rolling afropop / afrobeats 2018

Message Bookmarked
Bookmark Removed
Not all messages are displayed: show all messages (494 of them)

Unsung father of Alté? Or of everything wavy/vibey/groovy?

I realize that I may not have expressed myself all that clearly, but I was specifically referring to the r&b-kind of wavy/vibey/groovy, which is why I singled out Kuvie on the Ghanaian side (both as a producer and on his own album).

Burna’s “afro-fusion” has always been much more heavily infused with reggae/dancehall than with r&b. And while Odunsi calls his music “afro-fusion” too, citing Burna and Blackmagic as major influences (as well as older artists like Wale Thompson and Angelique Kidjo), and I can hear the Burna, especially in his older stuff, the heavy r&b focus makes his version of fusion a different kettle of fish imo.

Someone like Juls (again on the Ghanaian side, by way of the UK) is closer to the Burna aesthetic, I think, to the point they’ve actually worked together (Burna and Odunsi have this in common at least), but I’m not sure that Juls arrived at his sound through Burna.

― breastcrawl, Wednesday, December 12, 2018 7:57 PM (three hours ago) Bookmark Flag Post Permalink

To be clear, alte was coined to describe an emerging subculture reaching far beyond music.
I think this is the best distillation you'll find anywhere of what that entails.
https://becomingyeva.com/alte-lagos-all-you-need-to-know/

Colloquially its simply a delineator of perceived countercultural difference e.g. I get called alte for wearing barbour jackets and having a dog.

In as far as it does relates to music and visual style, Burna Boy was a fair representation of that bohemian, cosmopolitan aesthetic for a while before the movement took hold.

Burna has played with a lot of sounds (to very mixed results in the earlier years) and while his delivery/vocals have typically favoured reggae/dancehall it's probably wrong to frame his music exclusively in such terms when R&B influence has primacy in a number of his most prominent tracks; "Like to Party", "Don Gorgon", "Pree me"...

"Soke" in particular represents what I see as an awakening point both in the crystalisation of Burna's own sound and laying the groundwork for a kind of decidedly non-danceable wavy/vibey/groovy R&B that wasn't presumed to be in high demand.

tsrobodo, Thursday, 13 December 2018 02:00 (five years ago) link

I def have noticed ppl in the industry here seem to see Odunsi as more viable than lots of 'mainstream' african stars ... idk if its classed bias or alt branding or what but it feels both extremely predictable & not necessarily bad but potentially bad

― ILX’s bad boy (D-40), Wednesday, December 12, 2018 8:29 PM (yesterday) Bookmark Flag Post Permalink

How much of this would you say is just a function of it being easier to sell things to industry people that they already feel they understand?

tsrobodo, Thursday, 13 December 2018 02:03 (five years ago) link

This has nothing to do with anything, but I just want to say how much I love Sauti Sol and how much I love this thread for telling me when there's a new single out.

Frederik B, Thursday, 13 December 2018 14:26 (five years ago) link

Finally checking out the Mr Eazi album and this one with Burna Boy is superb:

https://www.youtube.com/watch?v=NHztnu5WM-w

pvmic, but I also dig the one with Chronixx

rob, Thursday, 13 December 2018 15:05 (five years ago) link

Two groovy tunes from Naija for the holidays:

https://www.youtube.com/watch?v=YUKZeOjsuw4

Maleek Berry • Doing U

(his “Wait” is good too)

...and this one features Wizkid and it’s excellent, but I’m posting it here because Reekado owns it: “oya, turn up tha... /mtcheww/ speakers!”

https://www.youtube.com/watch?v=4p6zc1wbg3Y

DJ Tunez ft. Wizkid & Reekado Banks • Turn Up

breastcrawl, Friday, 21 December 2018 18:10 (five years ago) link

Keep forgetting to post Joey B’s “Stables” (one of OkayAfrica’s Ghanaian selections) here. It got some traction on the EOY lists thread and has now been nominated for ILM’s EOY tracks poll:

https://www.youtube.com/watch?v=C3Ej0aTITk4

Joey B feat. La Même Gang • Stables

breastcrawl, Saturday, 22 December 2018 01:50 (five years ago) link

In a surprising development, DJ Sumbody now has the number one hit in South Africa. The link posted back in September is now dead, so here's the official video:

https://www.youtube.com/watch?v=6CwMuQUr4Do

DJ Sumbody feat. Cassper Nyovest, Thebe & Vettis • Monate Mpolaye

breastcrawl, Saturday, 22 December 2018 23:34 (five years ago) link

In a surprising development, DJ Sumbody now has the number one hit in South Africa. The link posted back in September is now dead, so here's the official video:

https://www.youtube.com/watch?v=6CwMuQUr4Do

DJ Sumbody feat. Cassper Nyovest, Thebe & Vettis • Monate Mpolaye

breastcrawl, Saturday, 22 December 2018 23:47 (five years ago) link

Critic Jason King mentions Burna Boy in his essay in the Slate critics roundtable

Though Africa has largely fallen off the American news radar, the music rocketing out of the continent remains straight fire. Projects by GuiltyBeatz, Aka, Fatoumata Diawara, Seun Kuti, Femi Kuti, Emmanuel Jal, Burna Boy, Muzi, Tal National, and Ammar 808 are all worth streaming. My favorite contemporary record this year, however, was I’m a Dream, the sophomore set from Gambian-Swedish chanteuse Seinabo Sey.

https://slate.com/culture/2018/12/2018-music-both-directions-at-once-coltrane.html

curmudgeon, Thursday, 27 December 2018 17:14 (five years ago) link

...as well as GuiltyBeatz. “Akwaaba” is his #10 song of the year.

breastcrawl, Thursday, 27 December 2018 17:34 (five years ago) link

Another Slate roundtable contributor Rawiya Kameir mentioned afrobeats and dancehall:

There was a similar rejection of artifice across the Atlantic, in the dynamic, compelling world of Afropop. It’s been thrilling to watch as some of the genre’s stars abandoned the shiny, transparent attempts at American crossover of recent years. Instead of paying top dollar to collaborate with household-name rappers or drenching strummed kora with arpeggiated 808s, many leaned into traditional Naija sounds and motifs. It’s not that they hadn’t found success beyond their borders—Wizkid’s “Soco” and pretty much any recent Davido single blared from cars outside my Brooklyn window all summer—but maybe simply that the efforts, largely unreciprocated by American artists, no longer served them. Burna Boy’s excellent Outside seems to have lasted, even though it was released way back in January.

https://slate.com/culture/2018/12/pop-music-earnestness-kacey-musgraves-mitski-snail-mail.html

curmudgeon, Thursday, 27 December 2018 18:14 (five years ago) link

New thread for 2019:

rolling Afropop / Afrobeats / Afrodance 2019

breastcrawl, Wednesday, 2 January 2019 18:30 (five years ago) link

Goodbye 2018 and good job everyone, I think we did good and had good taste.

https://www.youtube.com/watch?v=4QxY7afI0tQ

Nabozo, Friday, 4 January 2019 11:18 (five years ago) link

Actually, there's no reason this thread shouldn't continue being used for a while

My friend sent me this (Racheal M - Mpalampalampa) from Uganda. Always liked this rhythm. She's 12.
https://www.youtube.com/watch?v=jECyKs-l1ok

Nabozo, Tuesday, 8 January 2019 15:29 (five years ago) link

Ok let's do it

A Pass - Didadada (groovy, from Uganda)
https://www.youtube.com/watch?v=gM19YRkJYhs

Nabozo, Saturday, 12 January 2019 21:08 (five years ago) link


You must be logged in to post. Please either login here, or if you are not registered, you may register here.