSD has always been BS. It's always been about the product, and I don't mean that in the hippie way. I can't think of a first run album that has come out on RSD, but frankly I think that'd be pretty awesome if Kanye released an album, vinyl only, in an Urban Outfitters-quantity run on RSD.

The inability for little labels to make anything between november and april is a whole other tragedy...

late 90s, in the U.S. at least, more new indie vinyl albums tended to be at least a couple of dollars cheaper than the cd. (kill rock stars, matador, merge..)

and they sounded really good. belle & sebastian and elliott smith sure did, anyway.