I like things about the Hellboy films but I think they don't comfortably fit into the sort of film structure they're trying for.
― Robert Adam Gilmour, Wednesday, 8 April 2015 17:07 (eight years ago) link
it has moments but I really can't stand Shyamalan's filmmaking, full stop
― mh, Wednesday, 8 April 2015 17:15 (eight years ago) link
Tokiwa is on Netflix streaming now.
xposts
― EZ Snappin, Wednesday, 8 April 2015 17:29 (eight years ago) link
Wow, that's odd. Wish I had American Netflix (the British version was inferior last time I checked)
― Robert Adam Gilmour, Wednesday, 8 April 2015 17:35 (eight years ago) link
xp It is? I don't see it.
― Nhex, Wednesday, 8 April 2015 19:41 (eight years ago) link
Marvel superhero films end on an up note* but they can also have consequences - I know people with a lot of good things to say about Iron Man 3's presentation of Tony Stark's PSTD, which comes straight out of Avengers.
Hellboy love completely mystifying over here as well.
* there is a thing where "An entire city got levelled but we won in the end" is an upnote, but we should probably blame idunno Independence Day for that rather than anything superhero-specific.
― Andrew Farrell, Wednesday, 8 April 2015 20:23 (eight years ago) link
That sort of unceremonious grand scale violence has been in superhero comics forever. I remember Juggernaut knocking down the twin towers and it barely having any sense of gravity and I doubt it was mentioned again. When he was standing next to crying Dr Doom after September11, maybe he was saying "didn't I knock these down 10 years ago?" (but again, Romita Jr said their presence was not to be taken literally)
Cities are trashed all the time in these comics and everything goes back to normal soon enough, but you might say that's a problem in shared universe stories where every creator is working with hundreds of others.
I remember reading someone in the 80s being horrified by the violence in Indiana Jones because it all seemed so inconsequential. Watchmen movie in particular got flack for death of lots of people as empty spectacle.
― Robert Adam Gilmour, Wednesday, 8 April 2015 20:43 (eight years ago) link
I think in the comic plot of the upcoming marvel movie, the civil war, things get started by hulk killing 20+ people in a fight in vegas. wouldnt be surprised if hulk gets into some trouble at the end of the nu movie
― panettone for the painfully alone (mayor jingleberries), Wednesday, 8 April 2015 20:46 (eight years ago) link
it's true that the majority of Marvel/DC superhero comics do not concern themselves with the impact of superhero antics on non-superheroes (there are exceptions). And both companies' long-established business practices of alternately sustaining and then violently disrupting continuity also contribute to this feeling of nothing being at stake - don't worry, if anyone dies they'll just be resurrected or reincarnated or flown in from an alternate universe etc. This does carry over into the movies imo.
― Οὖτις, Wednesday, 8 April 2015 20:50 (eight years ago) link
well not the way continuity is handled (at least, not yet) but the feeling that nothing is really at stake and so who cares
― Οὖτις, Wednesday, 8 April 2015 20:51 (eight years ago) link
damage control and gotham central movies will happen eventually, don't doubt... gotham already is a television series with no batmanpeople love their meta
― Maybe in 100 years someone will say damn Dawn was dope. (forksclovetofu), Wednesday, 8 April 2015 20:59 (eight years ago) link
and they need to go to hell for that.
Unbreakable was a good film!
― the increasing costive borborygmi (Dr Morbius), Wednesday, 8 April 2015 21:02 (eight years ago) link
yes, obv there were a ton of bilge, no-budget, unimaginative westerns, but there were also a couple hundred that can stand up to serious analysis and evaluation.
― the increasing costive borborygmi (Dr Morbius), Wednesday, 8 April 2015 21:04 (eight years ago) link
The very FACT that these Marvel movies and their ilk all cost a few hundred million and are presold to a global audience weighs against them having the qualities that make for interesting cinema. Like I said, they're this year's model of smartphone. They can't afford to stray.
― the increasing costive borborygmi (Dr Morbius), Wednesday, 8 April 2015 21:07 (eight years ago) link
― the increasing costive borborygmi (Dr Morbius),
I agree with this, but I think the hit/miss ratio is about the same for superheroes as for westerns. There have been thousands of westerns, right? -- if we go back to The Great Train Robbery.
― WilliamC, Wednesday, 8 April 2015 21:46 (eight years ago) link
The very FACT that these Marvel movies and their ilk all cost a few hundred million and are presold to a global audience weighs against them having the qualities that make for interesting cinema
totally agree w this - and they differ from westerns in this way (which were cheap to make afaict) and were not really "presold" in any meaningful way
― Οὖτις, Wednesday, 8 April 2015 22:11 (eight years ago) link
Morbz likes Unbreakable! whaaat!?(I love that movie btw, fuck the haters)
agree that superhero movies in general costing more money and gunning to be AAA blockbusters almost every time does limit their scope.also that there were 100 being made each year with lower budgets there would be more interesting stuff - like say, the first 80% of Chronicle
― Nhex, Thursday, 9 April 2015 03:43 (eight years ago) link
it'll be interesting to see if marvel's netflix shows, which seem to be focusing more on street-level superheroics, will encourage them to explore different angles in the movies in the future or whether the big screen will be kept exclusively for megabudget spectacle
― bizarro gazzara, Thursday, 9 April 2015 08:38 (eight years ago) link
for the record i LOVED Superman 2, aged five
― IHeartMedia, the giant broadcaster formerly known as Clear Channel, (stevie), Thursday, 9 April 2015 08:49 (eight years ago) link
Agent Carter was actually quite good and different from the movies it was spun off (focusing more on character interaction, police work, gender roles in the 1940s, etc), but it wasn't really a "superhero story" in any meaningful way, it had only one supporting character who could be labeled as a "supervillain", and no supeheroes at all. Similarly, Agents of S.H.I.E.L.D. has become a pretty thrilling series by ditching a lot of the superhero tropes and embracing the paranoid spy thriller vibe seeded by Winter Soldier. The effect and implications of superpowered beings on the world is still a major part of the show, but the plot is driven more by the paranoia/spy themes, which I think works nicely.
And of course a lot of diversity comes from Marvel and DC comics themselves: you have books like Superman or Spider-Man that still focus on straightforward superheroics, but also books like Gotham Central or Guardians of the Galaxy, which still take place in the shared superhero universe, but the genre is something else (police procedural and space opera, respectively), I was glad that the GotG movie openly embraced the vibe of the Abnett/Lanning comics and didn't even try to be a superhero story instead of a space opera: it had way more in common with Fifth Element than with Spider-Man or Captain America. So I think the way superhero movies could/should diversify is by adapting all these lesser known comics that work in different genres, and GotG proved you can do that successfully, so hopefully the studios will take the hint.
― Tuomas, Thursday, 9 April 2015 09:08 (eight years ago) link
and didn't even try to be a superhero story instead of a space opera
There weren't any capes, but this is the smallest difference imaginable compared with, say, Gotham Central.
― Andrew Farrell, Thursday, 9 April 2015 11:17 (eight years ago) link
SPIDER-MAN GETS ANIMATED AND DATEDWITH PHIL LORD & CHRISTOPHER MILLER AND SONY PICTURES ENTERTAINMENTLAS VEGAS, Nev., April 22, 2015 – On July 20, 2018, Phil Lord & Christopher Miller, the directors of The Lego Movie, Cloudy with a Chance of Meatballs, and 21 and 22 Jump Street, are taking Spider-Man back to his graphic roots with the first-of-its-kind animated Spider-Man feature, it was announced today at CinemaCon by Tom Rothman, chairman of the Sony Pictures Entertainment Motion Picture Group. The film will exist independently of the projects in the live-action Spider-Man universe, all of which are continuing.Lord & Miller are masterminding the project, writing the treatment and producing the film.As previously announced, Spider-Man will next appear in a live-action Marvel film from Marvel’s Cinematic Universe (MCU). Sony Pictures will thereafter release the next installment of its $4 billion Spider-Man franchise, on July 28, 2017, a live-action film being produced by Kevin Feige at Marvel and Amy Pascal, who oversaw the franchise launch for the studio 13 years ago. The animated film from Lord & Miller, dated July 20, 2018, has Avi Arad, Matt Tolmach, and Pascal also serving as producers.
LAS VEGAS, Nev., April 22, 2015 – On July 20, 2018, Phil Lord & Christopher Miller, the directors of The Lego Movie, Cloudy with a Chance of Meatballs, and 21 and 22 Jump Street, are taking Spider-Man back to his graphic roots with the first-of-its-kind animated Spider-Man feature, it was announced today at CinemaCon by Tom Rothman, chairman of the Sony Pictures Entertainment Motion Picture Group. The film will exist independently of the projects in the live-action Spider-Man universe, all of which are continuing.
Lord & Miller are masterminding the project, writing the treatment and producing the film.
As previously announced, Spider-Man will next appear in a live-action Marvel film from Marvel’s Cinematic Universe (MCU). Sony Pictures will thereafter release the next installment of its $4 billion Spider-Man franchise, on July 28, 2017, a live-action film being produced by Kevin Feige at Marvel and Amy Pascal, who oversaw the franchise launch for the studio 13 years ago. The animated film from Lord & Miller, dated July 20, 2018, has Avi Arad, Matt Tolmach, and Pascal also serving as producers.
― Number None, Thursday, 23 April 2015 14:50 (eight years ago) link
four different big-screen interpretations of spider-man in 16 years seems like a record that will be hard to top
cloudy with a chance of meatballs is a straight-up masterpiece tho so i guess i'lll give them the benefit fo the doubt for now
― bizarro gazzara, Thursday, 23 April 2015 14:57 (eight years ago) link
Sony Pictures will thereafter release the next installment of its $4 billion Spider-Man franchise, on July 28, 2017
What does this mean? Are they still going to have part 3 of the shitty reboot with Andrew Garfield? I thought that had been put out of its misery.
― Eyeball Kicks, Thursday, 23 April 2015 15:26 (eight years ago) link
rebooting again, iirc
― mh, Thursday, 23 April 2015 15:26 (eight years ago) link
Has anyone made a movie about how Spider-man got his powers yet?
― the joke should be over once the kid is eaten. (chap), Thursday, 23 April 2015 15:28 (eight years ago) link
Still the best Spider-Man movie:
http://media.giphy.com/media/7isbcNAx367qU/giphy.gif
― Eyeball Kicks, Thursday, 23 April 2015 15:31 (eight years ago) link
xp So that'll be 5 in 16 years?
― Andrew Farrell, Thursday, 23 April 2015 15:33 (eight years ago) link
i think the spidey in the 2017 live-action movie will be making his debut in an mcu movie, so still 'just' four in 16 years
― bizarro gazzara, Thursday, 23 April 2015 15:36 (eight years ago) link
Huh, that strikes me as something that would require a million lawyers - but I suppose both sides might have a half-million to spare.
― Andrew Farrell, Thursday, 23 April 2015 15:39 (eight years ago) link
iirc the leaked sony emails suggested the studio hadn't got a clue what to do next with the spidey licence and were willing to work more closely with marvel to something out
― bizarro gazzara, Thursday, 23 April 2015 15:41 (eight years ago) link
to work something out
They need to treat him more like James Bond, just do a new, unrelated adventure every couple of years and stop giving a shit about continuity.
― the joke should be over once the kid is eaten. (chap), Thursday, 23 April 2015 15:43 (eight years ago) link
but how will we know his origin?!?
― mh, Thursday, 23 April 2015 15:47 (eight years ago) link
so if dc and marvel get their wish, we'll have two batman and two spider-man franchises in theaters for the 2020s
― da croupier, Thursday, 23 April 2015 16:10 (eight years ago) link
can't wait for http://upload.wikimedia.org/wikipedia/en/thumb/c/cd/SupermanvsSpider-Man1976.jpg/250px-SupermanvsSpider-Man1976.jpg
― WilliamC, Thursday, 23 April 2015 16:33 (eight years ago) link
i'm curious just what marvel has planned after AVENGERS GUARDIANS COSMIC KABOOM TIME but if they get to there without fucking up it doesn't matter if the next movie is ANT-MAN VS DOCTOR STRANGE: WORLD DESTRUCTION they've won hollywood
― da croupier, Thursday, 23 April 2015 16:35 (eight years ago) link
they'll reboot, we'll get all-new origin stories and they'll start the slog to COSMIC KABOOM TIME all over again
― bizarro gazzara, Thursday, 23 April 2015 16:39 (eight years ago) link
assuming X-MEN: APOCALYPSE does well, there will even be precedent for launching your reboot inside the previous ensemble's last dance
― da croupier, Thursday, 23 April 2015 16:42 (eight years ago) link
while there's slight precedents like Bond (which really doesn't come up enough when people write about hollywood churning out globally minded bombast) i feel like marvel's actually heading towards an unprecedented place in hollywood where the quality level has been consistent, the cast hasn't changed, and people are just starting to experience fatigue
― da croupier, Thursday, 23 April 2015 16:46 (eight years ago) link
obv the hope is that for every 40+ who says "fuck it, i'm out" a new 10+ says "this shit is AMAZING!" and also buys the toys
― da croupier, Thursday, 23 April 2015 16:47 (eight years ago) link
xxp Well, that launched entirely separately, in fairness - more like Star Trek Generations in a baton-handing exercise.
― Andrew Farrell, Thursday, 23 April 2015 16:48 (eight years ago) link
only patrick stewart wasn't playing captain kirk
― da croupier, Thursday, 23 April 2015 16:49 (eight years ago) link
Saw AoU earlier.
No spoilers but it seems incredibly novel to have a film open in the UK before it does Stateside. It's obviously much better these days but we used to have to wait months before we got to see films over here.
― groovypanda, Friday, 24 April 2015 21:19 (eight years ago) link
You cld spoil whether or not you liked it tho?
― sonic thedgehod (albvivertine), Friday, 24 April 2015 21:31 (eight years ago) link
Enjoyable film without reaching the highs of the first one, much darker and probably not so family friendly but still lots of fun moments. Would like to see the extended version though as a couple of scenes lacked explanation and there was lots of foreshadowing upcoming movies.
Oh and there's only one post credit scene so you won't need to stay til the very end.
― groovypanda, Friday, 24 April 2015 22:48 (eight years ago) link
Thanks
― sonic thedgehod (albvivertine), Friday, 24 April 2015 22:50 (eight years ago) link
No spoilers but it seems incredibly novel to have a film open in the UK before it does Stateside.
marvel movies have opened a week earlier in the uk than the us for at least a couple of years now
― bizarro gazzara, Friday, 24 April 2015 23:37 (eight years ago) link
And in Addis Abeba new policy seems to be that the int'l release is a week or two before US dates, not sure why that policy but have gotten many films here before friends back in US have had a chance to see 'em. Problem is, most of the films are not ones I have an interest in seeing
― H in Addis, Saturday, 25 April 2015 06:52 (eight years ago) link
Looks like the extended version is happening then. Will be interesting to see what they cut out although I assume it will definitely include [redacted].
― groovypanda, Monday, 27 April 2015 08:33 (eight years ago) link