The long overdue _Blade Runner_ thread

he explains what the nexus 6 line is

ah these all came out while deckard was just kickin it, losing his edge! got it

it is true i miss plot stuff in movies. more than the average person probably. but some stuff that's not really signposted imo? the apartment where deckard finds the snake scale for instance i did NOT clock that it was leon's (though it makes sense that it is)

anyway i'll shut up now and get back to the Throbbing Dread Vibes

yeah my sense was that he was coming out of retirement and unfamiliar w nexus 6, not replicants in general

this implies that nexus 5 replicants live forever but look like bender

what are throbbing dread vibes? sounds awesome

i was wrong it's Sexy Sax Vibes now

or is it just plain sexual assault vibes

I assume all the nexus models are bioengineered, but the early models were... less good

Hauer is incredible - this time rewatching more than ever I was just transfixed. every moment on screen is so good. The way he delivers his lines, carries himself, the slightest move is so deliberate

for such a good actor he sure is in a lot of shitty movies tho

enh he had BR, The Hitcher, Flesh + Blood and the other early Verhoevens, the nursery scene in Hobo With a Shotgun, pretty good run imho

http://m.imdb.com/name/nm0000442/filmotype/actor?ref_=m_nmfm_1

If you've never seen Turkish Delight...it's really something

And yeah he's been a depressing paycheck guy for a long time. His appearance in Valerian is almost comically snoozy.

xp he has definitely been in some great movies but the sheer volume of low budget crap on his imdb page is something to behold

"the hitcher" is all-time

it's like you're leaving out Ladyhawke just to make me cry

loool at the plot synopsis of Wedlock

After stealing diamonds in a robbery, diamond thief Frank Warren (Rutger Hauer) is betrayed by his best friend Sam (James Remar) and his fiancée Noelle (Joan Chen), who turns him into the authorities. Frank is sentenced to 12 years imprisonment at Camp Holliday, an experimental prison where each convict is given an electronic collar containing an explosive device which is electronically connected to another inmate. If any inmate tries to escape from Camp Holliday and is separated from the collar-mate by more than 100 yards, their collars will explode. Frank learns the inmate he is connected to is Tracey Rigg (Mimi Rogers) and Tracey and Frank both escape with their collars intact. On the run from the authorities, Tracey and Frank find they are being pursued by Sam and Noelle, believing Frank will lead them to the diamonds, which he has hidden. Can Frank and Tracey get to the diamonds without separating from each other more than 100 yards?

Hauer felt free to do crap after BR because there's pinnacles that once reached you never really come down from regardless of what follows, Hauer is essentially George Best

we watched Wedlock many times when it was on cable, one of the great head exploding films of the 20th century along with Scanners and Chopping Mall

seein this shit tonight

― flopson, Monday, October 16, 2017 6:38 PM (yesterday) Bookmark Flag Post Permalink

loved it

otm

was the bug planted by the replicant sechs worker what led the baddies out to deckard's hideaway? like it was sort of a shonky bug that the police noticed too? or was she a double agent?

and why did the police just leave K there??

many things i liked about this, particularly the sound. my cinema had a great sound system. i could feel the spinners in my chest. it wasn't very thought-provoking. i did like how it militated directly against matrix-style "special one" logic, where the hero realises he is destined since birth to be different and unique blabla. (tho his fake soma-gf tries to convince him of this)

hey resistance lady! dying for a cause you believe in is the thing that makes you most human?? fuck off! (and who wants to be human anyway amirite)

No. Luv killed Joshi and used her facial recog to get into the police computer and presumably track his ehereabouts

ah yes

i was clutching my own hand too tightly to think v clearly about anything at that point

Them leaving k there alive is a major misstep plotwise tho

The "left for dead guy comes back to get revenge" trope is classic fuiud

http://variety.com/2017/film/reviews/blade-runner-2049-review-1202576220/#!:

As it happens, in both tone and style, the new film owes more to slow-cinema maestro Andrei Tarkovsky than it does to Scott’s revolutionary cyberpunk sensibility.

This was much more Lopushansky than Tarkovsky. All those Russians don't look alike, haha.

Really enjoyed this, whatever its influences!

Did they think K was dead? He didn't look dead. I noticed that as a plot misstep too.

maybe luv didn’t kill him because she was secretly in luv with him

I liked how the replicant army entered the room in the middle of the leader's speech. They were just waiting in the hall for their cue.

I just think they didn’t really give a shit about him and thought him low status enough to not be worth their time

I think that's right, but it's a misstep in that it makes for a less satisfying story than if the bad guys were smart and careful.

never underestimate hubris

I am still wondering... if their goal in tracking K is so he'll lead them to Deckard, who is a vitally important piece of equipment who holds the mystery of replicant childbirth... why do they fire a missile at him as soon as they locate him? This seems like a pretty stupid way to catch him, especially since K has a tracking device in his pocket. JUST FOLLOW THEM.

I think that's right, but it's a misstep in that it makes for a less satisfying story than if the bad guys were smart and careful.

― jmm, Tuesday, October 17, 2017

it's only a misstep in retrospect

a simple "leave him" uttered by some faceless goon would have sufficed probs

. why do they fire a missile at him as soon as they locate him?

It looked to me like they fired the missile at their car to stop them getting away

there is some deep psychological voodoo going on about facial cgi, and directors and everyone involved with a movie apparently thinking it is good enough. when sean young shows up in this, as her younger self, it's breathtaking. she moves closer, to the middle ground. still breathtaking. is this some unused footage, melded into the new movie? what witchcraft is this?? then we move closer. she starts talking. and it's LIKE WATCHING RED DEAD REDEMPTION. clearly there are extremely high standards at work in this movie. the design, the sets, the makeup, it's all stunning. so what blinds producers and directors to this? grand moff tarkin in rogue one was just the same way. and even leia to an extent - they were smart enough to hold the close shot on her for just a second or two but it was enough to feel the plasticky vibe, the gray film over the teeth, the curiously rigid mouth. just bizarre. (it's not so different maybe from the collective delusion that plastic surgery on the lips and chin etc actually makes hollywood actors look better rather than clownish losers)

like there has to be this deep, deep desire to unsee or look past the deficiencies of the representation, deficiencies which are immediately apparent to anyone not involved in the production

Whether the uncanny valley can be crossed poses an interesting challenge.

I find the CGI in the Star Wars prequels much worse. No surprise there but it's just stuff like robots and scenery; there's a curious lack of scale. Not relative scale, just a sense of scale at all.

some of the look very much reminded me of manufactured landscapes, the documentary of edward burtynsky's work: ppl like salvage-ants crawling over mountains of detritus and abandoned ship-hulks

https://static1.squarespace.com/static/5915c70e59cc6830f44a9d74/59627dfa44024329a4dc59e9/59627dfa03596e1794b5c2d6/1499627003167/Manufactured_Landscapes_Cover.jpg

https://static1.squarespace.com/static/5915c70e59cc6830f44a9d74/59651f7ce3df28f61fda1911/59651fbd17bffc9f07d41720/1499799744898/SHB_9A_00_big.jpg

uncanny valley easier to swallow in a movie where they're bioengineering fake people

i saw it with tracer: i think our shared opinion on exit was "that was good not bad but we have QUESTIONS"

re LUV: it's a very bold commitment to style when your job that day is likely to included assassination via close-up knife and/or noggin smashed like a prawn cracker so you decide yet again to dress in STARTLING VIRGIN WHITE, well done her

her boss was plainly a complete blethering idiot and she just as plainly recognised this, hence her tremendous sinister rage at all times after the very first encounter with her (she was the best if not the only character)

actually the memories woman was good too, i liked the super-weird way she brushed away her tears

yes!! the first time she did it i thought "the director has told her she must brush away some tears but she hates him so she's doing it in the most perfunctory way possible" basically writing my own making-of fan-fic in my head while the movie is going on (possibly why i missed so many plot points)

am i right that LUV and WALLACE both are pining for the secret of babby-forming

clones

lol sorry i meant that to be strikethrough not blockquote

love those scraggled detritus landscape photos mark, i was keen to see them after having them described to me

the burtynsky documentary is def worth checking out: the book collection suffers a bit from the fact the photos work best in galleries, really really large; the shipbreaking location is chittagong beach in bangladesh