― flopson, Friday, 26 May 2017 14:28 (one year ago) Permalink
― flopson, Friday, 26 May 2017 14:29 (one year ago) Permalink
― Tim F, Friday, 26 May 2017 14:47 (one year ago) Permalink
you're going to die down here all
― flopson, Friday, 26 May 2017 14:51 (one year ago) Permalink
this is really interesting music
― Universal LULU Nation (upper mississippi sh@kedown), Friday, 26 May 2017 16:06 (one year ago) Permalink
― ogmor, Friday, 26 May 2017 16:13 (one year ago) Permalink
hahai meant that as a compliment!
― Universal LULU Nation (upper mississippi sh@kedown), Friday, 26 May 2017 16:14 (one year ago) Permalink
In terms of sheer rhythmic invention neither Aphex nor Shackleton come close to Jlin. Shackleton shares some her mastery of space and depth, while Aphex has manu fantastic qualities but they aren't the same as Jlin's. A lot of these beats are next level - one of the reasons she's so distinctive is because by and large she doesn't work in 4/4.
― Matt DC, Friday, 26 May 2017 16:59 (one year ago) Permalink
I genuinely wish I found this as impressive and enjoyable as everyone else seems to :/
― change display name (Jordan), Friday, 26 May 2017 19:25 (one year ago) Permalink
I agree with Matt that no single comparison is going to to be terribly reliable.
One reason why I tend to think complex but still dancefloor-friendly drum and bass is a better point of comparison is that the thing that really strikes me about Jlin's beats is the very careful, very intricate interplay between the various drum hits at her disposal - that stereopanning "ball ricocheting around an inverted drum kit" feel she goes for.
Shackleton ended up with some of the same sonic qualities but he was coming from quite a different angle - rhythms as the sacred music of a lost civilisation kind of thing.
Jlin's music feels much more irrepressible and almost happy as a result of its sheer rhythmic exuberance - "fierce, fierce, fierce joy" as Bjork once put it.
― Tim F, Friday, 26 May 2017 22:22 (one year ago) Permalink
i love the sounds Jlin uses but I'm with Jordan here. I dunno, music that is essentially rhythmic without any melodic counterpart often doesn't work for me, regardless of how intricate or unique the sound palette is. I dunno, I find this strain of music a bit exhausting but I admire its innovative nature
― Unchanging Window (Ross), Saturday, 1 July 2017 21:39 (one year ago) Permalink
― Chocolate-covered gummy bears? Not ruling those lil' guys out. (ulysses), Friday, 9 February 2018 15:03 (one year ago) Permalink
― breastcrawl, Saturday, 21 July 2018 11:06 (nine months ago) Permalink
(from “Autobiography,” the score for her collaboration with British choreographer Wayne McGregor, which will be released in full on 28 September)
― breastcrawl, Saturday, 21 July 2018 11:09 (nine months ago) Permalink
New album is really good, surprised it hasn't received much attention. More melodic and atmospheric than the others, but still very clearly Jlin. "Carbon 12" is a standout.
― Mario Meatwagon (Moodles), Monday, 1 October 2018 03:32 (six months ago) Permalink
I'm not feeling it as much as her earlier work I'm afraid, I think maybe because it was made for a ballet it's not great club music but not really designed for home listening either?
― paolo, Thursday, 25 October 2018 19:56 (six months ago) Permalink
She's still one of the best producers around right now though. Jlin's weaker material is better than like 95% of all other electronic music right now
― paolo, Thursday, 25 October 2018 19:57 (six months ago) Permalink