MAD MEN on AMC - Seasons 7(a) & & 7(b)

Pete's disgust at Don being so much innately cooler than he is remains one of my favorite sources of humor on MM

otm

also "manson brothers" made me lol

Would be happy if that's the last we ever see of Pima--she seemed like such a caricature to me.

I connected with nothing in this episode.

beardy stan speaks to me

but otherwise yeah it was meh

Stan's resentment/jealousy/self-consciousness about showing his photos was believable; that might have been about it. And I agree with Ryan about Megan--more and more, her career path seems very suspect. She seems to have aged about ten years in two, I guess just because of the bitterness.

i could have lived with the part about how even when don tries slumming it he can't make a meaningful human connection, but for one of the last episodes of the series everything else seemed redundant. we already know megan's family is awful, we already know harry's a predator, we've already seen a woman hit on peggy, etc. etc. why on earth would now be the right time to introduce stan's unremarkable gf?

There's so many loose ends still to be addressed--insert Sally's name here, in 96-point type--I'm not sure they should be introducing any new characters at this point, not unless it's someone as unforgettable as Bob from Twin Peaks. Pima and Stan's girlfriend, definitely not; I'll hold off on Diana for the time being.

http://www.salon.com/2015/04/13/mad_men_fans_are_losing_patience_with_don_drapers_gloomy_waitress_dates_set_diana_on_fire_like_now/

Megan looked so fineeeee in that blue barely dress thing

I think her anger is not primarily with Don. They hinted at the source of the tension between them being the process of getting divorced, including the attorneys and having to travel from LA to NYC to finalize things. Then when Megan got the bug put in her ear by her sister and mother, and her frustration at having to subject herself to dealing with the likes of Harry Crane in order to try and get somewhere, she just got all pissed at everyone, and the only person who was there was Don. Good on the attorney for putting them in the same room and giving them a chance to resolve things.

I kind of feel like Don's writing of such a large check (~$6.3 million today) was his way of making an honest attempt at leaving her with something and without any strings or judgment (as opposed to his reaction to the $500 for moving expenses - "Who's moving you? The NY Jets?"). But like so many other instances of interpersonal communication, Don just fails miserably.

For the record, I would like to be able to write a check for $1,000,000 some day.

Boom. What do you think of that.

i like it. i would also like to be able to wear her blue dress one day but that's just not happening. so.

if anyone expects the final season is gonna be tying up loose ends i think they've maybe been watching a different show all this time?

i feel like every season we go through the 5 stages of grief where everyone has to re-acclimate themselves to how the show has already been for 7 seasons .

I couldn't help but notice Don's sloppy penmanship.

http://a5.files.fashionista.com/image/upload/c_fit,cs_srgb,dpr_1.0,q_80,w_620/MTI5NDU0MDc3MjI5NzIzNjE4.jpg

sorry i'll stop now

if anyone expects the final season is gonna be tying up loose ends i think they've maybe been watching a different show all this time?

― ryan, Monday, April 13, 2015 3:33 PM (3 minutes ago) Bookmark Flag Post Permalink

otm

if anyone expects the final season is gonna be tying up loose ends i think they've maybe been watching a different show all this time?

Disagree here. I don't necessarily mean neatly, but I think there will be some indication of what lies ahead for many/most of the major characters. And for Don, I think they'll be something either clearly positive (some kind of acceptance) or clearly negative. If that wasn't done in the first seven-and-a-half seasons, well, why would you? You save that for the end.

it's possible! i just think the general philosophical outlook of the show is different, living in the "not knowing" and all that. maybe a better way to put it is that this is not a show that tends to "resolve" things so much as watch them go in circles. this does pose a dilemma for an ending...

I think back to Six Feet Under (admittedly, my frame of reference for these recent long-running shows is narrow), and that was also a show where certain characters seemed to make the same mistakes over and over again, and it seemed like maybe nothing would ever be resolved, but in the final episode, there was closure of sorts.

Anyway, at the very least, have them show up? Have Sally actually in the episodes?

ugh the last season of 6 feet under was so horrible

Not to sidetrack, but didn't you at least find the ending of the last episode satisfying? (Questionable make-up aside...)

you mean with all the white ghosts and shit? i have to say i found it corny. my cuz loved it. they did something similar for Desperate Housewives and i was OK with it.

i just remember the season at large being soooooo heavy/intense, and HBO oft has a problem with endings.

in terms of An Ending That Resolves Everything, 6 feet under is prob the gold standard, whether or not that's a good thing for most shows is entirely another matter

I don't want to get tagged with the idea that everything has to be explained/resolved perfectly. In terms of movies, I generally prefer odd non-endings, like in Boyhood. But here, I do want some kind of reckoning, or awareness, or something at the end. And if it fits, if the message is that Roger will continue being Roger till the day he dies--and that would be one character where I'm sure that's the last stop--that's okay too. But I want more for Joan, Peggy, Betty, Sally, and, yes, Don.

i'd say you'll prob get relatively complete endings for joan, peggy and sally. especially peggy, bc weiner clearly adores her too much to drop her into some sort of abyss at the end...i think. unless he wants peggy to truly be nu-don, then it might be sadder.

however don ends up i think it will be the most oblique of all the characters' destinations.

It's all creepy Glen's dream.

creepy glen will prob get an actual concrete ending bc that's matt weiner's scion

i feel like every season we go through the 5 stages of grief where everyone has to re-acclimate themselves to how the show has already been for 7 seasons .

this definitely seems true. go back and read response posts to the openings for s5-7 for example. most recently there were loads of complaints about the Lindsey Weir plotline but that totally paid off imo

Molly Lambert's take.

I want an American Graffiti epilogue that tells us what they're all doing right now. (Except for the ones who are dead.) Like, does Harry have a blog?

xp maaannnnn that reminds me that season 6 ended up having a really powerful conclusion but it may have been the grimmest, most miserable slog of all the seasons. not to mention had some legitimately bad episodes, which i dont think any other season has.

(shoulda been xxp)

Oh...."The Manson Brothers"..... so funny!

The Manson Brothers...Available Exclusively On Paramount Records

omg that WAS funny

Don's timing delivery was perfect

If Weiner goes the American Graffiti route, we'll find out what happens to Don, Roger, Pete, Harry, and Ken; the women will completely vanish.

Betty goes to work for Phyllis Schlafly against the ERA

Gene starts a No Wave band

One thing I have always expected to happen--have been waiting for it to happen--is that one of the four main women (I'm not counting Megan) becomes fully radicalized. Early on, I would have expected Betty (the great shooting-birds ending; that never really developed); at times, Peggy or Joan; more recently, Sally. I still think it will happen with one of them. What form that will take, I'm not sure.

Reading a review, was reminded of another line I liked last night: the "NAC" concept ("He's blotto after 12:00").

sally would make the most sense. peggy could as well if she ever manages to shake those last nagging vestiges of catholic guilt and inherent conservatism. joan also a possibility but i think she also might view politics as a thing she doesn't have time for, being the mother of a small child. betty...well, isn't smart or self-aware enough (while also not being as stupid as either of her husbands think), and the politics she soaks up from henry francis/his cronies are pretty hard right.

oh lol i see shakey's phyllis schlafly ref...which is a kind of radicalism? i s'pose?

Joan's got a pretty unhappy future ahead of her imo

Hadn't considered that--wasn't even referring to the Schafly post--but yes, I guess it is. I of course meant from the left: an ERA proponent would be at the mildest end of the spectrum, something much more, probably. (Reminding me of Peggy's lesbian friend from the first couple of seasons, one of the most interesting characters to disappear.)

http://www.vulture.com/2015/04/mad-men-recap-season-7-episode-9.html

There have been other partially radical women at the edges: Midge, the neighbor of Betty's who was scorned early on because of her divorce (and who didn't really seem to care), etc.

"and the politics she soaks up from henry francis/his cronies are pretty hard right"

Wait what? She seems as much if not more conservative than Francis is.

yeah he Francis got on her for being even more rabidly pro-war than he was iirc