This is the thread where we discuss matters pertaining to the detrius that accompanies the "End of the Year in Cinema" -- 2017

I'm happy with this explanation.

The D'Angelo effect usually only applies to MD'A's favorite movie of the year, which this year was mother!

Indie Spirit Awards: Get Out, Peele, Chalamet, McDormand, Rockwell, Janney

http://variety.com/2018/film/news/spirit-awards-2018-winners-list-1202716594/

Ingrid Goes West over Columbus for best first feature is some bullshit. (Not as much as magically promoting Get Out beyond the category, of course.)

I really want to see Columbus (won the Filmspotting podcast's "golden brick" of the year – are any of you listeners?) but can find zero sign of it getting a UK release in cinemas following its LFF appearance.

I guess it'll turn up on Mubi or whatever some time.

Ingrid Goes West was great

I laughed a lot.

Elizabeth Olsen should've been nominated in Supp Actress.

I swear Columbus was briefly streaming on Amazon Prime, didn’t catch it in time

it's fine i don't know why people liked it so much

IGW was watchable, not the scorching anti-Twitter jeremiad we need

six Cesars to BPM

http://variety.com/2018/film/news/robin-campillos-bpm-beats-per-minute-wins-best-film-at-cesar-awards-1202715674/

Finally: my longform aggregation roundup of the ~31 films shot on 35mm released in 2017. https://t.co/BzuYJipC4P

— Vadim Rizov (@vrizov) April 5, 2018

Great piece, thanks for the link... that bit about Sean Baker preserving his digitally shot films and losing one of the master files for Starlet is really sobering.