IT'S BETTER THAN DRINKIN' ALONE: The Official ILM Track-by-Track BILLY JOEL Listening Thread

wow yeah I really like this - honing his laser focus

also the tone of voice he's using here loosely anticipates how he sounds on Captain Jack, those "oh's" that precede the most biting lines etc

contenders for 'You're So Dumb' songs in the Dylan catalog: Positively 4th Street, Ballad of a Thin Mad, Can You Please Crawl Out Your Window?, Don't Think Twice, It's All Right, Just Like a Woman, Leopard-Skin Pill-Box Hat, Maggie's Farm

among other prime dumb-cuts Like a Rolling Stone is more of a 'Do You Feel Dumb?' and Idiot Wind has a 'We Were Dumb' vibe

One of Us Must Know, I Threw It All Away and the Grammy Award winning Things Have Changed are kinda 'I Am Dumb' songs

the meanness doesnt really bother me but maybe it's bcz curmudgeon billy goes a long way with me? idk. it's not like it makes me feel protective of my gender or anything.

then again, i think it shows how effective the song is if it makes you feel protective of "her" whoever she is

who knows, maybe she IS a jerk! lol

on another note Piano Man seems to be a "songs that weren't a bands biggest hit, but have gone on to be their legacy song and biggest iTunes seller" song for Joel, at least on Spotify it's got 123 million plays, Uptown Girl hardly a close second with 66m and wtf We Didn't Start the Fire #3 with 53m

such a bad song imo

from RS:

I like the obscure stuff more than the hits. I never thought "Piano Man" would be a hit. "We Didn't Start the Fire" is essentially a novelty song.

What are you thinking as you're singing "Piano Man" onstage?
"Oh, good, it's almost over!" I'm kidding. It's gratifying to hear an audience sing your words.

incidentally, this was the possibly ill-fitting b-side to "She's Got A Way":

http://www.onefinalserenade.com/uploads/2/9/1/2/2912571/350193_orig.jpg

^^^ amazing he wasn't an overnight success, with marketing like that

this is slightly better:

http://www.onefinalserenade.com/uploads/2/9/1/2/2912571/852337_orig.jpg

http://www.donlinke.com/images/Vlad/vlad_tepes_big-x01.jpg

looking at the sparse available footage of joel from '71, the mustache doesn't seem to have lasted a day past the cover shoots. or maybe past the day he saw the prints.

Trying to write an "I am the Vlad Impaler" parody. Where's Old Lunch when we need him most?

The mention of Zanzibar upthread led me to realise that 52nd Street was the first of his records I heard, my Dad bought it around the time of release and I listened to it a lot as a kid.

I wonder just how many songs he wrote about or included aspirational performers (often trapped in a kinda neon-lit demi monde) indeed my favourite BJ track is Rosalind'a Eyes, there's something about the way it sounds that is very nostalgic to me and the outro fade with the cowbell is ace.

Zanzibar, Roslinda's Eyes, Piano Man...I bet there's a ton more.

i want someone to c+p mustachioed Billy Joel from the CSH album cover into famous photos, artworks, album covers etc

sidebar i have had "she's got a way" in my head since sunday & it's quite nice

dying @ "i'm the vlad impaler"

"looking at the sparse available footage of joel from '71, the mustache doesn't seem to have lasted a day past the cover shoots. or maybe past the day he saw the prints."

the mustache seemed out of place in the psychedelic woods too. all of billy looks out of place there.

https://www.youtube.com/watch?v=JdO6HCZEDds

haha. somehow with that hair/look it kinda fits in better i think - just one of many many dudes in the late 60s staring stoned at the sgt. pepper's gatefold and thinking "hey... i could pull that off...."

i've never seen either of the hassles records or attila out in the wild but if i do i'm snapping 'em up. super interesting joel curiosities for sure, but also from what i've skimmed they'd just be enjoyable no-name psych-rock background music for when you're in the mood for that kind of thing. to think, he could have been known as the Electric Organ Man.

i like how simple that "she's got a way" is above. under three minutes. demo style. in the 80s it would have been 8 minutes long with full orchestra. i can also picture barry manilow singing that in the 70s. they both loved a melody. definitely the most unpretentious and unadorned joel classic. no big deal. but so memorable because catchy. its a song that all those early 70s dudes were trying to write on so many albums but they usually fell short. wouldn't have been out of place on one of those early paul williams albums.

it made me think of andrew gold or gilbert o sullivan

like they are worse/more saccharine versions of that style

Barry definitely would have glooped it up something fierce. and would have sold 20 million copies of it.

And it would have had four key changes.

i was thinking about andrew gold yesterday in reference to this thread. he was a total session-player insider but his real chart success, like billy's came in '77. there was a little clutch of late-70s piano guys (i'm thinking also of dean friedman) that overlapped with the yacht-rock electric-piano smooth-jazz aesthetic (michael mcdonald, bertie higgins, paul simon on 'still crazy' and 'one-trick pony'). won't go so far as to say that billy laid the groundwork for all that, but it does make it seem like the huge success of the stranger was part of a little wave, even if it owed its success as much to light rockers as to pretty evening ballads etc.

o'sullivan is an interesting contemporary for this early joel period! never thought about that before. he does seem more self-consciously "old-timey" e.g. on "matrimony." but i wonder what billy thought of "alone again, naturally."

listening to "you can make me free again" - man is it weird. super underwritten but with all this energy thrown in to make it feel like a big end-of-album jam where you'd get away with that kind of thing. and then it's track two. the hell.

Was googling to see if Willie Nelson covered "She's Got A Way" and ended up instead at

https://www.youtube.com/watch?v=A7pRf3TJVC8

DON: Billy Joel was an East Coast guy we could get behind. Like us, he could Rock, but he also could be quite sensitive and even Political when the song demanded it. It's not an easy mix to achieve, but he nailed it time and time again.

GLENN: Locking down Christie Brinkley for as long as he did was something else we could get behind!

DON: Well, yeah.

he could Rock, but he also could be quite sensitive and even Political

Dunno why but I'm irrationally annoyed that "sensitive" isn't capitalized here.

For the stans:

https://www.youtube.com/watch?v=A7pRf3TJVC8

Make that...

https://www.youtube.com/watch?v=ypTaxS2awdA

the phenomenon of the 70's am gold/aor male singer songwriter emotional confessional is v interesting to me

like neil diamond suddenly being all you are the sun i am the moon

i've never seen either of the hassles records or attila out in the wild but if i do i'm snapping 'em up. super interesting joel curiosities for sure, but also from what i've skimmed they'd just be enjoyable no-name psych-rock background music for when you're in the mood for that kind of thing. to think, he could have been known as the Electric Organ Man.

I've got a Hassles "Best of" CD on Razor + Tie from the late '90s (Billy quashed EMI's plans for expanded editions of the two LPs a few years prior). It's not great, but also not bad. They had kind of a Poppier Rascals thing going on. Because they were on United Artists Records, they had access to some of Traffic's publishing demos, and they actually recorded and released a fine, lite Vanilla Fudge-esque version of "Coloured Rain" prior to the original's official appearance on these shores.

I also once came across a vinyl copy of (iirc) Hour of The Wolf (the second Hassles LP) at a used shop, but balked at the $20+ price tag (this was back when vinyl was cheap, natch). I seem to recall this place also had a Wind In The Willows LP (WITW being Debbie Harry's '60s band) for a similar price.

xpost ok that's how wormholes are created, that's just irresponsible

all of billy looks out of place there.

I guess they couldn't lug the electric organ out into the wilderness either.

Lovin' this shot though:

http://i.imgur.com/JbDHPgb.gif

Hour of The Wolf

title track prefigures most meat loaf and "thriller" by a decade or more. with a minute-plus drum solo in the middle. and with billy recapping a lifetime worth of piano lessons at various points along the way. in other words, the freakout at the end of "you can make me free" is amateur hour in comparison.

i've said this on other threads so y'all probably know this but: i actually saw the hassles. johnny small, their drummer (and attila's), lived two houses down from me. i was a kid, and he was in high school, so we weren't buddies or anything. but they went through a period where they rehearsed in the garage, and me and a bunch of neighborhood kids used to gather around in their driveway and watch. i'm pretty sure "a taste of honey" was in their setlist, and i knew that one already from the beatles. i'm not even totally sure that billy was in the band then, but he probably was.

i asked one of them for their autograph once and they scribbled "the hassles" on a piece of paper. i think i might still have that. also a business card with their photo. there's a remnant of a hassles bumper sticker on a door in my mom's house.

yeah, you know what, billy joel is on that photo on the business card, so he must have been in the band.

okay I am now more jealous of you, sorry fcc. that rules.

holy shit

okay I am now more jealous of you, sorry fcc

me too!

Meanwhile, our next track:

https://www.youtube.com/watch?v=Ik3kpLWHHqg

Why Judy Why - named for Joel's sister, and with not a single keyboard instrument in earshot. This is the 1983 remix, but in this case it really is just a remix, and an opportunity to fix the Chipmunk problem - I'm fine with it. But if the clarity does seem anachronistic or false, the pitch-corrected version is out there.

This was my favorite when I made my first pass at CSH the other night. Very "Yesterday"ish.

Listening for the hit maker he would become... not hearing it with this one. Don't even like his singing on this track.

haven't heard this one in a long time and hardly remembered it. i kinda like it. a sweet little ballad. feel like it could slip onto any number of later bj records as a side 2 album track if you played around with the arrangement and production. something about the melodic sensibility -- or maybe it's just that the "oh what a scene" bridge sounds like an early draft of the "oh she takes care of herself" bridge from "she's always a woman."

and yeah i hear the "yesterday" thing for sure. that sounds intentional. it's no "yesterday" though, obviously. i cringed at "a man my age is very young, so i'm told, why do i feel so old?" lyrically he's no cat stevens. or jim croce.

This is nice. The singing and melody sells the sentiment even if the lyrics aren't much (which has happened many times in his career). He has a real way with a melody, even this early on. I only listened to "You Can Make Me Free", "Everybody Wants You Now", and this song one time each but I can remember the melodies clearly

Yeah, I think this is a good one! Nice sentiment, though possibly that's colored by the knowledge that it's invoking a sister as trusted old friend... rather than painting a scene of this sad sack dude glomming onto the nearest female acquaintance with an eye on rebounding with her ("times have changed, I need more").

From what I turned up last night it doesn't seem to have had much of a presence in his live set, maybe because of the minimal and guitar-based arrangement. If you're Billy and you need to give the band a break and go "solo" for one tune, you'd stick with the piano and "She's Got A Way," I imagine.

"This is nice" is all I can write.

Would've sounded great on AM radio.

Pretty, unmemorable.

Only song of his with acoustic guitar? Feels like his Brill Building version of "Suzanne" -- with Judy the right name for the genre. Nice for sure.

Only song of his with acoustic guitar?

Huh? "Everybody Loves You Now," "Always a Woman," "Allentown"?

I think he means like a naked acoustic "Blackbird" type deal like this w/o piano etc

also I like this song, nice charming little tune w/a memorable hook

overall i find all this stuff pretty charming, i guess it's tentative and transitional in a way, he's not quite fully formed and he sounds so young...