"Every Breath You Take" and "I'll Be Missing You" have a different narrative but are both very sentimental, so it sounds like a cover version. Shorter samples tend to work better because they're just sounds - it's harder to mentally recreate the original song and therefore the sample's use doesn't detract from the original song.
Public Enemy I think are revered because they wielded a large number of samples at once in a way that was still effective. The advantage to this technique is not that you can't recognise the sources but rather that the "feel" of the sample is so altered by the presence of the others that the sensation it creates is thoroughly new.
The best example I can think of is (of course) The Avalanches, who use the bassline from Madonna's "Holiday" quite prominently on their album. It sounds very different though because it is part of a larger arrangement, and therefore it does not dominate the music but is altered by it. Consequently knowlege of the original is no barrier to feeling that the music created sounds "fresh".
― Tim, Sunday, 11 February 2001 01:00 (twenty-three years ago) link
Also, Puffy doesn't just sample, he really rewrites songs. Hell, Puff Daddy's reworkings are just like writing a few new lyrics ala Elton John's Candle in the Friggin' Wind. Sampling shouldn't make you feel like you're hearing a bad cover version by a profoundly untalented hack.
― Edward Okulicz, Monday, 12 February 2001 01:00 (twenty-three years ago) link
― Greg, Monday, 12 February 2001 01:00 (twenty-three years ago) link
― Ally, Tuesday, 13 February 2001 01:00 (twenty-three years ago) link
"Stan" works largely because of the obvious sample, IMO. I can't imagine that song without Dido's hook or that particular beat. In a similar vein, "Mo Money, Mo Problems" would be completely unrecognizeable and probably not work as well without being tied to "I'm Coming Out".
― Dan Perry, Tuesday, 13 February 2001 01:00 (twenty-three years ago) link
― Tim, Tuesday, 20 February 2001 01:00 (twenty-three years ago) link