Rolling Comic Book thread 2017

I still hold out hope that the conclusion of Alan Moore's 1963 series will be published any day now

Weren't Gen13 kind of a Weapon X thing?

Yeah, there was a group of soldiers (Team 7?) that had some experiments done on them that trickled down to powers manifesting in their kids; the soldiers were the 12th iteration of this project and the kids were kidnapped when their powers began to manifest so they could become the 13 iteration, hence "Gen13". They were also tied to WildC.A.T.S. through the character Grifter, who was in both Team 7 and WildC.A.T.S.

well
http://forums.millarworld.tv/t/biggest-news-ever-netflix-buys-millarworld/10356?u=mark_millar

that guy sucks

The BBC: Millarworld, founded by Mark Millar from Coatbridge, includes his portfolio of characters and stories such as Kick-Ass, Kingsman, and Old Man Logan.

But since the first two of these have separate movie franchises not included in the deal, wtf have Netflix just bought?

All three do, the last one being a Marvel franchise.

I guess they bought all future IP from the mind of Mark Millar?

there are also sources referring to 'millarworld' as a publisher, but weren't all the comics published by other publishers?

Yeah, everything associated with Millarworld is published elsewhere and the majority of it is already optioned or made (Wanted, Secret Service, Kick Ass all made, Chosen and War Heroes both optioned by Sony). All that's left is Nemesis, Superior and the actually quite good Jupiter's Legacy/Children.

I also noticed the ref. to "Old Man Logan," and concluded it must just be sloppy reporting... that's obv. a Marvel-owned property with motion picture rights held by Fox (who recently made a movie based partly upon it, in fact).

I guess Old Lunch might be right but regardless this is an idiotic deal.

New Kerascoet for November
http://nbmpub.com/comicslit/dontouchme/satanpre1.html

Oh great. Not sure I loved Miss Don't Touch Me but would definitely read more by the same people.

Unrelatedly has anyone read EXTREMITY? It's a very violent (but not at all Kirkman-y) space epic YA thing with very good Philip Bond/Hewlett style art. Only read a couple issues but enjoying it so far.

Wonder if the Comics Journal site will still do the weekly listings after McCulloch has wrapped up? His most recent entry was quite odd and funny. Don't know how much I care now, but I'm still a little worried I'm missing really good things. I'll never buy Previews again (don't want to feel that violent rage every month).

Still keeping an eye on Fantagraphics, NBM, Yoe Books and Dark Horse's Corben comics.

http://comicattack.net/archives/129408
Kenneth Smith is still around and should have more work coming out eventually, he talks a bit about that here. I'm only really interested in his art/fiction. I found his columns for Comics Journal incomprehensible at the time and I know a lot of people either hated or loved them.

man i forgot about him. I can cope with a lot of theory despite never getting to college but Ken Smith was yeah incomprehensible.

Years back I was quite struck by the fact that the only comics he seemed interested in were heavily illustrated fantasy stuff. Which was a bit at odds with the image people had of Comics Journal intellectuals at the time.

There's an audio interview of him on youtube rambling quite interestingly. His philosophy book Otherwise has a cool cover.

huh going out with a bang
http://www.tcj.com/this-week-in-comics-93-98-1-25/

(NSFW for anyone else who cares)

oh yeah, sorry: that's a historical look back at Lightning Comics and their many nude variant covers

Wasn't there one more to go next week?

The reader letter around the middle of that page is great.

http://www.tcj.com/eye-drum-yokoyama-yuichi-and-audiovisual-abstraction-in-comics/

See this manga street performer wearing a t-shirt with his own face on it.

i finally got around to trying JoJo's Bizarre Adventure and holy shit is it ever astounding.

How far along are you?

pretty early, but i get the impression there's not a whole lot that's been translated to English yet? I'm on book two of part two.
the blatantly homoerotic art! the bazonkers framing! the utterly batshit characters! the dialogue, and my god the plot! it's as nutty and neurotic a book as I've ever seen and i read all of cerebus!

Only 3 out of 8 parts have been translated to English.

Gotcha; I have the first two parts. They're really something! I was amazed he upped the ante for part two. Not sure how much more high stakes the book can get!

It's like Dickens via Romero / Miike

As far as I know, only the first three arcs have been officially published in English, but amateur scanlations for the other arcs should be fairly easy to find online. There's also a surprisingly faithful anime adaptation of the first three arcs up on Hulu, and the fourth is on Crunchyroll.

i'm surprised there's not been more talk of it on ILC before. It's virtuoso work and admirably insane on every level. The understanding of anatomy is Picasso-esque in its inside-out perversion and plasticine recreation of the human form. The landscape and clothing detail is similarly gaga and obsessive.

And the scope! Phantom Blood alone is a 900 page masterwork, enough to make a career... but I'm led to believe that's less than 1/20th of the complete story ?(!!!!!!!)

The third part is where it starts getting really nutty. The PS1/Dreamcast game was my introduction and it was pretty crazy.

Just as weird is the photoshoot of Araki meeting Clint Eastwood and that he designed fronts of Italian fashion stores with Jojo characters.
http://jojomenon.tumblr.com/post/66026270459/clint-eastwood-and-hirohiko-araki
This actually happened!

Unfortunately the official English translations get rid of a lot of the music references.
A character called White Album has a move called White Album Gently Weeps. Apparently Sex Pistols (tiny bullet creatures) can beat this move.
Characters called King Crimson, Killer Queen, etc.

Here's a review of his ideas of creating manga
http://www.tcj.com/reviews/manga-in-theory-and-practice/

I like it when characters have titles as names like Fun Fun Fun, Heart Of The Sunrise and Born This Way. Later stuff seems to include more jazz references.

hard for me to imagine this getting MORE nutty; looking forward to it

TCJ firing shots at Yoe Books:

http://www.tcj.com/craig-yoe-a-disservice-to-comics-history/

It's weird how the article kinda cuts straight to the chase but from my limited experience with the publisher dude has a point? Wasn't very impressed with the curation on anything I saw and Yoe's horny uncle shtick made me regret following them on FB. Defenders in the comments mostly suggest Yoe's ramshackle approach is truer to the "original spirit" of the books but frankly if that's the idea they could go a lot further with it, though frankly I don't find it very interesting anyway - pointless to try to reproduce the constrictions of commerce when the actual pressures aren't there.

You can address all those things without making the “not respecting comics as art” argument your key issue. If it’s really about making an affordable thing for fans, then print it in a softcover without blowing up bad scans to huge size. There’s a lot of scanned older stuff online, either in the public domain or a grey area, and I wonder if some of these projects aren’t even doing scanning work

It's funny that so many commenters on that post talk about how inexpensive yoe books are - I find them way too expensive for what you get. If they were trade paperbacks at normal size and ten bucks less, we'd be talking.

But then, the whole hardcover thing has pretty much taken most new feature length comics work out of the realm of possibility for me anyway. I literally can't afford comics anymore now that everything comes out in HC. Supporting two people on my paycheck, etc etc. (also I know I shouldn't talk as my last two things have been HC only)

there's some ambiguity in how "coffee table books" is being used, I think. on one end, that evokes some really expensive curated books that are done with an archivist's eye, where someone's dug through archives and inside sources to compile a large-sized book that might pair art with commentary

on the other end, you get the stuff that ends up on the large discounted shelves in the area in front of the cash register at big book chains like B&N with mediocre production values that are made to sell copies

there's overlap, and some publishers do both, but neither is really targeting people who just love flipping through comics

file me under "just glad he's getting this stuff in print"; i have discovered a few artists via Yoe (Boody Rogers for instance) that might've escaped me.

According to some these would have been in print by someone else in better shape.

Some of those complaints sound fair (unpaid people working on the books, not the best scans, Spiegelman lawsuit, apparently beating other people to the punch so that their version is less viable) but I like the designs of them better than a lot of otherwise superior Fantagraphics books. I'd go as far to say Fantagraphics are the best American comics publisher ever but some of their book design is a bit sterilizing and "arty" in a bad way.

I really dislike this cover
https://www.comics.org/issue/1153115/cover/4/
Why not just use one of the best drawings inside the book? I hate those closeups that fetishize the dots and roughness. I think that's a disservice to the artist.

Some felt that they made Peanuts look like something it wasn't. Exaggerated the glumness to make it more like Chris Ware or betrayed its true spirit? I don't know.
https://www.comics.org/series/15711/covers/
What do you think?

Quite a lot of Fantagraphics books are in softcover and have minimal commentary, so some of the people defending Yoe are talking rubbish.
Can't believe that guy complaining about political correctness.

I'll keep buying Yoe Books, atleast they're not as abominable as Marvel and DC reprints.

tacky reprints of peanuts continue to be published for those who aren't interested in fantagraphics' series.

That Yoe Books argument went on for a while. Somebody brought up Derf and insulted him, then him and some friends came in.

For something that was a big part of my life for a while and important in meeting a bunch of people (plus other nice people I don't see anymore), I don't really miss that Comics Journal forum crowd at all.

I don't think it's just that I was frustrated by a lot of the comics that were a bad fit for me and feeling tortured by wondering what was good and bad. So many of the people seemed similarly tortured and insecure. But also a lot of really constipated people. I didn't feel a lot of warmth from them like I do in other communities.

I imagine that a lot of fine art and literary fiction communities are like that. These confused, insecure, deeply unfulfilled people who hate each other.

Comics fandom probably the most insecure crowd of them all though, especially the artsier end of it - the Inferior Medium neurosis still lives for a lot of people, and US readers specifically seem to spend a lot of time untangling their own tortured relationships with the superhero stuff that probably drew them in in the first place but also lords over mainstream awareness of the medium; I mean these are all very old hat concerns and you'd think we'd be past them but it doesn't feel like we have, and so I often detect a lot of self-loathing in the more intelligent comic critics I know of. Which frankly I sometimes appreciate, especially contrasted with the acritical fanboy shit that a lot of mainstream comic/geek culture sites trade in.

Sure but I meant more than that. Like, a lot of the artists seemed a bit repressed or something. As if they were trying to live up to this ideal of what respectable comics were.
People closer to the Fort Thunder end were refreshing to me because they seemed like they were just doing whatever the hell they liked.

Part of it could be my prejudice because I always disliked that New Yorker/Drawn & Quarterly aesthetic. Although I have liked more D&Q stuff in the last 5 years.

I read someone's account of the New York poetry scene and he talked a lot about people just following respectable trends and not really expressing themselves. It reminded of those alt comix people but I think the arty art world in general has loads of that.

Jim Stenstrum turned Asskickers Of The Fantastic into a book series.

I'll be at SPX this weekend for the first time in many years. At the Uncivilized Books booth. Saturday only, as I want to be back in NYC to sit at the Brooklyn Book Festival on Sunday. P excited though, SPX used to be such a fixture of my year.

In case I forgot to mention it, the second True Swamp hardcover collection came out about a month ago, so I'm promoting that obv.

say hi to gilbert for me

sup from forks, beto

Jon, I'm gonna be in DC on Saturday for a loud rock/metal show. You should come out Saturday night!

And bring me a book.

aw man
i'm coming home Saturday evening.
it would be good to see you!
Email me your number in case I somehow decide to stay the extra night.