Both. Mostly phone, but it syncs all projects between the two so sometimes I pick up something on the iPad for a bit.
I haven't fucked with the guitar tablature side of things much though, mostly writing inept orchestral stuff (though often using the fretboard UI to make note choices)
― his eye is on despair-o (Jon not Jon), Sunday, 18 December 2016 23:43 (seven years ago) link
Also, one of the other funny things about the Select is that it is both the Select itself and a way to get to a subpallete. Still haven't figured out how to distinguish how to get the one or the other.
― Stars on 45, Where Are You? (James Redd and the Blecchs), Sunday, 18 December 2016 23:44 (seven years ago) link
Finally, kind of annoying that I can only read the help pdf from within the app, can't really find one in to read outside the app.
― Stars on 45, Where Are You? (James Redd and the Blecchs), Sunday, 18 December 2016 23:45 (seven years ago) link
Okay, got better at some stuff over the weekend, but adding Fretboard Diagrams from the default palette and then altering is tedious. Will need to customize.
― Stars on 45, Where Are You? (James Redd and the Blecchs), Tuesday, 20 December 2016 12:59 (seven years ago) link
For reference:http://www.georgehess.net/notation-wars/
― How I Wrote Plastic Bertrand (James Redd and the Blecchs), Saturday, 24 December 2016 13:44 (seven years ago) link
http://www.sibeliusblog.com/news/behind-the-scenes-with-dorico-musescore-and-a-finale-font-tool/
― How I Wrote Plastic Bertrand (James Redd and the Blecchs), Saturday, 24 December 2016 13:46 (seven years ago) link
Entering fingerings and barre indications still the most tedious aspect.
― How I Wrote Plastic Bertrand (James Redd and the Blecchs), Tuesday, 27 December 2016 14:29 (seven years ago) link
Have you considered going the fully masochistic route and trying Lilypond?
― slathered in cream and covered with stickers (silby), Tuesday, 27 December 2016 14:50 (seven years ago) link
Ha, no, what is that?
― How I Wrote Plastic Bertrand (James Redd and the Blecchs), Tuesday, 27 December 2016 15:03 (seven years ago) link
It's a score typesetting system that uses plain text markup and was I think originally based on some music packages for TeX, I tried it out a little and it's not that bad for typing in notes, at least.
― slathered in cream and covered with stickers (silby), Tuesday, 27 December 2016 15:08 (seven years ago) link
Have you tried music21? It has a tinynotation mode that instantly generates the xml for notes.
― How I Wrote Plastic Bertrand (James Redd and the Blecchs), Tuesday, 27 December 2016 16:46 (seven years ago) link
Back to MuseScore. Note input page for handy reference: https://musescore.org/en/handbook/note-input
― Louder Than Borads (James Redd and the Blecchs), Sunday, 12 February 2017 15:39 (seven years ago) link
Upgraded to 2.1 recently. Still resisting the siren song of Sibelius.
― Guidonian Handsworth Revolution (James Redd and the Blecchs), Sunday, 18 June 2017 20:58 (six years ago) link
while sibelius and finale are great for music notation, i think logic pro x works really well, as well, especially if you're bringing in non-classical instruments into the mix and actually recording
― the sound of space, Monday, 19 June 2017 19:13 (six years ago) link
Native support for Roman numeral analysis and Nashville notation
― Ferlinghetti Hvorostovsky (James Redd and the Blecchs), Sunday, 3 November 2019 14:54 (four years ago) link
Saw the video on that, not sure how much I will use, but some other workflow improvements look pretty sweet
― Ferlinghetti Hvorostovsky (James Redd and the Blecchs), Sunday, 3 November 2019 23:31 (four years ago) link
Keep hearing about Dorico these days.
― Time Will Show Leo Weiser (James Redd and the Blecchs), Thursday, 13 August 2020 02:28 (three years ago) link
Just starting using again after a break. Lots of improvements in the latest edition,
― And Then There’s Maudit (James Redd and the Blecchs), Sunday, 27 December 2020 01:02 (three years ago) link